The Shooter

Dudikoff stars as Michael Atherton a gunfighter and ex-union soldier, after stumbling across a woman being beaten by some no-good scum, Atherton naturally steps in and saves the girl(Valarie Wildman) and in the process finds himself targeted for vengeance by the family of one of the guys he killed and it's not long before Atherton is caught, beaten and almost killed, only to be saved by Wendy the girl he saved before, Atherton takes aim at taking down the family and does, however the sheriff has a vendetta, one that goes all the way back to the war in this far-better-than-you-would-expect direct to video western which features a decent story and Dudikoff in good form. This, The Silencer, Soldier Boyz and Virtual Assassin are the only watcahble movies from Dudikoff in the 90's. However where as Dudikoff is well suited to the role of a western, it's Randy Travis who ends up making the most impression and in turn steals the movie.

3/5 Matt Bronson

I'm surprised about the many female voters who even give this film better marks. My thought about this film was that the target audience is adult and male. Whipped and tortured women, merciless revenge and a high body count are typical ingredients, introduced into film history by the spaghetti subgenre. The opening and the hand-smashing are DJANGO rip-offs. THE SHOOTER however lacks the style of e.g. DJANGO. Score, acting and cinematography are mediocre at best but if you look for the above mentioned ingredients you are in the right place here. And the actors don't have an Italian accent.

4 / 10.

Getting away from action movies for awhile, Michael Dudikoff does a western for a change, and the results are one of his best movies. This time around, he plays a mysterious drifter (what else?) who gets more than he bargained for when he comes to the rescue of a woman in the desert and returns her to town. County singer Randy Travis is good as one of the bad guys, and Valerie Wildman does a nice job as the girl. Veteran character actor William Smith is also (as always) a standout, with that gravely voice that just makes him perfect casting for the bad guy. Also nice is seeing Dudikoff play a vulnerable character, one who can't rely on fancy fighting skills to stay alive. One scene that helps to support the vulnerability of his character is when he's overcome by thugs and beaten to a bloody pulp and left for death. Afterwards, he must recover with the help of Wildman, and when he's well enough, he comes back gunning for revenge. Though it sometimes has the look of a film that was made by a bunch of friends wearing costumes gathered from some second-rate clothing stores, it works for what it is. Dudikoff isn't going to replace Clint Eastwood as the next western megastar, but he's good in the film and gets to show off a different side with his character. Worth a rental for those looking for a decent 90 minutes on a dull night.

"The Shooter" was a different type of film for Michael Dudikoff. Although normally associated with action flicks that incorporate martial arts, this film , because it was a western, enabled him to display that he is a far more capable actor than certain formula story lines have allowed.

The major problem, of course, is that the film does not allow any solid character development. The fleshing in is really left to the viewer . We can only guess at the sadness that has made the Shooter, whose real name is Michael Atherton, the killer that he is- a killer, mind you, that a little town, terrorized by a local bully, welcomes as a hero who can release it from its misery.

The Shooter is a surprisingly solid, albeit unwholesome western that defies expectations. This is thanks in large to a an over the top performance from Randy Travis as the antagonist, and he plays the part so well. Overall, the movie holds its own as a much better film than one might expect from a direct-to-video western from the late 90s.

The film seems to takes some liberties with historical accuracy, particularly concerning the depiction of brothels and prostitution in the west. The movie portrays the prostitutes as a lower class, when in fact, they were usually the richest in town and owned their own businesses. Furthermore, the dark twist in the mayor's story adds another layer of intrigue, as he goes from a symbol of authority to just another villain.

The film is also notable for the presence of veteran actor William Smith, who plays a gruff old cowboy seeking vengeance. It's a great chance to see the famous actor, and his powerful presence on screen is a testament to his impressive fifty-year career at the time of the film's release.