Made in Hong Kong

Decently directed and with a good script, with bitter-sweet description of the life in HK in late 1990s, elements of violence and brutality mixed with the sweetness of young friendship and love. The music choices are so so though, the soundtrack could be much better, but what can one expect with such a tiny budget. Considering it cost only about 80k USD, the film is phenomenal. Could become a cult classic with a wider distribution.

Sluggish gangster genre revitalised by infusion of teen melodrama. One of the films of the year. The violence is, for once, sickening, immediate and real, rather than crude comedy, but interlaced with expressionistic sensibility of dead protagonist. Deeply moving on a personal level, and highly comic in spite of ultimate despair. The director's visual vocabulary is immense, with imagery of such dreamlike, poetic, evocative beauty, your heart stops.

Every once in a while you'll see a film that just makes you say "wow". After the final scene goes by, you just sit there watching as the credits go by, then the black space after the credits, then the "snow" after that, then finally the tape rewinding itself. You just continue sitting there watching the screen... dumbfounded.... you just sit there and say "wow". Made In Hong kong is one of those movies. To say that this movie blew me away would be an understatement. This movie got inside of me and changed the way I look at HK cinema, or cinema as a whole for that matter, hell... it even changed the way I look at life.

Autumn Moon is a low life thug, he and some friends discover the body of a dead girl who committed suicide, and a note she left. This dead girl that he never knew ends up teaching him more about his own life than he could by himself, and also guides him to his own fate. See this movie and experience cinema at it's best.

One of the best films of last decade. Impressive visual style, especially cinematography and production design, despite ultra low budget. Deep emotional touch, very special atmosphere, captivating cast, simply beautiful film. This young author (director and writer) did it only with money from his cousins, friends and support from senior Hong kong moviemakers. Enthusiasm above all and remarkable accomplishment is here.

Being half Japanese, but never having visited any other Asian places like Hong Kong, I nevertheless saw a lot of similarities between the two cultures. Take for example the energy of millions of people living next to each other. This is something I saw in Tokyo and which I recognized in this movie as well. This energy, together with the typical asian summerheat, is felt throughout the whole movie and made me both unease as well as more alert. It gives you the sense anything can happen and you have to watch out. This has everything to do with this movie, since it depicts Hongkong as a jungle where only the fittest survive. Fittest in this context means ruthless and not caring for others. The main character, a teenager and gangmember, does just this and this will prove to be fatal to him. He protects a mentally handicapped boy and falls in love with an terminally ill girl and he even offers her his kidney (which she refuses). Another similarity between the Hongkong and Japanese culture that I noticed, is the innocence and spontaneity with which the young Asians act. Europeans tend to be more serious and worry about life, whereas these guys just have fun and enjoy the moment, 'carpe diem'. This motive contrasts with the more tragic moments in the movie. Life is just like that though; it's bitter