Window Water Baby Moving
- 1959
- 13m
IMDb RATING
7.5/10
2.6K
YOUR RATING
Stan Brakhage films the birth of his first child, Myrrena.Stan Brakhage films the birth of his first child, Myrrena.Stan Brakhage films the birth of his first child, Myrrena.
Stan Brakhage
- Self
- (uncredited)
Myrrena Schwegmann
- Self (baby being born)
- (uncredited)
Jane Wodening
- Self
- (uncredited)
Featured reviews
"Window Water Baby Moving" is possibly influential experimental filmmaker Stan Brakhage's most well-known film. In this masterpiece, he simply documents the birth of his first child. And it is possibly the greatest film he's ever made.
To be fair, I haven't seen Brakhage's "Dog Star Man", which also looks like a masterwork, but whether or not it is truly his best film, it is still a beautiful film.
Stan Brakhage uses his normal fast paced, experimental editing that has been used in his other documentary works (ex. "The Act of Seeing with One's Own Eyes"), as well as some very artistic, and highly experimental, camera-work. Brakhage's documentary films aren't just simple home movies, but great works of art, just look at the film! Every shot is an artistic masterpiece, and it is a truly great document of life and love.
Although the film uses highly graphic imagery to tell it's story, it is really a sweet document. Yes, the birth is shown in EXTREME detail, but, at the end, you see how loving these new parents are. The mother (Jane Brakhage) holds her newborn in her arms, and the father (Stan Brakhage) looks greatly excited and happy, he's hoping up and down, with a great smile on his face.
Stan Brakhage has proved himself, in my opinion, to not only be one of the great experimental filmmakers, but of of the great documentary filmmakers, as well.
To be fair, I haven't seen Brakhage's "Dog Star Man", which also looks like a masterwork, but whether or not it is truly his best film, it is still a beautiful film.
Stan Brakhage uses his normal fast paced, experimental editing that has been used in his other documentary works (ex. "The Act of Seeing with One's Own Eyes"), as well as some very artistic, and highly experimental, camera-work. Brakhage's documentary films aren't just simple home movies, but great works of art, just look at the film! Every shot is an artistic masterpiece, and it is a truly great document of life and love.
Although the film uses highly graphic imagery to tell it's story, it is really a sweet document. Yes, the birth is shown in EXTREME detail, but, at the end, you see how loving these new parents are. The mother (Jane Brakhage) holds her newborn in her arms, and the father (Stan Brakhage) looks greatly excited and happy, he's hoping up and down, with a great smile on his face.
Stan Brakhage has proved himself, in my opinion, to not only be one of the great experimental filmmakers, but of of the great documentary filmmakers, as well.
10quin1974
I saw this short a few days ago at the Rotterdam Film Course for the International Rotterdam Film Festival and it blew me away. I had read some information about this short and wasn't that impressed, after all there are loads of programmes nowadays on TV that handle this subject as entertainment fodder.
What I did not know up front was the fact that Stan Brakhage never uses sound. That's probably where the power lies. The pictures were so incredibly strong and vibrant because of lighting, color and the sheer graphic visions Brakhage presents to the viewers that sound would have been distracting to say the least.
The pictures are not for the easily spooked persons or women who are thinking about having a baby. This is a straightforward account of child birth with all the gore, blood and beauty that accompanies it. It opened my eyes, 'cause I had never seen anything like it before in my life, and it is after all the most natural happening in the world.
After 13 minutes you will be left breathless.
10/10
What I did not know up front was the fact that Stan Brakhage never uses sound. That's probably where the power lies. The pictures were so incredibly strong and vibrant because of lighting, color and the sheer graphic visions Brakhage presents to the viewers that sound would have been distracting to say the least.
The pictures are not for the easily spooked persons or women who are thinking about having a baby. This is a straightforward account of child birth with all the gore, blood and beauty that accompanies it. It opened my eyes, 'cause I had never seen anything like it before in my life, and it is after all the most natural happening in the world.
After 13 minutes you will be left breathless.
10/10
It took me nearly ten years to muster up the guts to actually sit through an entire viewing of Stan Brakhage's WINDOW WATER BABY MOVING.......... and my courage has been completely rewarded by it! Even in this time, when watching live births on TV is commonplace, Brakhage's film (then ground-breaking for 1959) on the birth of his first child takes that "miracle" of life to an exultant place beyond the merely visual or educational, and gives the viewer the truth of both love and art.
Warm skin-tones, loving hands on his pregnant wife Jane's stomach, water washing over expectant skin, eyes, smiles, and the clearly visible movement of a child in the womb through the protruding abdomen eventually give way to extremely graphic, though emotionally and viscerally stunning shots of a child being born. All the pain, commitment, necessity, care and truth (the WHOLE truth!!!) involved in the before, during and after stages of becoming a part of this world are fully documented by Brakhage the filmmaker and father. The compositioning, colours, movements, angles, sequencing and revelations ultimately forming an incredible visual poem on and about the love of a man and a woman, and the child they have created together. Made all the more powerful and impacting by the complete lack of sound; thereby letting the eye do the "reading".
I had never seen anything so breathtaking, eye-opening, informative, and completely uncensored, yet so fraught with beauty before I saw this film tonight. When Brakhage grasps his head and smiles so wonderously at the end I couldn't help but smile back for him. One creation spawning another, shared with us all.
10/10. A true miracle.
Warm skin-tones, loving hands on his pregnant wife Jane's stomach, water washing over expectant skin, eyes, smiles, and the clearly visible movement of a child in the womb through the protruding abdomen eventually give way to extremely graphic, though emotionally and viscerally stunning shots of a child being born. All the pain, commitment, necessity, care and truth (the WHOLE truth!!!) involved in the before, during and after stages of becoming a part of this world are fully documented by Brakhage the filmmaker and father. The compositioning, colours, movements, angles, sequencing and revelations ultimately forming an incredible visual poem on and about the love of a man and a woman, and the child they have created together. Made all the more powerful and impacting by the complete lack of sound; thereby letting the eye do the "reading".
I had never seen anything so breathtaking, eye-opening, informative, and completely uncensored, yet so fraught with beauty before I saw this film tonight. When Brakhage grasps his head and smiles so wonderously at the end I couldn't help but smile back for him. One creation spawning another, shared with us all.
10/10. A true miracle.
Window Water Baby Moving (1962)
**** (out of 4)
I'm not quite sure where the line is drawn when it comes to art and a simple home movie but this film is certainly the best of both. Director Brakhage made this eleven-minute film dealing with the birth of his first child. The mixture of something beautiful like art and something ugly like a home movie is rather interesting for the story as there's a lot of ugliness that goes along with childbirth but at the same time there's also something beautiful about it and this film perfectly captures both. Nothing during the birth sequence is kept to the imagination as the director gets the camera very close to where all the action is going on and he doesn't shy away from showing anything. It's rather amazing that his wife was such a good sport because there had to be times where he was in the way of the birth just to get certain shots. The film shows a lot of this ugly, bloody mess but it's also done very beautifully. The birth shots and edited with shots of Brakhage and his wife loving on one another and the way this editing is done really captures the love and affection the director must have been feeling.
**** (out of 4)
I'm not quite sure where the line is drawn when it comes to art and a simple home movie but this film is certainly the best of both. Director Brakhage made this eleven-minute film dealing with the birth of his first child. The mixture of something beautiful like art and something ugly like a home movie is rather interesting for the story as there's a lot of ugliness that goes along with childbirth but at the same time there's also something beautiful about it and this film perfectly captures both. Nothing during the birth sequence is kept to the imagination as the director gets the camera very close to where all the action is going on and he doesn't shy away from showing anything. It's rather amazing that his wife was such a good sport because there had to be times where he was in the way of the birth just to get certain shots. The film shows a lot of this ugly, bloody mess but it's also done very beautifully. The birth shots and edited with shots of Brakhage and his wife loving on one another and the way this editing is done really captures the love and affection the director must have been feeling.
An amazing avant-garde short of the birth of Brakhage's first child. This film is both graphic and beautiful while effecting each viewer a little differently. The colors in the film are especially striking. (Warning this film is not for the queazy).
Did you know
- TriviaIn the early 80's, Brakhage screened 'Window Water Baby Moving' to Andrei Tarkovsky who wasn't impressed with the film. Brakhage said in an interview: "The first film was Window Water Baby Moving. First of all I got nervous because Olga, who is teetering over me on the bureau, begins to sway. I've seen people faint at that film and I don't know, maybe she's never seen childbirth before. And then I see Tarkovsky's wife averting her face from the screen at times as you get to see some of the more explicit details of childbirth. ... Tarkovsky starts talking in rapid Russian, with Zanussi answering him, and whatever he's saying it's obviously angry. Finally, after a lot of these exchanges, Jane had the presence of mind to say, "What's going on? What's he saying?" So Zanussi starts translating and he says, "Well..." and we all wait, "Well... he says," and we wait some more, "he says that Art must have a mystery to it and this is too scientific to be Art.""
- ConnectionsEdited into Alt-J: Pleader (2017)
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- Window, Water, Baby, Moving
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