The 24 Hour Woman

"The 24 Hour Woman" miscasts Perez as the lead in this film about a producer of a tv talk show of the same name which deals with woman's issues. The film shows the Perez character's difficulty managing career and family after having a baby. This mediocre comedy/drama has just enough comedy to dilute the drama and visa-versa resulting in rift down the middle rather than the happy mix required of the genre. In spite of it's low budget, no brainer "feel", the film does have its moments and may be a worthwhile watch for women. Working moms in particular.

Yes, this is a "woman's film." One of the other male reviewers condescendingly said that this is woman's film that women should watch. Excuse me, but I don't think women, especially working moms, or anyone raised by a working mom, would need to watch it, except for vindication. This IS their life. On the other hand, I think men would benefit from watching this film. It might generate some empathy for the demands put on working mothers that are never put on men, no matter how enlightened we may regard ourselves. Rosie Perez is perfectly cast, and she is marvelous.

Rosie Perez has been in great films: "Fearless" (Oscar nominations), "It Could Happen to You," and "The Twenty-Four Hour Woman." In this film, Perez is wonderful as a producer who juggles a man, a job, and pregnancy in her 30s. With a competent supporting cast including Marianne Jean-Baptiste, Karen Duffy, and Aida Turturro, this film, with a delightful screenplay and a highly-overlooked and exceptional leading lady, is one not to miss. (7/10)

I agree that there was excessive profanity, but that wouldn't bother me so much. What I don't like is that she waved a gun at her husband and everybody else, and yet he didn't leave her. Many people like her are under pressure and don't wave a loaded gun around. I think we're supposed to sympathize with her for this, but I don't. She gets arrested for trying to jump the turnstile and arguing with a cop, but not for waving the gun. If your spouse waves a gun at you, even if she doesn't fire it, you should get out now, because the next time she may fire it. People have to try to deal with their anger in other ways. What her husband said right before she got angry and said he was a liar, I repeated it several times and still don't understand what he said that got her so mad.

It squanders an opportunity to be about the class differences between a working-class Black woman (Jean-Baptiste) and her boss (Rosie Perez, who despite the cast list above, is the focus of the entire film) and settles for all the cliches about juggling work and family duty. It's directed incompetently, worst than most television programs, with an inbalanced story structure and lazy, imprecise screenplay.