Bleeders

'Bleeders' is known as 'Hemoglobin' in the UK which I will proceed to refer to this films as.

At the beginning of a film a young couple, Kathleen (played by the gorgeous Kristin Lehmann) and John Strauss (Roy Dupuis) arrive by boat on an island. Shortly after docking John has a kind of seizure and is quickly taken across the island to Dr. Marlowe (the legendary Rutger Hauer). It is here that we learn that John is suffering from some sort of blood disorder and has come to this island in hope of tracing his family and finding a possible cure.

At the same time, while excavating a graveyard to move the bodies due to the highly annoying local business woman using poor quality wood in her coffins it starts to become apparent that there are a number of bodies missing from the coffins.

'Hemoglobin' deals with themes rarely tackled by films in any genre. We have genetic mutations caused by incestuous relationships and also hermaphrodites. Despite only having occasional nudity, there is a strong sexual context to the film, though that seems there more to shock than to titillate.

People tend to slate the acting from this film, but I personally see no problem with it. The problem with the film in my opinion is to do with the extreme lack of useful dialogue and the overall execution of the idea. 'Hemoglobin' is a slow movie, therefore it's quite easy to lose interest, but at the same time when an event happens in the film that is of importance it is quick and often dealt with in a short amount of time. So to fully understand some of what is going on in the movie you really need to pay attention.

The ending was also somewhat of a disappointment and also feeled tacked on. There are so many questions left by the ending that one begins to wonder whether it was worth watching to begin with. Unless perhaps a sequel was planned but due to the negative reactions to the film was scrapped I can't actually see how the ending could have happened the way it did. But despite this there are some rather dramatic parts in the ending, you just need to sift through the rubbish.

The monster costumes are also a bad-point. Some of them look like they were made out of plasticine, and while they are fairly original looking it doesn't detract from the stupidity of how they look and move. But at least they didn't go for CGI, and other than the costumes there are some good make-up effects in 'Hemoglobin' that are actually quite praise worthy.

It's a slow moving movie that many people will find too dull to watch. I personally give it 4/10 and I'd say this film is for serious horror fans who are looking for something different.

Now, it isn't for everybody mind you, not even every die hard horror fans; but if you like freaky monsters under the ground from origins to awful to speak aloud, then not only are you a Lovecraft fan (see Shadow Over Innsmouth), but you'll probably enjoy this movie. Not fully incorporating the Cthulhu Mythos, huge parallels are seen in the backwoods MA people, the fish like monsters and something that came from a long time ago. Surprisingly, unlike the vicious scheiBfare Lovecraft renditions that came out of the eighties, this is surprisingly well done. It has actors and actresses that don't foul up the Lovecraftian nightmare that the director has in store for the audience, and a good plot. My only question was, so what happens next.

An uncredited adaptation of the Lurking Fear, Hemoglobin (as it is titled in the current US DVD release) stars Rutger Hauer as a drunken doctor recently moved to a small New England fishing community. The arrival of John Strauss (played in near-albino fashion by Roy Dupuis) raises some interesting questions.

The basic theme of Lovecraft's story remains unchanged. A family of incest-deformed monsters live beneath the town, feeding on the dead. Of course, Lovecraft provided a description of the horror in the Lurking Fear and yet, to my knowledge, there is no adaptation that has bothered to be true to this fairly simple detail.

The movie is fairly fast paced, though the insertion of a sex scene comes off as forced and staged, interrupting the film's progression for the purpose of a few quick breast shots. The creature effects aren't that great, indeed, they are probably one of the poorer portions of the film. The footage of the underground catacombs though? That is just wonderful.

The film tries to play with atmosphere, and does us the courtesy of not waving badly made up monsters in our face. Indeed, one of the more tense scenes plays out mostly in shadow as the creatures storm the local lighthouse.

This is a nasty, nasty horror film. It is visually so repulsive that it is at the same time repellent and attractive. There is no plot to speak of and nothing really surprising happens, but the fascination of the grotesque kept me watching long past the point at which I would have turned off many other films of this caliber.

I wrestled with myself as I took this off the shelf. "Look! O'Bannon and Shusett co-wrote it! Y'know, 'Alien' and 'Dead And Buried'. And Rutger's in it!". I still knew in my heart it was gonna stink, but I rented it anyway. And much to my surprise, it was nowhere near as awful as I feared it was going to be. Okay, it has many faults, especially the two no-name Canadian leads, a hack director, and a predictable plot which offers absolutely nothing unexpected whatsoever (which is made even worse by a DVD slick which doesn't even attempt to keep anything to itself), but I found it quite watchable just the same. I'm a sucker for Lovecraftian movies, Rutger has little more than a cameo really, but he's pretty cool in it, and there are one or two effective scares and creepy touches. So the verdict is utter trash but fun. Goes well with beer!