Practical Magic

This movie is one of my favorites - I love watching it.

I have to agree with the remarks by AshIsTheGal and Warlen. Nicole Kidman had never been one of my favorite actress either, but I loved her in this movie (as I did Sandra Bullock). The real standouts though were Stockard Channing and Diane Wiest - watching them perform was almost worth the price of admission itself! They are wonderful.

I don't see this movie as being about magic or witchcraft, the romance between Sally and Gary Hallet or even Jimmy Angelov chasing Gillian (which is a huge catalyst - but not really any more than that). For me, this movie is really about the relationships between sisters and women (the Aunts Franny and Jet, Kylie and Antonia, the Owens' women and the townswomen and of course, between Sally and Gillian - both young and adult).

All of the actresses had a great chemistry, but I couldn't believe how well matched Sandra Bullock and Nicole Kidman were. I felt that their bond was very believable and I loved watching their relationship to each other (and themselves) grow and mature as they went from being children to adults.

I certainly don't think that this film will appeal to everybody, and I can see why so many people "don't get it", but if you watch it more for the relationships between the women and not so much for the romance angle or the magic I think that you will really enjoy this movie. I thought that the romance and magic were handled very well, I just saw them as being secondary to the real story. Also - it has a wonderful soundtrack.

I read the book after seeing the movie, and while there are many changes between the two, I really enjoyed both. I thought that the changes made to the movie made for a better movie overall.

All in all, a very enjoyable movie. I highly recommend it.

I noticed that most of the angriest user reviews on this movie come from people who were unable to identify the genre of this flick. So they went on and on about how this movie doesn't know what it wants to be ecc.

Is it horror? Is it comedy? Is it a Hocus Pocus wannabe? The answer is no to all but who cares anyway. We're in 2022 and what genre would you say "The power of the dog" is? Next time why not try to appreciate a film for what it is, instead of spending all your time looking for a specific genre that's most likely linked to a bunch of preconceived ideas?

Now that's out of the way, we can discuss this movie which tells the story of these two modern witchy sisters and their romantic adventures -that are nothing but unfortunate-. Still, no matter how bad the situation is, these stick together through thick and thin. One embraces her natural talents, the other desperately seeks a normal life, shunning all the stigma that comes with being born a witch. Orphaned at an early age, the two move in with their aunts in a large Victorian house in New Salem, Massachusetts.

It's quite genuine in that they present us a more tender and vulnerable side to witches. In movies, we were used to seeing a cartoon version of witches, the Wizard of Oz comes to my mind, but these sisters couldn't be more humane if they tried to. It's equipped with good performances, including the excellent interpretations of Stockard Channing and Dianne Wiest, and beautiful picturesque scenery all around. The befitting soundtrack includes music by Joni Mitchell and Stevie Nicks. Don't expect some kind of intellectual masterpiece. I hardly think that's what they were going for! My advise, just enjoy it for what it is, it's a wonderful film.

Normally I don't care for chick flicks, but I can't seem to stop watching this one over and over again. I was surprised that so many others didn't care for it. I just loved the sets, the costumes, the women and their relationships, the real magic in the film, the special effects, the child actresses. This was stuff that women could relate to better than men. Aidan Quinn was the only boring part of the movie. I wished they'd chosen an actor who was more into the role. He seemed bored and made his part in the film more boring. (Also, he mumbles. Someone should give him elocution lessons.)

This movie wasn't meant to be heavy. It was meant to be light, fun fluff, and that it is. The characters weren't meant to be deep, but I felt the relationship between the two sisters was deeper and well performed by two skilled actresses. In spite of the fluffiness of it, I enjoyed the two scenes in which we got to sit and relax to the sound of Stevie Nicks' "Crystal." So what if cars weren't crashing and guns weren't shooting. They weren't supposed to be. I felt the camaraderie of the moment as the two sisters and their aunts got drunk on "midnight margaritas" while dancing to Harry Nilsson's "Lime in the Coconut." It was just plain light fun. Also, women can enjoy the vicarious satisfaction of watching these women destroy the evil, bullying man who tries to destroy them.

The end of the film was rather Disney-kiddie-flick-like. Another ending might have worked better, but it was tolerable because it reminded the audience that the film was all in fun, and not to be taken seriously.

I usually prefer deeper films, but I thoroughly enjoyed this piece of fluff. Sure it was silly and campy, but it was fun. A film doesn't have to take itself seriously to be fun. Bullock, Kidman, Channing, and Wiest are beautiful, charming and wonderful to watch in this flick, and I love watching the four of them over and over again.

It appears that director Griffith Dunne tried to keep this film from being as powerful as it could have been. The movie fails to fully develop the town's overt fear of witches (missing only slightly), the full foreboding of "something wicked this way comes" with Jimmy (although the script lets them get away with it), and the magical love bond between Sally and Gary. A few small changes, such as more supportive background music, would have made these points support and counterpoint the lighter parts of the flick.

Bullock and Kidman are very good as the central characters, very believable as different-but-bonded sisters. Kidman is a little too flaky at times to be a fully credible witch, but this characterization runs well enough in context. Channing (whom I rarely enjoy) and Wiest are excellent in major supporting roles, outdone only by Webb and Wood (Sally's daughters) who show their abilities by *not* overacting their potentially cutesy roles. Instead, they do a great job in stating variations on their mother and Aunt Gilly.

Overall, I think most aspects of direction and production could have used one more iteration of quality improvement. Still, the movie is quite enjoyable, and worth watching again some time.

I have read through more than half of the reviews that have been posted for this film and have been amazed that no one seems to have caught on as to what it's really *about*.

It's NOT about the Magic. It's NOT about the witchcraft. It's NOT about the romance. It's about the power of numbers. In particular, it's about how women grouped together have power to fight the physical abuse of womankind, when a lone victim, with or without one or two relatives or friends, does not. On a lesser level, it's about how women who are not prone to being victimized can help rescue those who are. Everything else is just for flavor. Is a pumpkin pie about the spice? Is a dish served flambe about the alcohol?

This movie contains much food for thought. Comments about whether it does or does not accurately portray the practice of Wicca are so far off the point as to be meaningless.

Superficially, yes, it's fluff, and meant to be fun, and not meant to be taken seriously or as a work of art. But dig a little bit deeper, for goodness sake, and see what's underneath that puffy exterior. There's a lot there!