Winter Sleepers

I loved this film. Tykwer weaves the white world, the green, and the red together in a fascinating manner. The skier/ski instructor, the nurturer/earth mother, and the nymphomaniac inhabit spheres that naturally conflict, but which are catalysts for the unusual story that may say something about events in recent German history. Blame, guilt, and punishment occur ironically in an unjust world where short-term memory loss is necessary to produce a new generation of innocence.

The filmmaker's art alone is worth spending the 2 hours for. Great cinematography, sound, and locations make for great eye and ear candy. All characters were intriguingly drawn, even if you don't like some of them. The ending was an unforgettable cinematic vision, beautifully realized.

SEE THIS MOVIE

Odd how everyone's perception of film is different. I thought this film was fantastic - good acting and characters, fantastic story, beautiful camerawork, excellent music.... etc etc

This film shows that you can still make a unique, original film without stuffing EVERYTHING down the viewers throat. It has the most excellent circularity to it where everyone gets exactly what is coming to them. It is funny, dark, depressing, enthralling, and overall, satisfying.

This is the first I have seen of Tom Tykwer's work. In a word, outstanding. This movie has all the necessary elements for a successful production and ensures a completely entertaining evening. The opening (and what an opening!) sets the mood..... A chilly landscape of deep snow with helicopter shots racing across treetops heavily weighed down with a recent fall.....And the music with its tremulous monotone suggests impending drama. I wait expectantly.....

Into the picture comes Rene. At first glance an odd-looking guy who suffers from a kind of amnesia. He knows his name and where he lives but can't remember anything else. That's why he photographs every little incident to jog his memory. Laura who works as a hospital nurse agrees he's a bit weird but is fascinated just the same. You get the feeling he's up to something.

Her friend Rebecca, an attractive blond who works as a translator is having trouble with her boy friend Marco. He's so possessive. They congregate in Laura's house where much of the dialogue takes place. Rebecca and Marco are continually arguing, falling in and out of love. These scenes are exceptional.

In some strange coincidence these four characters are in one way or another involved in the aftermath of a serious accident involving two cars swerving on the slippery highway. In one of the cars a farmer who is taking his horse float to the vet. is knocked unconscious. Later he is unable to convince the police that a second car was involved. So he sets out on a mission to find the other car and the man responsible for the death of his daughter who died in hospital as a result of the accident.

Marco the skiing instructor has an eye for the girls and there are some exciting scenes on the ski slopes as they engage the treacherous terrain. It's a matter of "Hold tight!" as the skiers disappear into the foggy atmosphere.

The snow bound landscape is for me a most unusual setting for the drama and I enjoyed every exciting minute. The ending left me almost open-mouthed! And I'm not telling!

Winter Sleepers, a film Tom Tykwer made before his brilliant Run Lola Run, shows some of his development. A few of the more dramatic shots were things he tried here first. From a technical point of view, the work is excellent: editing, photography, lighting, music, sets and locations were all beautifully delivered. At times, that's enough, but this is both an unrelentingly down story and it's probably about 25 minutes too long...a rough combination. I'm glad to have seen it; I enjoy Tykwer's vision and technical crispness; he knows how to grab your attention powerfully without resorting to cloying tricks like Spielberg. On the other hand, there aren't many people I would recommend Winter Sleepers to. Great work, so-so outcome.

I had seen "Lola Rennt" before and I remember that I liked a lot (I even bought it on DVD). So when I got the chance to see another movie from Tom Tykwer I didn't think twice and watched it. Although it is very hard to compare both movies, I must say that I liked this movie even a bit more.

In this movie we meet five people who, at first sight, don't seem to have much in common, but faith and love brings them all together. You'll see Rebecca. She's a translator who lives with her boyfriend, a ski instructor and a real womanizer, in a villa owned by her friend Laura, a nurse. Marco's car is stolen by Rene, a local cinema projectionist, who suffers from amnesia. He still knows everything that happened in the past but can't remember recent facts. While he's driving Marco's car, he causes an awful accident with a local farmer called Theo. Theo's daughter ends up in a coma and is rushed to the hospital where Laura works, where she dies later on. In the mean time Laura has fallen in love with Rene, who doesn't know what has happened. And Theo, who can't accept his daughter's death, tries everything to find the man who caused the accident and killed his daughter, so he can punish him...

What makes this movie so good is the combination of some very fine acting, a great choice of music, very beautiful images and a touching story. If you like movies like "21 Grams" than you definitely have to see this one as well. This is the kind of movie that will never be a great success in the multiplexes, but that will be loved by all who like to see a movie with some depth. You know what I mean, it doesn't have to be art-cinema, but not the 36th sequel of a movie based on a comic book either.

This is honest and sincere cinema from a country that isn't exactly very well known for it. Although I know several German movies that are more than just worth a watch ("Der Untergang" and "Lola Rennt" are two others), German movies aren't as well known or famous as the ones from Spain and Sweden and to a lesser extent France. Nevertheless Tom Tykwer proves with this one what a good director he is and that's why I can recommend it to everybody who likes to see some good, European cinema. I give it an 8.5/10.