The Woman in White

This is one of those great novels that cannot be corrupted by the screening of it, no matter how much you alter in the book to fit it into a picture, as the plot itself, the skeleton of the story, is unavoidable and carries it all no matter what you cut out of the flesh or add to it. Tara Fitzgerald and Andrew Lincoln as the main characters are convincing enough, although different from the book, while Simon Callow as Count Fosco, although his appearance is brief in comparison with the book, gets the place in the sun as the central hub of intrigue, one of the most classical and irresistible villains in literature.

But the main asset of this TV film version is the quiet mood and the excellent composition of the pictures - many scenes are just like Victorian paintings, and a painting actually is made to play almost like a red thread through the film.

The finale, although completely different from the book, makes the film dramatic enough though, and the only thing you really lack in this film version is the high intensity of the book building up a tension that makes the finale triumphant in its karmic justice.

They say the 1982 version is better. It is to be noted that Ian Richardson plays in both versions. It will be interesting to find it somewhere.

Really enjoyed this film..... Rick (known as Walter better) is very solid but definitely much more subdued than in The Walking Dead (TWD). Keep in mind this is just over 10 years before TWD. But you can definitely see how Andrew Lincoln who plays sheriff Rick Grimes in TWD is honing his craft and later became a major international star as sheriff Rick Grimes. Very cool that he even briefly wears a hat in this film quite similar to the famous hat in TWD that he wears while slaughtering zombies. This is a much slower paced drama but still greatly appreciated and highly recommended. Don't listen to the negative reviews it's well worthwhile I promise you!!

Although I still prefer the 1948 film version, which is more satisfyingly developed (in spite of an ending that comes out of nowhere), this newer version of Wilkie Collins's mystery has a lot to offer. Tara Fitzgerald and Justine Waddell are excellent as the two very different heroines, and Simon Callow is, as always, delightful (if not as deliciously repulsive as Sidney Greenstreet in this role). The mystery, romance and suspense begin to take a moody, even depressing turn in the second half, but this is still, overall, a satisfying film for fans of gothics, visually compelling and more than a little haunting.

Having read, and thoroughly enjoyed the book, I must say that except for a few phrases and scenes borrowed from the book, the plot did not resemble that of the book. I gave it five stars for effort and atmosphere.

This film adaptation is a real missed opportunity. The cast is good and does its best with the screenplay but the subtlety of Collins's novel is largely lost. It is quite possible to see why the format of the original novel would require some structural changes but quite why the makers of the film felt it necessary to change so much in the plot is frankly a mystery.

It feels like they had decided who they wanted to play the parts and changed the story accordingly. Marian Holcombe is portrayed by Collins as having an ugly and masculine face; Tara Fitzgerald has anything but so they changed the character. Why change her name to Marian Fairlie? Sir Percival Glyde is too young and Fosco too thin.

Ah well, it's entertaining enough but like so many adaptations, you will be disappointed if you know the book. Out of curiosity I must now try to find copies of the other adaptations to see how they fare.