In the Company of Men

Neil Labute's In the Company of Men is an amazing motion picture, one of the best films of 1997 and a shocking indictment of the ego-driven corporate world in which we live. On the surface, the film, expertly written by Neil Labute in his first feature effort, seems to be a cruel tale of misogyny. Lurking beneath the surface, however, is the film's true message, one which depicts the business world as a battle of survival of the fittest, a harsh world where men sacrifice their integrity and compassion in favor of oneupsmanship and greed.

Fed up with their failures with members of the opposite sex, two co-workers, Chad (Aaron Eckhart) and Howard (Matt Malloy) decide to play a cruel prank on an unsuspecting female victim. They will both date her, and then after a six-week period, they will dump her, a plan they've devised after years of being tormented and unlucky with women. They eventually choose their prey, a deaf typist named Christine (Stacy Edwards) and begin their quest, asking her for dates, sending her flowers, and sharing intimate moments. All this seems like a pleasant surprise to Christine after years of no dating--but, of course, she doesn't know the plan the men have hatched.

I don't want to reveal too much more about the plot than this. I will say that the film has two climactic scenes, one expected and the other inevitable in retrospect. The first climax makes the movie a success, the second makes the film great--only then do we see Labute's true intent.

Labute's cast of no-names is uniformly excellent. Eckhart, who has since become a Labute staple, delivers a fascinating performance as a truly despicable character, the smooth and fast-talking Chad. Matt Malloy is excellent as Howard, the "weaker" of the two men, and Edwards is great as the hapless deaf typist, presenting her character as likable, intelligent, and sensitive, not just a stereotypical handicapped woman. But the real star of the film is Labute's script. Judging by this, and his three more recent films (Your Friends and Neighbors, Nurse Betty, and Possession--all quality films), Labute is a writer-director to monitor for years to come.

A noteworthy comment about In the Company of Men is that it has been marketed as a comedy. Those of you expecting slapstick humor and romantic charms might be better served seeing another movie. In the Company of Men is NOT comedy. There are elements of black humor, especially one particularly depraved scene involving one of the men and an office intern. However, In the Company of Men is more tragic than comic, a look into the tarnished male psyche brought on by years of corporate stress and paranoia. I couldn't help but think of David Mamet's Glengarry Glen Ross, another film about corporate greed in today's world when I was watching this one. However, while Glengarry plays as more of a character-driven mystery and morality play, In the Company of Men is much more insidious, and it offers no solutions in the end. In fact, the final shot of the film is, in my mind, one of the most memorable in modern cinema. Just who exactly has the upper hand?....

9/10

The executives Chad (Aaron Eckhart) and Howard (Matt Malloy) have just been rejected by their mates. While traveling for a six weeks temporary assignment in another office, they plot an evil game to get even with women. They plan to seduce a vulnerable woman and dump her with her feelings and self-esteem completely destroyed. When they meet the deaf secretary Cristina (Stacy Edwards), they find their perfect victim. However, things get complicated when Howard falls in love for Cristina.

The first time I saw "In the Company of Men" on 08 April 2000, I was really disturbed with this movie, which has been recently elected the number 28 in the ranking of the best fifty independent movies promoted by a cinema magazine. I decided to reevaluate my first view, and I did not change my original opinion that it is a gem of cruelty. The character Chad is actually the personification of evil, not those caricatures that we usually see in other movies, but a very real one that we face in our jobs, clubs or social lives. Chad is charming, handsome and charismatic on his outside, but rotten, ambitious, cold and malevolent inside, manipulating and destroying other people for his self-satisfaction and promotion. Howard is also a very real character, that type of stupid guy with lack of personality and self-esteem that is easily used by others, becoming a loser in the end. And the poor Cristina is the innocent victim of this nasty game with her initial pure and later broken heart. The game is actually against Howard and she is the tool. The performances of Stacy Edwards, convincing that she is actually deaf, and Aaron Eckhart, with his cynical character, deserved a nomination to the Oscar. The debut of Neil LaBute could not be better. For those who liked this film, I recommend "The Shape of Things" (2003), from the same director. My vote is nine.

Title (Brazil): "Na Companhia de Homens" ("In the Company of Men")

Note: On 15 February 2015, I saw this movie again.

When I rented this film I had heard a lot of good things about it. I also heard that it was a comedy. It was in the comedy section. It was promoted as a comedy. IT WAS NOT A COMEDY! This is a very serious film that is sometimes very difficult to watch. Moreover, the ending is very depressing. Eckhart plays the biggest jerk in the history of film. A good movie that you will probably not enjoy watching.

Chad (Aaron Eckhart) and Howard (Matt Malloy) are in a new town for 6 weeks on business. Frustrated by the women in their lives they decide to use the time to seduce an insecure woman and make her feel loved - only to destroy her before they leave. They pick Christine (Stacy Edwards), a deaf girl from their office and set the plan in motion.

This is a fascinating black comedy looking at the macho world of American businessmen - although it is a look at the shallowness and competitiveness of men generally. The plot may sound simple but it is very powerful and insightful - although the men are exaggerated versions of reality in order to make clear points. The film doesn't totally satisfy but it is a great character piece.

Almost to a man the leads are all excellent, Eckhart is almost pure evil as the man who we all recognise or know, while Malloy is great as the man who wants to be in the game but is getting to the point where he longs for simpler values. Edwards is beautiful as the vulnerable Christine who gradually opens up with confidence as she is made to feel more and more special.

Labate's direction is spot on for this - most of the action is dialogue based and the sets are made like theatre sets. As such the direction is quite static but the camera is often set in very interesting shots. Labate's writing is the real strength with the whole dialogue strong, perhaps exaggerated and yet totally believable.

A wonderfully harsh drama that will make you aware that will carry you along effortlessly.

When I first heard about this movie my main motivation for seeing it was related to the controversy that surrounded it. I had heard all sorts of things said about what a misogynistic piece of garbage this was, but not afraid of a few negative reviews I went and saw it.

It's hard to say what impressed me most about this movie. I thought the performances were excellent, the dialogue was sharp and inciteful and the story intense. Aaron Eckhart's narcissistic, callous performance was amazing.

I cannot understand how this movie is misogynistic in any way whatsoever, as the characters are so hideous there is no way known you could empathise with them or consider their behaviour as anything other than abhorrent. I thought that the snapshot of the corporate male dominated workplace was fantastic and the picture it painted of testosterone charged males excellent.

The ending was amazing and I recall leaving the cinema and not being able to speak for a full 10 minutes.

See this movie.

9/10.