Going All the Way

The folks who have trashed this excellent drama are those who saw the misleading studio hype about this film and were looking for more garbage like "American Pie". There is no schtick here, no easily recognizable stereotypes, no fart jokes for an America that has degenerated to the point where virtually everyone has the same tastes as their eight year old child. The characters are realistic, sensitive, flawed and vulnerable in a country that likes simple and macho and a story that does nothing to get in the way of their numerous bigotries.

Jeremy Davies is one of the most talented actors of his generation in a country that thinks Ben Stiller is an acting genius.

Going All the Way is a great film, well, at least it was for me. For anyone who is aware of the sexual repression and confusion that can come from parents and religion should see this film. It moves slow at times, but this is more of an artistic film than a comedy so that is understandable. The underlying themes of escaping what you realize has been holding you back, searching for a point in life, and questioning one's beliefs makes this film an immidiate favorite of mine. If you're looking for a movie with typical Ben Affleck, see Dogma. If you're searching for something with some depth that is up for some interpretation, see Going All the Way.

Additionally, if you have seen this already and enjoyed it, I also reccomend The Virgin Suicides.

I'm not speaking for anyone besides myself, but I thought that this movie was great. It truly showed growing up from a high school boy into a man who has to deal with things such as marriage and faith. This movie truly showed that many things can change a person, even by visiting a country you can be affected. This movie also shows the realization a person can have when reflecting on his/her life. This was a good movie about life.

This tale of two Korean War Vets and their return home to Indianapolis is apparently supposed to be a harsh critique of mainstream American life in the 1950s. As the two young men try to find a deeper meaning to life and to do what makes them truly happy, they are constantly confronted by the heavy hand of conformity. They want to be unique individuals, but everywhere they turn, they are pressured to be "normal", to not date Jewish girls, to join a Protestant church, to take a desk job with a respectable business.

The problem with this movie it that it greatly overplays its hand. The church figures, anti-Communist activists, and stereotypical Midwestern parents that it so harshly criticizes are unbelievable caricatures. The result is that instead of successfully nailing its intended targets, the film plays out almost like a right-wing parody of a left-wing attack on Middle America. It therefore fails mechanically. However, strictly as a piece of entertainment, it certainly has its moments. And the anti-conformity message, which I agree with, isn't completely ruined by the overdone writing and acting. Bottom line: the movie doesn't work, but you may still find watching it an okay way to spend an hour and a half.

There were two things that shocked me about this mostly average film. First, Jeremy Davies gives almost the exact same performance as he gave in Saving Private Ryan, the tics, the mannerisms, the speech patterns, it's all there. Second, his character, an awkward, nerdy photographer home from WWII bags both Amy Locane AND Rose McGowan! Huh? Unbelievable but true.

As to the film itself, my main problem with it lay with the friendship at the center. Why does Ben Affleck's character, an outgoing, popular vet also returning from WWII, want to hang out with Davies' character when they are clearly opposites? It's never explained. Also lacking is the plot. There is none. The film simply follows those two characters around on their various exploits but there's never any kind of narrative driving the "story" from scene to scene.

All in all, the film is interesting only to see some early work by actors who have gone on to become more popular today - Affleck, Davies and McGowan.