Dinner for One

Miss Sophie (May Warden) believes that her birthdays should be celebrated even though she has outlived her dearest friends. So on her ninetieth the party becomes a fantasy and James the butler (Freddie Frinton) has to go along with the make-believe. With only two players, it is in my opinion one of the funniest short TV movies ever to hit the screen. I laugh even at the thought of it. Freddie Frinton does a superb job as the butler serving the three courses with the accompanying drinks. He not only impersonates each of the four imaginary guests (which he does in such admirable style that at the end we feel we know each of them so very well) but the arrangement is that he must quaff down all the drinks as well. His antics as the alcohol starts to take effect have to be seen to be believed. Miss Sophie, a lady of some standing(graciously played by May Warden although she doesn't look 90) seems to be totally unaware of her butler's inebriated condition. This contrast probably heightens the humour of the piece. She keeps insisting that the party should "proceed as usual". If by the end of the birthday party you have not fallen off your seat with uncontrollable laughter, then the very suggestive final punchline should do it. In short, a wonderful little movie and a lasting memorial to Freddie Frinton who died in 1968 just 5 years after the film was completed.

This short comedy is an unforgettable classic. A solid element in every new years eve celebrated in Denmark. One year, DR (national danish TV broadcast station) decided not to air it, but the next day, they were telestormed by viewers. DR hasn't skipped it once since, and unless the television is phased out, I can bet you that "Dinner for one" is here to stay for many years to come.

This little short comedy is an annual tradition in my family. Every year on new year's eve, it's shown on Danish television. I don't think there's been a new year's eve in my life where I haven't seen it. Even though I've seen it so many times, and my family must have seen it far more times, we've never gotten tired of it. The laughs fill the room, and everyone is sitting in anticipation and with the laughs just below the surface for the whole thing... except when we're roaring with laughter, which is most of the duration. I don't believe there is anything that has a greater or even equal ratio of laughs to seconds passed than this little sketch. Here in Denmark, it's only 14 minutes long, and I don't think there is ever more than just 5 seconds in a row without a laugh or two. The comedy is universal... I don't know anyone who doesn't find it funny. Plot, pacing, acting and characters are all top-notch. I doubt there will ever be a new year's eve where I don't see this. I look forward to seeing it more so than the actual celebration of new year's. I can't really say anything more... words don't do it justice. If you have a chance, see it. Chances are you'll enjoy it. I have yet to meet one single person who doesn't. 10/10

This title is relatively unknown in Australia, but as someone who has studied comedy for 40 years and taught gifted students about it as a form of expression, communication and development of the comic conventions and constructs used in various forms of 'standard' literature, I consider that this film can be considered as one that stands out in its own field as a latter-day 'standard' of classic comic form and execution.

In some ways it falls into the same category as films from the great Silent Era in Hollywood (e.g. the works of Sennett and Chaplin), the W C Fields' "The Great Chase" and Eric Syke's "The Plank" - but it also equates in some ways with Oscar Wilde's comedy (e.g. "The Importance of Being Ernest") - all are great examples of mixing visual activity, remarkable energy, the innuendo and the written and/or spoken word.

I thought it was time to add my contribution, and to refute a misconception. Freddie Frinton is (was) my dad. I was 14 when he died. The reviews and comments here are fantastic to read, and I know that dad would have been astounded by the ongoing appeal that the sketch has in Europe.....especially in Germany. Sadly, he died in 1968, still at the top of his game in this country, but without Dinner For One ever having been shown in its entirity in the UK. Now for the clarification......I read here and elsewhere on the reviews that Freddie "did not like the Germans, or Germany", or that he "refused to speak German" ! This is not true, and our whole family are mystified as to how this rumour ever got started. Mum is in her 90's and my older sisters in their senior years, and they were with dad when he recorded the sketch in Germany. I remember waving them off as they all drove away, the car loaded with all the clothes and kit for the sketch....including the tiger skin. They were all very excited about the recording, and going to Germany, and working with the Germans at NDR. None of us in the family ever heard dad say a bad word about Germans or Germany, and he worked there on at least three occasions. I have also read somewhere on this site that dad "hated the sketch at first and had to be persuaded to do it"....this is also untrue. He LOVED doing Dinner For One, and did so from first seeing it, and of all the sketches he wrote or developed, this was the one he would always try to "fit" into whatever show he had signed-up for. Be it Panto or summer-season, or variety, he always wanted to find the 15 to 16 minutes in a show where he could show off his favourite work. As a family, we are very proud of the sketch, and still enjoy watching it and hearing of other people's enjoyment. None of us can resist saying to any German's we meet, whether here or abroad......." Hello, you don't know me, but you know my dad"......and EVERY time, they DO !.......It's priceless. Thanks, Mike.