IMDb RATING
6.2/10
2K
YOUR RATING
Based on the novel, a young gypsy becomes a Minister's obsession in 1483. Only the bell ringer and her husband and the court of miracles can save her.Based on the novel, a young gypsy becomes a Minister's obsession in 1483. Only the bell ringer and her husband and the court of miracles can save her.Based on the novel, a young gypsy becomes a Minister's obsession in 1483. Only the bell ringer and her husband and the court of miracles can save her.
- Nominated for 4 Primetime Emmys
- 12 nominations total
Michael Mehlmann
- Beggar
- (as Michael Mehlman)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
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Featured reviews
a correct sketch
Salma Hayek deserved her Esmeralda.
This was the basic thought after the final credits of this not great but nice crafted film. Sure, the great job of Mandy Patinkin is the pillar of this film reminding the animation of 1996, offering the tools for Richard Harris for a dark, creepy character, impressive in each scene.
Fair atmosphere, not bad acting and the courage to offer the correct perspective, sure at level of sketch, to the masterpiece by victor Hugo.
Can be better ?
It is just decent. And this is the only important thing because, not being memorable version, it is a pleasant one.
In short, just correct .
This was the basic thought after the final credits of this not great but nice crafted film. Sure, the great job of Mandy Patinkin is the pillar of this film reminding the animation of 1996, offering the tools for Richard Harris for a dark, creepy character, impressive in each scene.
Fair atmosphere, not bad acting and the courage to offer the correct perspective, sure at level of sketch, to the masterpiece by victor Hugo.
Can be better ?
It is just decent. And this is the only important thing because, not being memorable version, it is a pleasant one.
In short, just correct .
Good fun,
A realistic and good performing cast made this a good movie. The ugly, but nice Quasimodo (whose face looked quite ridiculous, but still very misformed), the beautiful and enchanting Esmeralda and of course the mean Frollo. They were all very good, although I must say
that Mandy Patinkin, as Quasimodo, made the biggest impression on me, he really could make you cry. Richard Harris was great as the clergyman torn between his belief and Esmeralda and Salma Hayek, of course, was as stunning and beautiful as ever. As for the story, well I believe I don't have to explain that to anyone.
Great, but yet not very much acclaimed or famous film. 8/10
that Mandy Patinkin, as Quasimodo, made the biggest impression on me, he really could make you cry. Richard Harris was great as the clergyman torn between his belief and Esmeralda and Salma Hayek, of course, was as stunning and beautiful as ever. As for the story, well I believe I don't have to explain that to anyone.
Great, but yet not very much acclaimed or famous film. 8/10
entertaining but flat
Harris is intense and frightening as dom claude an expert actor who knows his trade very well. Patinkin is very sympathetic and hayak looks good but offers little emotion. a decent film but the 1982 derek jacobi version explored characterization much better.
Competent adaptation focuses on character play
Nicely done rendition of the classic melodrama, with Mandy Pantinkin taking a turn as Quasimodo, the bellringer of Notre Dame. Salma Hayek is marvelous as Esmeralda, with Richard Harris quite good as the wicked Monsignor Frollo, supported by a nice score by Edward Shearmur. The film stays faithful to the Victor Hugo storyline, while adding a new subtext about the new printing press' threat to the power of the Church, which adds to the story's existing political class substory and fuels the behind-the-scenes politics between Frollo and the King, within which the story of Esmeralda, Quasimodo, and the idealist Gringoire (quite competently portrayed by Edward Atterton, although both his role and that of Phoebus - a blasé Benedick Blythe - are quite abridged in this adaptation) play out. Jim Dale (reader of the Harry Potter audiobooks) is also quite notable as Clopin, King of the Thieves, whose presence throughout gives the story quite a fine dynamic. Small budget lessens the story's epic impact - and the setting resembles more of a rural farm than the center of Paris, but like most TVMs the story centers on the characters and this focus remains effective and likable. There have been many capable versions of the classic story - none of which have come close to matching the spectacle of the original silent version with Lon Chaney as Quasimodo; however this, along with the Charles Laughton version, is a worthy successor and was very nicely helmed by Peter Medak.
An interesting version.
This version of the Victor Hugo story was good as a whole. Quasimodo wasn't particularly ugly, and it was amazing that he had read so much. Esmeralda was sweet, and it was no wonder she rejected Frollo since he looked very old and was far from attractive. However, at the beginning he really wanted to protect Quasimodo.
I was surprised that the art of printing books was so important in the film. It was incredible that Frollo was even ready to kill the King's minister rather than to let the people have books!
The public humiliation of Quasimodo and Esmeralda was shocking. It was touching that Esmeralda tried to appeal the King for the bellringer. I was very delighted that those two became friends, and again, it deeply touched me to hear Quasimodo talk about his appearance.
I had never before seen a version in which Quasimodo addressed Frollo as his father. He wanted to get him to confess his crime, but still, he tried to save him from death. And he was even strong enough to defy his guardian when he said: "You are a freak."
At the end, it was touching to see Esmeralda ring the bells for Quasimodo - at least, he was happy at the moment of his death.
I was surprised that the art of printing books was so important in the film. It was incredible that Frollo was even ready to kill the King's minister rather than to let the people have books!
The public humiliation of Quasimodo and Esmeralda was shocking. It was touching that Esmeralda tried to appeal the King for the bellringer. I was very delighted that those two became friends, and again, it deeply touched me to hear Quasimodo talk about his appearance.
I had never before seen a version in which Quasimodo addressed Frollo as his father. He wanted to get him to confess his crime, but still, he tried to save him from death. And he was even strong enough to defy his guardian when he said: "You are a freak."
At the end, it was touching to see Esmeralda ring the bells for Quasimodo - at least, he was happy at the moment of his death.
Did you know
- TriviaMandy Patinkin auditioned for the role of Quasimodo in the Disney version of The Hunchback of Notre Dame (1996). Patinkin brought his own accompanist to the audition and sang a rearranged version of a Alan Menken and Stephen Schwartz song--with Menken and Schwartz in the room! Needless to say, the audition was a disaster. He was cast as Quasimodo in this film and Tom Hulce was cast to voice Quasimodo in the Disney version.
- GoofsThe cathedral is shown as having only the north tower completed, with the south tower under construction. The story is set in 1480 by which time the cathedral had been fully built for over two centuries (completed in 1260)
- ConnectionsReferenced in The Ghost of Peter Sellers (2018)
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- The Hunchback
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