A private eye shadows a female serial killer of men all over the U.S. without her knowing as he, strangely enough, occasionally acts as her guardian angel.A private eye shadows a female serial killer of men all over the U.S. without her knowing as he, strangely enough, occasionally acts as her guardian angel.A private eye shadows a female serial killer of men all over the U.S. without her knowing as he, strangely enough, occasionally acts as her guardian angel.
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Completely spoiled by the really quiet dialogue, so you turn up the volume so you can hear it only to have to turn it back down again when the music or action happens, so if you watch this at home keep your finger on the volume button
Looking at the plot summary and the advertising for this movie, I was led to believe that this movie would be some kind of action packed serial killer movie. What I got was something completely different.
McGregor plays The Eye, some kind of surveillance agent, whose wife has left him and taken his baby daughter with her. That doesn't stop him from seeing his daughter in hallucination form. During a routine surveillance assignment, The Eye watches Judd kill his target, and he instantly falls in love (or something like love). He becomes so obsessed with Judd that he quits his job, and begins stalking her, and comes to find out that she's a virtual chameleon, changing identities on a whim.
What I thought would be an action movie turned out to be a very existential art film. It very much had the feel of a foreign film. The direction is very good; there are some things in this movie that I've never seen before (the bathroom scene is a good example). Both leads are good (although McGregor's part needed to be played by someone much older, not younger, that Judd). The daughter hallucination is annoying at times, but it's an effective plot device. The movie does just kind of go freeform after the first half hour, and logic goes out the window at times, but those are hallmarks of foreign films, which this feels very much like. A lot of people are going to see this movie and hate it (much the way that people who were expecting to see an I Know What You Did...-type movie hated Blair Witch Project). Not what I expected, but I was still satisfied.
McGregor plays The Eye, some kind of surveillance agent, whose wife has left him and taken his baby daughter with her. That doesn't stop him from seeing his daughter in hallucination form. During a routine surveillance assignment, The Eye watches Judd kill his target, and he instantly falls in love (or something like love). He becomes so obsessed with Judd that he quits his job, and begins stalking her, and comes to find out that she's a virtual chameleon, changing identities on a whim.
What I thought would be an action movie turned out to be a very existential art film. It very much had the feel of a foreign film. The direction is very good; there are some things in this movie that I've never seen before (the bathroom scene is a good example). Both leads are good (although McGregor's part needed to be played by someone much older, not younger, that Judd). The daughter hallucination is annoying at times, but it's an effective plot device. The movie does just kind of go freeform after the first half hour, and logic goes out the window at times, but those are hallmarks of foreign films, which this feels very much like. A lot of people are going to see this movie and hate it (much the way that people who were expecting to see an I Know What You Did...-type movie hated Blair Witch Project). Not what I expected, but I was still satisfied.
It seems that there are a lot of people slagging this film off. I can see why they are, but I disagree.
If you are looking for a big money, same as all the rest thriller then ignore this film.
If you want something a little different and interesting, give it a try. Good performances and an strangley intriguing plot keeps you watching.
Give it a try, at least it's not Titanic.
If you are looking for a big money, same as all the rest thriller then ignore this film.
If you want something a little different and interesting, give it a try. Good performances and an strangley intriguing plot keeps you watching.
Give it a try, at least it's not Titanic.
I know people have already explained things from every viewpoint, but I still want to give my own opinion (fancy that).
I loved this film.
Granted, I wouldn't want to watch it endlessly for weeks on end, but I thought it to be a very original work of entertainment (yes, I meant entertainment). I'm so damn bored of all these pointless, predictable movies that seem to be overflowing the film industry. There's no real...art to them. Eye of the Beholder, while tedious and slow-paced in parts, was not like that. Some of that was due to the acting.
I've been a fan of Ewan McGregor for awhile now. I'll admit he was the reason I rented this movie in the first place. But after I saw it, I appreciated the whole aspect of it- not just him. Hell, I even went and got a copy of the bloody book.
I'm not saying you must, should or will even enjoy the movie. (Though, looking at the majority of the lot, most didn't). What I AM saying is that you should at least watch the movie and decide for yourself.
BloodyHell
(By the by- does anybody happen to know what sort of camera (model) the 'Eye' used? (The long silver one) I've been looking for one just like it...)
I loved this film.
Granted, I wouldn't want to watch it endlessly for weeks on end, but I thought it to be a very original work of entertainment (yes, I meant entertainment). I'm so damn bored of all these pointless, predictable movies that seem to be overflowing the film industry. There's no real...art to them. Eye of the Beholder, while tedious and slow-paced in parts, was not like that. Some of that was due to the acting.
I've been a fan of Ewan McGregor for awhile now. I'll admit he was the reason I rented this movie in the first place. But after I saw it, I appreciated the whole aspect of it- not just him. Hell, I even went and got a copy of the bloody book.
I'm not saying you must, should or will even enjoy the movie. (Though, looking at the majority of the lot, most didn't). What I AM saying is that you should at least watch the movie and decide for yourself.
BloodyHell
(By the by- does anybody happen to know what sort of camera (model) the 'Eye' used? (The long silver one) I've been looking for one just like it...)
This movie made absolutely no sense at all. NONE. 'What?' and 'Why?' were questions I was asking throughout the film. I didn't understand what was going on at all. It seemed that each scene had absolutely nothing to do with the next, and in a movie like this you just assume "well it will all come together at the end." But it doesn't. Nothing is explained. I never understood what Ashley Judd's character was trying to do, and I never understood what "the Eye" was trying to find out. It's completely incoherent. I didn't understand this at all. I always thought that it was coming together, but everything always fell apart. It's no wonder that it wasn't released for so long after they made it. It didn't make any sense. It was a complete waste of time. It's like they were just making it up as they filmed it. If it wasn't for Ashley Judd's sudden popularity, I doubt it would've been released at all. Don't bother. I'm upset because I just wasted an hour and a half of my life.
Did you know
- TriviaDirector Stephan Elliott had originally envisioned an older woman to play Joanna Eris. However, after Ashley Judd campaigned for the part, he relented.
- GoofsThe first scene in movie is supposed to be in DC but all the cars have province of Quebec plates revealing its Montréal location.
- Crazy creditsAt the start of the movie the following appears on screen: "Every man has his own destiny: the only imperative is to follow it, to accept it, no matter where it leads him." - Henry Miller "The Wisdom of the Heart"
- Alternate versionsOverseas prints are longer than U.S. prints; including extra scenes such as one with Jean and John Teodoro as doormen.
- ConnectionsFeatured in Killing Priscilla (2000)
- SoundtracksI Wish You Love
(Que Reste-t-il de nos Amours ?)
Music by Charles Trenet and Léo Chauliac
French lyrics by Charles Trenet
English lyrics by Albert Beach
Produced by Marius De Vries
Performed by Chrissie Hynde
Used by permission of EMI Virgin Music, Inc.
Courtesy of Warner Music UK Limited
Details
- Release date
- Countries of origin
- Language
- Also known as
- Obsesión
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- See more company credits at IMDbPro
Box office
- Budget
- $35,000,000 (estimated)
- Gross US & Canada
- $16,500,786
- Opening weekend US & Canada
- $5,959,447
- Jan 30, 2000
- Gross worldwide
- $17,589,705
- Runtime
- 1h 49m(109 min)
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1
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