Tess of the D'Urbervilles
- TV Movie
- 1998
- 3h
IMDb RATING
7.6/10
2.2K
YOUR RATING
A free-spirited yet naive country girl is caught between her wealthy, manipulative "cousin" Alec and the handsome, educated farmer Angel Clare in this Victorian tragedy from novelist Thomas ... Read allA free-spirited yet naive country girl is caught between her wealthy, manipulative "cousin" Alec and the handsome, educated farmer Angel Clare in this Victorian tragedy from novelist Thomas Hardy.A free-spirited yet naive country girl is caught between her wealthy, manipulative "cousin" Alec and the handsome, educated farmer Angel Clare in this Victorian tragedy from novelist Thomas Hardy.
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The imagery in this A&E movie is wonderful. I have not read the novel yet, but the movie is an awesome feminist romance/tragedy that addresses the double standards which were set upon women in the 1800's. The actress who plays Tess is talented and believable.
If I may be so bold, I would say that this particular adaptation of Tess of the d'Urbervilles is just what Hardy had in mind when he wrote his masterpiece. However, it's difficult to put into words just why one production works so well. For me, one crucial ingredient was the music. The music in this production is emotive, a bit lively, innocently hedonistic, playful and lilting, but with a definite, bittersweet note illustrating the transient glory and ups and downs of Tess' too brief, and unfortunately, mostly tragic life. The beautiful Justine Waddell plays the role of Tess with great talent and simple dignity. In particular, I liked the scene in which she says there's no point learning about history only to discover that there have been countless other people like her in the past living through the same kind of drudgery. Oliver Milburn, who played Angel Clare, brings a new kind of skeptical optimism to the role not as apparent in Peter Firth's portrayal back in 1979. Milburn seems more angelic and innocent and innocuous in manner, posture, appearance, and in facial expression. He is open and appealing, very easily seducing the heart of Tess in spite of her reservations. His treatment of her when he has discovered her secret seems all the more callous and tragic for his previous admiration and light-hearted demeanor. But kudos must go to the directors and cinematographers of this production. From the opening scene of the maidens dancing in the field, the visual shots in this film are rich in beauty and light, at least when all is well. Even the drear scenes to come are depicted with absolute visual integrity and adhere faithfully to Hardy's vision and eloquent natural language. In particular, I like the fact that in this film, the last scene at Stonehenge has been more accurately portrayed from the book than in the previous version, 1979's "Tess". (Ie. the atheistic comments have not been censored out when Tess mourns with despair that Angel and she will never meet again.) All in all, this film is worth every moment watching. Not only are the dialogues delightful and the themes intriguing, but many will be captivated simply by the glorious scenery and by the beauty and demeure grace of Tess herself. My rating: 10/10
Though all three adaptations I've seen have been very good in their own way, the other two being the Polanski film and the Gemma Arterton mini-series, all three do a noble job adapting a literary classic. Of the three personal favourite and best has to go to this version, and while that it is the most faithful of the three to the book what is done on its own is even more remarkable. The locations are evocative and manage in being really beautiful and atmospheric. The photography matches those qualities with its richness, this is a really beautifully shot adaptation and of the three versions it is the most striking visually. The music adds a lot to the atmosphere too, a great mix of haunting and emotive, very well suited for the nature of the story and the impact of Tess' plight. The dialogue is intelligent and has the spirit of Hardy's writing with the vivid descriptions and his way of words, phrases and poetry. The story really packs a powerful impact and adapted in a way that doesn't make the telling of it feel too complicated. the ending is absolutely heart-breaking. The acting from the three leads is spot on. Justine Waddell is a Tess that we feel immediately feel sympathy for and Waddell also brings dignity to the character. Oliver Milburn's Angel Clare has a sense of optimism though he doesn't make him too one-dimensional, we still get a sense that Angel Clare is not as innocent as he seems. In contrast we have Jason Flemying who portrays Alec as a genuine sleaze and cad and in a malevolent way but there is still the sense that he did love Tess. All in all, brilliant and the best of the three adaptations personally seen of Tess of the D'Urbevilles, if there is a better version I've yet to see it and it has to be really amazing to beat this. 10/10 Bethany Cox
I first saw this as a 3 parter on UK ITV in 1998 and was bowled over by it - imho it's the best ever screen adaptation of any Thomas Hardy novel full stop. Over the years I've seen many films and TV plays adapted from his books many of them very good, but all of them way behind this outstanding LWT (RIP)/ A&E co-production.
Poor, pure and simple country girl gets buffeted by Fate between 2 wealthy men, one essentially bad and the other essentially good, and she nobly suffers all the emotional troubles they bring her. All of the phases of her life as delineated by Hardy are brought out in the screenplay by Ted Whitehead, who did an excellent job in condensing down a long complex novel into a mere 3 hours but still not losing anything of importance. The rosy photography is lovingly and befittingly Constable/Turneresque with so many gorgeous hues and colours of simple rustic scenes and is never rushed - Hardy would surely have approved! The anguished music reflects the emotions at all stages and complements the visual sumptuousness of it all. One very minor niggle was the sometimes sloppy sound dubbing - they presumably had to work to get the accents correct later in the studio. Jason Flemyng as Alec was suitably caddish and young Oliver Milburn was realistically idealistic. But excellent as this was in all departments Justine Waddell was still the best thing about this production: she fitted my idea of tragic Tess perfectly - was she Fated to play her? If you don't crack into a million pieces when she repeatedly whispers "It's too late" to Angel you're made of sterner stuff than me!
If you like Hardy's novels you shouldn't miss this, it's a beautiful, heartbreaking, haunting and vividly memorable version of the tragedy.
Poor, pure and simple country girl gets buffeted by Fate between 2 wealthy men, one essentially bad and the other essentially good, and she nobly suffers all the emotional troubles they bring her. All of the phases of her life as delineated by Hardy are brought out in the screenplay by Ted Whitehead, who did an excellent job in condensing down a long complex novel into a mere 3 hours but still not losing anything of importance. The rosy photography is lovingly and befittingly Constable/Turneresque with so many gorgeous hues and colours of simple rustic scenes and is never rushed - Hardy would surely have approved! The anguished music reflects the emotions at all stages and complements the visual sumptuousness of it all. One very minor niggle was the sometimes sloppy sound dubbing - they presumably had to work to get the accents correct later in the studio. Jason Flemyng as Alec was suitably caddish and young Oliver Milburn was realistically idealistic. But excellent as this was in all departments Justine Waddell was still the best thing about this production: she fitted my idea of tragic Tess perfectly - was she Fated to play her? If you don't crack into a million pieces when she repeatedly whispers "It's too late" to Angel you're made of sterner stuff than me!
If you like Hardy's novels you shouldn't miss this, it's a beautiful, heartbreaking, haunting and vividly memorable version of the tragedy.
10Stars-9
After reading the book this movie was based on, I was excited to learn that A&E made a film version made. I absolutely loved the adaptation. It stayed pretty true to the novel, and it was wonderful to be able to visually see the setting Hardy was writing about, as well as the characters. The performances of the actors was extraordinary, and Tess in particular was compelling. If you are going to watch the video, be sure to set aside 3 hours at one time, because you will not even want to pause it just to refill the popcorn bowl!
Did you know
- TriviaLesley Dunlop, who plays Tess's mother Joan Durbeyfield, had a supporting role in Tess (1979) as one of Tess's fellow workers at the d'Urberville estate.
- GoofsWhen Tess leaves home to work at a dairy farm, it shows the sun rising behind Tess as she walks, but the light source is coming from in front of Tess, warming her face, revealing the background is a green screen.
- ConnectionsVersion of Tess of the D'Urbervilles (1913)
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