I Married a Strange Person!

Yes, there are a few dull parts. I will admit that. However, there are also parts that will make you wish you had gone to the bathroom a few minutes ago, before you started laughing so hard that your bladder's about to burst. And then you start thinking about you bladder bursting. And just what it would look like. And you laugh harder. Then you want to go home and check what's really in the back of those wall sockets...

Good movie. Not the greatest in the world, but very good.

Jason

After newlywed businessman Grant Boyer is electrocuted by his satelite dish, he develops a strange lump on the back of his neck that gives him the power to bring his crazy thoughts and fantasies into reality. Of course, since this is a Plympton film, you can safely assume that this is merely an excuse to load the movie with lots of blood, sex, talking animals, bulging eyeballs, and more detached limbs than you can count. While extremely imaginative, well-animated, and generally fun to watch, the film runs its course within the first half-hour or so. Plympton is an amazing artist, but his art is best viewed in short-film form.

I've been a fan of Bill Plympton since I first saw one of his shorts in a late-80s animation festival, and to me, "I Married a Strange Person!" is his best work. It's possible that I've missed something better -- I've seen many/most of his shorts, but only one other of his long-form works, "The Tune". This film, to me, is much funnier and more memorable than "The Tune", though not as deep, I suppose.

Fans of the "splatstick" horror/comedy genre should enjoy this film, as it uses over-the-top gore to similar comedic effect. Don't get the impression that this is a film in the vein of "Lupo The Butcher" or something, though, with ultra-violence being used for ultra-violence's sake. Plympton's imagination is FAR too vivid for that to be the case.

I'd have to say, in fact, that Plympton has the most unique and active imagination of any visual artist I'm familiar with, and this film is a great showcase for it, since the plot concerns a special brain lobe that causes imagination to become reality.

Apart from the comedic gore, there are hilarious looks at sex. What Plympton has done for quitting smoking and other topics in his shorts, he does here for sex. Everything from people to animals to inanimate objects are seen engaging in the act here, to comic effect. One of the most imaginative images is the upper receptacle in an electrical outlet banging the lower receptacle from behind (with the three-prong receptacles having become faces).

Another thing to mention is the film's great score. Funny, catchy, toe-tapping tunes that you'll feel like you've heard somewhere before.

To sum up, buy this film! If you're at all a fan of animation or semi-risque comedy, you're sure to love it.

I caught this movie by accident at 2am and found it highly entertaining. It dashes from one scene to the next at a rate of knots. The animation is good and it is very refreshing to see an adult oriented cartoon despite the bizarre nature of the story. I'll be watching out for more by Bill Plympton in the future.

I feel sorry for the people that said they were bored during this movie and that was the only thing they had to say about it. This movie was a wonderful fantasy in which Plympton used the animated media to its highest potential. This movie does have something to offend just about everyone, from extreme profanity, extreme violence, to bizarre (but funny) sex scenes to quoting Hermann Goring?? The bird sex scene in the opening probably did a good job offending most of the population and let you know there was a really raunchy good time ahead; the facial expressions were great! Another great part to look for is when one character watches the "How To Make Love To A Woman" video. There was one segment I rewound the tape three times and STILL couldn't hear what was said because I was laughing SO HARD! WONderful movie and such an improvement over "The Tune".