Switchback

I liked just about every aspect of this movie. The local police aren't portrayed as a bunch of inbred idiots, the killer isn't portrayed as maniacal and impersonable, and the FBI agent isn't just a suit with all the personality of a tube of toothpaste. All of these combine to make a refreshing murder mystery/thriller. This isn't the classic "who dun it?" type of murder mystery; rather, it is more in the flavor of "Silence of the Lambs", where we discover who the killer is long before the end of the movie, and the suspense comes from anticipating the hero catching the villain.

As a thriller, this had some holes. For starters, Stuart identifies the killer too early (at least, I figured it out), so some tension is robbed). The postcard thing never really made any sense to me. And though it's clear who the killer is, his identity raises questions about how Quaid's son is kept without the authorities knowing. But I can forgive a lot of that because we care about the characters. Quaid, Ermey, and Glover, are three of our finest character actors, and they make us interested in their characters. Also, Ted Levine offers fine support, and Jared Leto creates mystery in his role when there wasn't a whole lot written in.

Definitely a Good suspense/thriller........should have been rated nearer to an 8 to an 8.5 rating. Danny Glover does an excellent acting job. There are enough turns and twists in the plot to keep one's interests all the way through the movie, in my opinion.

I was surprised by this film quite a bit. I thought it would be another mediocre paint-by-the-number genre piece. To my amazement Switchback is a taut and suspenseful film. Its fun to see Danny Glover cast against type. By no means a masterpiece, but well worth watching by thriller fans

I saw this film for the first time on late night television after returning from the cinema where I saw the disappointing 'Along Came a Spider'. There are similarities, but Switchback is by far the better film. Jeb Stuart has done a terrific job keeping us at the edge of the couch and there are very few cliches around. Danny Glover and the entire cast are just right, and all the characters, even the minor roles, are three-dimensional. The story centres on a young handsome hitchhiker picked up and befriended by the serial killer. But this is no ordinary serial killer -- he is Mr. Popularity along the mountain roads where they travel in buddy movie-fashion. But not for long. The killer isn't out to make new friends. What he is doing is cleverly framing the loner-hitchhiker (finger prints on murder weapon etc) so that the law will be searching for the hitchhiker, and not the real killer. That is the killer's modus operandi. So here we have this handsome hitchhiker with a mysterious past (a doctor who ran away) and a killer with a bloody past who is on the run. Enter an FBI agent (Dennis Quaid) who is wanted by the FBI. The FBI want Quaid off the case. But Quaid is a determined man: the serial killer, who he has tracked for 18 months, has kidnapped his son....All of these outsiders come through a small town where the local sheriff loses the election by opting to help the truant FBI agent find the real killer... Three quarters of the way through the film, everyone is chasing someone and the tension keeps mounting along with the altitude.

The killer has left a note with a cryptic clue that Dennis Quaid must decipher. But the key to his son's whereabouts lies elsewhere.....

This is a fresh breath of writing into a genre that has been abused and neglected of late. There are nice echos of our favourite films noir (...the hitchhiker, the loner, the car accident.....the guessing came about who is who...). There's a touch of The Fugitive, but not too much. On top of all the good acting, casting, plotting and suspense, there's nice atmosphere and locations in the Rockies.