This mini-series is a documentary that chronicles the NASA space program from its inception up through the final moon mission of Apollo 17 with historical, archived NASA film footage.This mini-series is a documentary that chronicles the NASA space program from its inception up through the final moon mission of Apollo 17 with historical, archived NASA film footage.This mini-series is a documentary that chronicles the NASA space program from its inception up through the final moon mission of Apollo 17 with historical, archived NASA film footage.
- Nominated for 2 Primetime Emmys
- 1 win & 2 nominations total
Barry Corbin
- Narrator
- (voice)
- …
Eugene Cernan
- Self - Astronaut
- (as Gene Cernan)
Charles Conrad
- Self - Astronaut Candidate
- (as Pete Conrad)
William K. Douglas
- Self - Astronaut Doctor
- (voice)
- (as Bill Douglas)
Richard Gordon
- Self - Astronaut
- (voice)
- (as Dick Gordon)
Gus Grissom
- Self - Astronaut
- (archive footage)
Christopher Kraft
- Self - Flight Director
- (voice)
- (as Chris Kraft)
Gene Kranz
- Self - Flight Director
- (as Gene Krantz)
Featured reviews
1994 and 1995 became bumper seasons for American retrospectives about having gone to the moon, both in print and on film. When the story first broke in 1993 that Apollo astronaut Jim Lovell was writing the story of his own dramatic yet uplifting Apollo 13 mission, and it was being made into a Hollywood film; -well, you can bet that his old friend Al Shepard would want to match that.
The good news is that he did.
Alan Shepard and Deke Slayton co-wrote Moon Shot, published also in 1994, and it was turned into a Turner Broadcasting System (TBS) production of 8x1/2-hr installments rolled into one 192min video, Moon Shot (1994). Moon Shot is an astronaut-narrated documentary, the type I always wanted to see. Science journalist Andrew Chaikin's decade-long project to tell the same story, which first resulted in his highly respected book A Man on the Moon, published also in 1994, later becoming the basis for Tom Hanks'
From the Earth to the Moon (1998), has ended up with a wider perspective. Of course, we need that, too. But for shee entertainment value, you cannot go past Moon Shot. It has the added advantage of fitting onto one tape, rather than six. It's a much more emotionally immediate (addictive) and economical way to tell the same story. The acted-out recreations of FETTM usually just make me cry, and I find myself needing to psyche up even to choose which tape to watch. Moon Shot's relative brevity and immediacy are powerful incentives.
We see and hear the original astronauts in footage from the '60s, sometimes in opinionated fashion. These are not re-enactments. The beginning is instantly engaging: Kennedy's speech instigating the programme "gave everyone moon fever. The whole country went to work on the moon shot. We practically had a big sign chiselled there up in the sky that said 'Waste anything but time'".
Moon Shot consist of the private memories of the people involved. Remember John Glenn's "fireflies"? It is in Moon Shot that we finally discover that they were from the Constellation Urion (urine).
We hear interviews with all the major players some 30 years later. Most of them are still alive (Al died 1998, Deke 1994, Gus 1967). The astronauts remaining by 1994 become friends to the viewer as well, because we hear them talking about so many things, and each other, on a first name basis. I now can recognize Alan and Wally and Jim (etc) just by their voice alone: I can turn my back and know who's talking. This video really compels us to honor them, warts and all.
We find out that all the astronauts were incredibly competitive, admittedly to the point even of foolishness. They resented the chimps (shock/ horror). They were basically fighter jocks with egos the size of planets (How many fighter jocks does it take to change a light bulb? Just one- he holds the bulb and the world revolves around him), and Coco Beach became their playground, where they got up to all the same hijinks that felled Kennedy's reputation.
Yet no-one dared contradict them much. Gunther Wendt tried that with Alan Shepard, and got an ashtray thrown at his head for his trouble. So I think it took the distance of time, plus the humility imposed by the majesty of space where they really have gone before and come back from, to mellow the surviving astronauts into something resembling Everyman again.
The 1960s were heady, very, very political times (the Apollo programme was largely funded by the CIA, although I don't think that's revealed in this video). Near the beginning of Moon Shot, we see original interviews of people on the street feeling the ego-bruising effects of Sputnik, and exhorting(!) American leaders to overtake the Russians. People thought the way they were taught to think (ie not as informed as they might have been), and they were frightened. Those were different times. Apollo was always going to be a political football. So perhaps to play against all the propaganda, The Bill Dana Show around 1964 featured a hilarious skit featuring Dana's creation "Jose Jimenez, Astronaut". It is included in the first episode on Moon Shot. The comic (actually Hungarian comic writer William Szathmary) impersonated a frightened astronaut fully suited up but holding his helmet, with Gary Crosby as his straight man. The routine goes as follows: Gary Crosby: (pointing to the astronaut's helmet) Is that the crash helmet? Astronaut: Oh I hope not. Gary Crosby: Ah, after you leave the moon, sir, when you come back to Earth, where will you be landing? Astronaut: I will be landing in Nebatha. Jes, de state of Nebatha. Gary Crosby: Then you're convinced they will get you back to Earth? Astronaut: Jes, just how far into it, that's what I'm not convinced about. Gary Crosby: Well, surely they've provided something to break your fall? Astronaut: Oh jes. De State of Nebatha.
But the two most touching, heartrending stories from the Gemini and Apollo programmes both concern Gus Grissom. I now love Gus. He died on Pad 34. Go Fever, the insane round-the-clock schedule they all kept, ensured that no-one re-examined the decisions made to solve the "5-20 insurmountable problems a day". So the highly pressurized oxygen atmosphere, combined with combustible materials within the capsule were allowed to stay in the design from Gemini. Until a short sparked one exhausting 1967 Friday during the last ground test on Pad 34. And just like that, Gus was gone. But the astronaut's perspective on Moon Shot explains: "If one of us didn't make it, there'd be six of us left. And don't kid yourself. As soon as the funeral was over, we'd be lining up to take the next ride. That was the test business." Gus would have said the same.
Thanks guys, for having gone where other people will someday go again. Into that photographically irreproducible blackness of true space. Live long and prosper. 10/10.
The good news is that he did.
Alan Shepard and Deke Slayton co-wrote Moon Shot, published also in 1994, and it was turned into a Turner Broadcasting System (TBS) production of 8x1/2-hr installments rolled into one 192min video, Moon Shot (1994). Moon Shot is an astronaut-narrated documentary, the type I always wanted to see. Science journalist Andrew Chaikin's decade-long project to tell the same story, which first resulted in his highly respected book A Man on the Moon, published also in 1994, later becoming the basis for Tom Hanks'
From the Earth to the Moon (1998), has ended up with a wider perspective. Of course, we need that, too. But for shee entertainment value, you cannot go past Moon Shot. It has the added advantage of fitting onto one tape, rather than six. It's a much more emotionally immediate (addictive) and economical way to tell the same story. The acted-out recreations of FETTM usually just make me cry, and I find myself needing to psyche up even to choose which tape to watch. Moon Shot's relative brevity and immediacy are powerful incentives.
We see and hear the original astronauts in footage from the '60s, sometimes in opinionated fashion. These are not re-enactments. The beginning is instantly engaging: Kennedy's speech instigating the programme "gave everyone moon fever. The whole country went to work on the moon shot. We practically had a big sign chiselled there up in the sky that said 'Waste anything but time'".
Moon Shot consist of the private memories of the people involved. Remember John Glenn's "fireflies"? It is in Moon Shot that we finally discover that they were from the Constellation Urion (urine).
We hear interviews with all the major players some 30 years later. Most of them are still alive (Al died 1998, Deke 1994, Gus 1967). The astronauts remaining by 1994 become friends to the viewer as well, because we hear them talking about so many things, and each other, on a first name basis. I now can recognize Alan and Wally and Jim (etc) just by their voice alone: I can turn my back and know who's talking. This video really compels us to honor them, warts and all.
We find out that all the astronauts were incredibly competitive, admittedly to the point even of foolishness. They resented the chimps (shock/ horror). They were basically fighter jocks with egos the size of planets (How many fighter jocks does it take to change a light bulb? Just one- he holds the bulb and the world revolves around him), and Coco Beach became their playground, where they got up to all the same hijinks that felled Kennedy's reputation.
Yet no-one dared contradict them much. Gunther Wendt tried that with Alan Shepard, and got an ashtray thrown at his head for his trouble. So I think it took the distance of time, plus the humility imposed by the majesty of space where they really have gone before and come back from, to mellow the surviving astronauts into something resembling Everyman again.
The 1960s were heady, very, very political times (the Apollo programme was largely funded by the CIA, although I don't think that's revealed in this video). Near the beginning of Moon Shot, we see original interviews of people on the street feeling the ego-bruising effects of Sputnik, and exhorting(!) American leaders to overtake the Russians. People thought the way they were taught to think (ie not as informed as they might have been), and they were frightened. Those were different times. Apollo was always going to be a political football. So perhaps to play against all the propaganda, The Bill Dana Show around 1964 featured a hilarious skit featuring Dana's creation "Jose Jimenez, Astronaut". It is included in the first episode on Moon Shot. The comic (actually Hungarian comic writer William Szathmary) impersonated a frightened astronaut fully suited up but holding his helmet, with Gary Crosby as his straight man. The routine goes as follows: Gary Crosby: (pointing to the astronaut's helmet) Is that the crash helmet? Astronaut: Oh I hope not. Gary Crosby: Ah, after you leave the moon, sir, when you come back to Earth, where will you be landing? Astronaut: I will be landing in Nebatha. Jes, de state of Nebatha. Gary Crosby: Then you're convinced they will get you back to Earth? Astronaut: Jes, just how far into it, that's what I'm not convinced about. Gary Crosby: Well, surely they've provided something to break your fall? Astronaut: Oh jes. De State of Nebatha.
But the two most touching, heartrending stories from the Gemini and Apollo programmes both concern Gus Grissom. I now love Gus. He died on Pad 34. Go Fever, the insane round-the-clock schedule they all kept, ensured that no-one re-examined the decisions made to solve the "5-20 insurmountable problems a day". So the highly pressurized oxygen atmosphere, combined with combustible materials within the capsule were allowed to stay in the design from Gemini. Until a short sparked one exhausting 1967 Friday during the last ground test on Pad 34. And just like that, Gus was gone. But the astronaut's perspective on Moon Shot explains: "If one of us didn't make it, there'd be six of us left. And don't kid yourself. As soon as the funeral was over, we'd be lining up to take the next ride. That was the test business." Gus would have said the same.
Thanks guys, for having gone where other people will someday go again. Into that photographically irreproducible blackness of true space. Live long and prosper. 10/10.
10pastfind
When I first saw this program on TV I knew instantly that I had to obtain a copy of it and I did. I feel that this is the best space documentary ever made, period. The fact that this documentary draws directly from the original mercury and gemini astronauts tells the story from those who lived in it. A lot of information about the space operations of NASA I had never heard about till I saw this and they were quite amusing. Sadly Deke Slayton died during the making of the film and Al Shepard just recently died. This film is a final tribute in my mind to two great Americans who helped lead all Americans into the unknown depths of space through their pioneering careers as astronauts.
I have been a staunch supporter of the U.S. space program for many years, and when I heard about "Moon Shot" I knew I had to add this video tape to my collection. One thing that struck me as very funny were the comments of some of the principals(John Glenn, Chris Kraft, Alan Shepard, etc). For example, when discussing Deke Slayton's heart problem, in relation to his Apollo-Soyuz mission, Kraft states, "We knew more about Deke Slayton's heart than any man we ever flew, and that goddamned doctor stood up in the meeting and said, 'Well, I know we've said this before, but if he fibrillates on the pad, I'm gonna stop the count.' And I fired that sonuvabitch!"
Of course, life for the American space program wasn't all humorous. Three astronauts died in an accident during a training excercise in 1967, and there are many interviews with fellow astronauts and Mission Control members describing how they felt at the loss of their three comrades. There is also a great deal of discussion of the Soviet moon program, and its ultimate failure.
Any history fan or space enthusiast will enjoy Moon Shot. It gives one of the most accurate accounts of the early space program, through the eyes of the guys who lived it. I would heartily recommend this video for anyone interested in the space program.
Of course, life for the American space program wasn't all humorous. Three astronauts died in an accident during a training excercise in 1967, and there are many interviews with fellow astronauts and Mission Control members describing how they felt at the loss of their three comrades. There is also a great deal of discussion of the Soviet moon program, and its ultimate failure.
Any history fan or space enthusiast will enjoy Moon Shot. It gives one of the most accurate accounts of the early space program, through the eyes of the guys who lived it. I would heartily recommend this video for anyone interested in the space program.
I always wanted to be an astronaut when I was a kid. Neil Armstrong was my hero, Gus Grissom and Alan Shepard too. This TBS production is a very "viewer friendly" trip down history lane starting from the beginning of the astronaut selection for the Mercury program through the Apollo-Soyuz test flight. As told by Deke Slayton, it's easy to understand, doesn't waste the viewer's time with a lot of heady details, puts all due influence on our Cold War competition with the Russians (the astronauts were all soldiers, and the Apollo program was at first an effort to show we could put soldiers with a payload -- re: weapons systems -- on the moon), and has it told by the astronauts themselves: Wally Schirra, Alan Shepard, Buzz Aldrin, Scott Carpenter, ground crew people like Chris Kraft.
Do kids these days even know who these people were? Do they understand that we really did shoot people into space in little tin cans with no bathrooms or kitchenettes? Do they understand that these cold warriors were "men", who had egos and wives and drank and got into trouble and made history? People died, too, both on the Soviet side and our boys, and the special very soberly gives attention to all of that while being genuinely amusing at times, mixing period era authentic NASA test footage with the astronauts reminiscing about how ALL OF THIS WAS REAL.
One thing does kind of work against it and that's the overly "down home" narration by Barry Corbin. Yes, Deke Slayton had a bit of a cornpone accept, but after a while it strikes you as having been laid on a bit too thick, along with the comedic music and pratfalls. It's when the presentation sharpens up and gets down to telling you what it was like to be an astronaut candidate that it all comes together. They were competitive, somewhat egotistical and "cocksure" fighter jocks, and one of the interesting points that the film does a good job in getting across is that in 1966 or whatever, not everybody could be an astronaut. Today sure, but only because of the pioneering work these men undertook.
Highly recommended and suitable for all ages & audiences, anybody will be entertained and just like Cosby used to say if you aren't careful you just may learn a few things too.
Do kids these days even know who these people were? Do they understand that we really did shoot people into space in little tin cans with no bathrooms or kitchenettes? Do they understand that these cold warriors were "men", who had egos and wives and drank and got into trouble and made history? People died, too, both on the Soviet side and our boys, and the special very soberly gives attention to all of that while being genuinely amusing at times, mixing period era authentic NASA test footage with the astronauts reminiscing about how ALL OF THIS WAS REAL.
One thing does kind of work against it and that's the overly "down home" narration by Barry Corbin. Yes, Deke Slayton had a bit of a cornpone accept, but after a while it strikes you as having been laid on a bit too thick, along with the comedic music and pratfalls. It's when the presentation sharpens up and gets down to telling you what it was like to be an astronaut candidate that it all comes together. They were competitive, somewhat egotistical and "cocksure" fighter jocks, and one of the interesting points that the film does a good job in getting across is that in 1966 or whatever, not everybody could be an astronaut. Today sure, but only because of the pioneering work these men undertook.
Highly recommended and suitable for all ages & audiences, anybody will be entertained and just like Cosby used to say if you aren't careful you just may learn a few things too.
10deke17
Based on the book of the same name, Moon Shot gives a real-life account of NASA's race for the moon by two men who were intimately involved: Deke Slayton and Alan Sheppard.
Much of this film is a gathering of the 5 remaining Mercury Astronauts - Al Sheppard, John Glenn, Scott Carpenter, Wally Schirra and Gordo Cooper. They reminisce about the old days and their different perspectives, something you don't get in the book, which is also excellent. Barry Corbin fills in as the voice, but not the image, of Deke Slayton. I think Corbin's part was a nice touch, narrating Deke's contributions to the book. I think it was interesting too that they got Corbin to play a former astronaut when he played former astronaut Maurice Minnifield on Northern Exposure for several years. Maybe intentional, maybe not, but a fine piece of casting. :)
If you liked the film, read the book. You won't be disappointed.
Much of this film is a gathering of the 5 remaining Mercury Astronauts - Al Sheppard, John Glenn, Scott Carpenter, Wally Schirra and Gordo Cooper. They reminisce about the old days and their different perspectives, something you don't get in the book, which is also excellent. Barry Corbin fills in as the voice, but not the image, of Deke Slayton. I think Corbin's part was a nice touch, narrating Deke's contributions to the book. I think it was interesting too that they got Corbin to play a former astronaut when he played former astronaut Maurice Minnifield on Northern Exposure for several years. Maybe intentional, maybe not, but a fine piece of casting. :)
If you liked the film, read the book. You won't be disappointed.
Did you know
- TriviaDedicated to Deke Slayton who passed away from cancer a few months before the release of this miniseries.
Details
- Runtime
- 3h 8m(188 min)
- Color
- Sound mix
- Aspect ratio
- 1.33 : 1
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