Homegrown

Homegrown is a very nice and inspirational film about three farmboy dope growers and their "community" of likeminded folk. After their boss Malcolm (John Lithgow) is assassinated, the hapless and frequently high trio have to try and improvise to get paid.

Homegrown is also a strongly feminist movie, in the best sense of the word, in that all the women are in fact the real actors behind the events as they unfold. What do our three hapless heroes do when they get in trouble and need a place to crash? Lucy (Kelly Lynch) is the first port of call, and she isn't afraid to use sex to get any info she needs. Who is really taking care of business when the community is threatened to be invaded by mafiosi?

All in all, this is a very inspirational movie. It makes you feel you want to go out and grow some of your own herb. I can see how a lot of people got nervous about a movie where the main characters are pot growers. However, if you take into account that pot is just another plant, it's hard to see what the trouble is about. The producers tried to sell this as a "comedy", and there are plenty of laughs, but don't wait for canned laughter or any other cues.

There are several marijuana inspired songs, Bob Marley's "Smoke Two Joints" and Musical Youth's "Pass The Dutchie", just to name two.

It is more of a caper/suspense/comedy movie.

A fun romp...a lot of good twists and turns! (and we were not even baked!)

Didn't know this movie even existed until watching the extra trailers on a Monty Python DVD...(oddly it was there along with The City of Lost Children, and The Adventures of Baron Munchauhsen)

The plot keeps you wondering throughout.

The acting was awesome...Hank Azaria shows his talent again, Bill Bob is Billy Bob...(wecis?)

Definitely worth watching.

This is a pretty good movie heavily influenced by John Huston's "The Treasure of the Sierra Madre" with Humphrey Bogart, but original in its content and conflict. It is not so much a comedy as a quirky drama, like Treasure, though its point is not as sharp at the end. You should see Treasure (again) before or after seeing this.

Well, it's a weird movie. That Stephen Gyllenhaal seems to LIKE weirdness, really.

The fact that the film is billed as a comedy should not be considered an indictment. A film is made because someone decided to try to share this particular story with you--NOT because he wanted to add another movie to some given drawer/shelf in a video rental store, nor because he wanted to make things easy for the marketing department.

I know the film wasn't well-promoted, but looking at the movie itself, I think it's actually a pretty innovative piece of work.

What really makes the film work is the ambiguity and (ok, I admit it) PARANOIA of it.

If you've found yourself wondering what any particular scene adds to this movie, I fear you've fallen victim to lack of imagination. The characters never know "who knows what," and that is the single most essential premise of the movie. The film uses a far stronger perspective of first-person perspective than such bubble-gum fare as the Matrix. When the hapless dope-growers meet the first distributor they're looking to do business with, they don't know whether he's "in on everything." When BB Thornton talks to Sienna, he has no idea what SHE knows about the situation...and in fact, no matter how you choose to interpret that particular scene, you really ought to acknowledge that perhaps the "reality" (cinematically speaking) is the complete opposite of what you first thought when you watched it. Almost every meaningful dramatic scene in the film is completely ambiguous in possible interpretation. At least up until the climax.

This is a film that truly does get better with repeated viewings, IF you have the patience for a movie that doesn't spell everything out for you. If you want a heavy musical score and a didactic moral "point," stick with Spielberg. He'll never disappoint. If you want to WONDER what the characters are really up to in a film, check this one out.

The cast is terrific, the story is novel if not earthshaking, and the polish and presentation are first-rate. It has a few minor editorial flaws--I could've done without Lithgow's late appearance, or some of the "feel-good" moments laced into the script early on, but I certainly don't think someone else would have done a better job with the concept and script...unless Kubrick or Fassbinder were still alive.

8.5 out of 10.

What a great film. Any movie that can be advertised to look like a CHEECH AND CHONG-type weed comedy and than turn around to be a stone-cold suspenseful drama is automatically an A+ in my grading book.

Billy Bob Thornton is as usual unbelievably good. I am a huge fan of his work, ONE FALSE MOVE is probably one of the most low-scale thrillers in the history of film, a well-written flick which doesn't rely on cheap thrills for quality and leaves out the shocking violent portion of the film until the last scene. His performance in A SIMPLE PLAN should have earned him more than an Oscar nomination, and SLING BLADE was possibly one of the best indie flicks I've ever seen. He is a talented actor/screenwriter/director and brings a great deal of flair to this movie.

Azaria and Philippe bring good supporting roles as well, and Ted Danson is hillarious as a hot-tempered Mafioso. Lithgow has a small role, but brings interesting twists to the film whenever on screen.

All around I was surprised by HOMEGROWN, for originally I expected it to be a comedy on par with HALF BAKED and DAZED AND CONFUSED, while the only comedy intended in the flick is tongue-in-cheek, the best kind of all.