The Shooter

Aw, come on, have you ever seen a western, (or any other movie) where the horses do a whoopsie, or have you ever seen a pile of it in the street where they live? Of course not.

But there is plenty of "it" here. In the script, the story, the plot, the whole darn 85 minutes of it. Be warned, it is a real struggle to keep watching.

The "Hero" rides along, hears screams, finds the "baddies" whipping a poor girl and guess what? BANG, BANG, BANG. and the girl is rescued and taken to Kingston, to Duncan's saloon, where she "works", (as they call it).

Alas, one of the bad guys was the son of a local real bad guy, who sets out to revenge the killing of his son. Of course there is the gunfight or three, where "hero" is such a sharpshooter.

Dudikoff stars as Michael Atherton a gunfighter and ex-union soldier, after stumbling across a woman being beaten by some no-good scum, Atherton naturally steps in and saves the girl(Valarie Wildman) and in the process finds himself targeted for vengeance by the family of one of the guys he killed and it's not long before Atherton is caught, beaten and almost killed, only to be saved by Wendy the girl he saved before, Atherton takes aim at taking down the family and does, however the sheriff has a vendetta, one that goes all the way back to the war in this far-better-than-you-would-expect direct to video western which features a decent story and Dudikoff in good form. This, The Silencer, Soldier Boyz and Virtual Assassin are the only watcahble movies from Dudikoff in the 90's. However where as Dudikoff is well suited to the role of a western, it's Randy Travis who ends up making the most impression and in turn steals the movie.

3/5 Matt Bronson

Hell must be freezing over as Fred Olen Ray has made a good movie... In a career spanning 40 years and 167 movies, all of them bottom of the barell style bad. Movies so bad they make Uwe Boll's House of the Dead seem like Martin Scorsese made it in comparison.

The Shooter 1997 is the outlier to the 167. This was very good. A clear 6/10 movie but given the surprise of who made it. I gave it an 8.

Michael Dudikoff from American Ninja fame plays a lone gunslinger passing through town who hears a woman being assaulted on the outskirts and comes to her rescue, killing the five men attacking her in the process. It turns out one of the men he killed was the son of an infamous criminal, played by William Smith, who had been menacing and terrorising over the town. On hearing his son is dead he swears revenge on Dudikoff.

This film had a vibe similar to Clint Eastwoods High Plains Drifter, and I enjoyed every minute of it. It made me eager for more Michael Dudikoff westerns.

If Mr Olen Ray ever reads this review, please make some more Westerns as these seem to fit your style of direction.

This film begins with a cowboy by the name of "Michael Atherton" (Michael Dudikoff) riding alone in the wilderness when he hears a strange noise in the distance. Deciding to check it out he witnesses a young woman being tied up and whipped by four men. A gunfight subsequently ensues which results in him killing all of the men and rescuing the woman. It is then learned that the woman is a prostitute by the name of "Wendy" (Valerie Wildman) who works in a town nearby and one of the men Michael had just shot and killed was the son of a powerful rancher named "Jerry Kranz" (William Smith) who now swears to get his revenge upon Michael--along with anybody who helps him out. Now rather than reveal any more I will just say that this was an okay Western which had an interesting plot but lacked any sense of reality. Likewise, the acting--although adequate--wasn't especially convincing and for that reason I have rated this film accordingly. Slightly below average.

"The Shooter" was a different type of film for Michael Dudikoff. Although normally associated with action flicks that incorporate martial arts, this film , because it was a western, enabled him to display that he is a far more capable actor than certain formula story lines have allowed.

The major problem, of course, is that the film does not allow any solid character development. The fleshing in is really left to the viewer . We can only guess at the sadness that has made the Shooter, whose real name is Michael Atherton, the killer that he is- a killer, mind you, that a little town, terrorized by a local bully, welcomes as a hero who can release it from its misery.