The Real Blonde

When I looked at the poster for this film at the theater in Brandon, Florida (I believe the only theater in Florida to show "The Real Blonde") one would assume that the only blonde in the film was Elizabeth Berkley. Elizabeth is the only person displayed on the poster (four times as a matter of fact). Actually there are three blondes (Elizabeth, Daryl Hannah, and Bridgette Wilson) but only one is a real blonde(I won't say who). But the issue of blondeness is important to only one man (Maxwell Caulfield)and strangely considering the title not of any real importance to the story. The story instead revolves around a man (Matthew Modine) and his live in girlfriend (Catherine Keener) who are having problems with their relationship and their individual lives. The film centers around the resolution of their problems making various side trips on the way. Some of these side trips are entertaining and help the basic story. Other do not. Yet the film moves at a nice pace and while sometimes a little confusing is never boring. All persons involved with this film perform very nicely. Bridgette Wilson plays the dumb but loving blonde very well. Darryl Hannah for the first time I know of plays a rather bitchy character but does so with style. Elizabeth in a role smaller that her billing would suggest never-the-less brings life to her character of a young woman who seems to be always left behind. I found this film worth driving 40 miles to the theater.

Tom DiCillo is a wonderful director who should be seen more often. As he has demonstrated with his previous films, he is a man that brings a great dimension to the subjects he selects for his movies. Mr. DiCillo's strength lies in the magnificent performances he gets from his casts by making them underplay their roles and the irony behind his plots.

"The Real Blonde" was Mr. DiCillo's third film and he shows a firm hand in moving all the characters in so many interesting ways as they go about their lives in this complex city of New York. The film deals with the way young people are trying to cope with careers and relationships in this complicated city.

At the center of the action we find Joe, a good guy who works as a waiter in order to pursue his ambition of becoming an actor. Joe seems to be a bit confused about what he wants to do and doesn't have his feet planted on the ground. He doesn't have anyone pushing for him, no experience to speak of, yet he perceives himself into doing roles such as Biff in "The Death of a Salesman". Talk about reality!

Joe is living with a down to earth woman, Mary, who is a makeup artist and knows her way around the city and the people she has to deal with. Bob, who is Joe's best friend, and fellow waiter, lands himself in a soap opera that nets him a lot of money. Joe, the idealist, believes Bob is selling out, going too commercial.

Mr. DiCillo brings together the different worlds in which these characters are living into perspective with great style in a fun movie that is a lot of fun, at the same time.

Catherine Keener, who has worked with Mr. Dicillo in several films, comes out the best in her role of Mary. Ms. Keener is one of the best actresses working in films today and has a natural charm that graces everything she does. Matthew Modine gives a good performance as Joe. Daryl Hannah, Maxwell Caulfield, Elizabeth Berkley, Marlo Thomas, Bridgette Wilson, Buck Henry, Christopher Lloyd, Katheleen Turner and Denis Leary, are seen in supporting roles.

A charming film by one of America's best kept secret director: Tom DiCillo!

I rented 'The Real Blonde' on video at the same time that I rented 'The Curse of the Jade Scorpion', because my favourite actress (Elizabeth Berkley) is in both and I wished to have a quiet afternoon in watching two of my favourite screen star's movies. 'The Real Blonde' was not only funny, it was well-scripted, well-acted and well... great!

The cast all did an absolutely fine job of bringing their characters to life, despite the fact that some didn't get a lot of screen time. Honestly, I had no idea that Bridgette Wilson could be so funny! I've only ever seen her on TV a few times, and she didn't really strike a huge chord with me there. But in 'The Real Blonde'... wow! Kathleen Turner, Daryl Hannah, Christopher Lloyd and my favourite, Elizabeth Berkley, are nothing short of hilarious as well. The satire was excellent and the ending was practically inspired. Great!

Does anyone happen to know the title of the song that was played in the Madonna video scene? That song was goofy. I liked it! :)

I will start by saying Tom Dicillo's "Box of Moonlight" was the very best film I have ever had the great pleasure in watching. It was a highly symbolic, magical experience that had almost a spiritual feel to it. I knew his 1998 release, probably an attempt to return to his "Living in Oblivion" themes, "The Real Blonde" wasn't going to be nearly as good, and I was right. It was a good film, don't get me wrong, but I just couldn't help but be disappointed.

His signature style is ever present here, and that is one of the delights about "The Real Blonde". There is a lot of clever, almost subliminal use of devices that require a second, third, (or sometimes more) viewing, great dialogue and dead on satire, and great acting and photography.

Matthew Modine (an actor I never did care for) wasn't bad as a man struggling to make it big, and fed up with the sickeningly fake and shallow people that make up the entertainment and fashion industry. His girlfriend (Catherine Keener, great as always) shares his pain, although she is the only true, genuine character in the entire movie.

Joe is an out of work actor who is also struggling with his relationship with Mary who has lots of rage inside. Joe's actor friend Bob has just got a job on a soap opera but is caught up in his desire for a `real' blonde despite having fallen for the available model Sahara. The films follows their lives in the world of minor celebrity.

Despite having done good with the subject of film making in `Living in Oblivion', the director doesn't do as well when it comes to the world of the minor celebrity. The plot is a little jumbled – it wants to make fun of the world but also seriously follow the people it makes fun of in their relationships. Also it makes fun of Bob's acting but yet has plenty of respect for Joe simply because he keeps quoting `Death of a Salesman'. The satirical edge is nice and produces some funny moments but the relationship stuff is muddled.

There are plenty of famous cameos and most are good. Lloyd, Turner, Leary, Buscemi, Chappelle, Von Bargen etc all show their faces. In the leads Modine is OK but because the director doesn't know if he's part of the joke or a serious character then we don't know how to approach him either. Keener tries hard and is OK but Caulfield is the best of the bunch simply because we know he's meant to be a bit of a comedy figure.

The film manages to loose it's laughs in a sea of serious asides. The worst being the theme of the old black woman and her dog getting stolen. We keep going back to her and she has the last theme in the film – why? If there was a message I must be too dumb to get it and it certainly didn't really fit in with the rest of the movie.

Overall this has enough good moments to justify watching but it clearly lacks focus and loses it's way really easily.