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IMDbPro

Too Tired to Die

  • 1998
  • R
  • 1h 37m
IMDb RATING
5.4/10
604
YOUR RATING
Too Tired to Die (1998)
ComedyDramaFantasy

Keith is a Japanese twenty-something who is followed by Death in various disguises. When he finally faces her, Death tells him that he has only 12 hours to live and he needs to make the most... Read allKeith is a Japanese twenty-something who is followed by Death in various disguises. When he finally faces her, Death tells him that he has only 12 hours to live and he needs to make the most of it.Keith is a Japanese twenty-something who is followed by Death in various disguises. When he finally faces her, Death tells him that he has only 12 hours to live and he needs to make the most of it.

  • Director
    • Wonsuk Chin
  • Writer
    • Wonsuk Chin
  • Stars
    • Rizwan Manji
    • Mira Sorvino
    • Bill Sage
  • See production info at IMDbPro
  • IMDb RATING
    5.4/10
    604
    YOUR RATING
    • Director
      • Wonsuk Chin
    • Writer
      • Wonsuk Chin
    • Stars
      • Rizwan Manji
      • Mira Sorvino
      • Bill Sage
    • 12User reviews
    • 6Critic reviews
  • See production info at IMDbPro
  • See production info at IMDbPro
  • Photos11

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    Top cast31

    Edit
    Rizwan Manji
    Rizwan Manji
    • Young Arab
    Mira Sorvino
    Mira Sorvino
    • Death…
    Bill Sage
    Bill Sage
    • White Soldier
    Sandra Prosper
    • Black Soldier
    Hany Kamal
    Hany Kamal
    • Blind Man
    Takeshi Kaneshiro
    Takeshi Kaneshiro
    • Kenji
    Jeffrey Wright
    Jeffrey Wright
    • Balzac Man
    Drena De Niro
    Drena De Niro
    • Waitress
    Geno Lechner
    Geno Lechner
    • Pola
    Michael Imperioli
    Michael Imperioli
    • Fabrizio
    Kim Hye-su
    Kim Hye-su
    • Anouk
    • (as Kim Hye-soo)
    Jimmy P. Wong
    Jimmy P. Wong
    • Chinese Man #1
    • (as Jimmy Pui Wong)
    Henry Yuk
    • Chinese Man #2
    Victor Chan
    Victor Chan
    • Chinese Man #3
    Wonsuk Chin
    • Chinese Killer
    Randy Cherkas
    • Timmy
    Hunter Carson
    Hunter Carson
    • Man on the Pier
    Ako
    Ako
    • Mother
    • Director
      • Wonsuk Chin
    • Writer
      • Wonsuk Chin
    • All cast & crew
    • Production, box office & more at IMDbPro

    User reviews12

    5.4604
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    10

    Featured reviews

    4SnoopyStyle

    experimental

    Kenji (Takeshi Kaneshiro) is a Japanese guy living in New York. He spends his days at a local coffee shop. He encounters his mysterious dream girl (Mira Sorvino). She is death and she reveals that he has twelve hours to live.

    This is an experimental indie. There is some surrealism but it struck me as fake unreality. One thing that doesn't help is the guy's heavy accent. It actually grew to annoy me. The acting ranges from amateurish to some recognizable veterans like Jeffrey Wright, Michael Imperioli, and Ben Gazzara. This is strictly indie time. It would help to have some better cinematic style. Newbie director Wonsuk Chin tries a few moves but they come off looking amateurish.
    7Levana

    A sly, funny film with disturbing undertones

    The aimless protagonist is an all too believable character, and therefore there is considerable empathy for him, even when his behavior is not justifiable. This film really gave me something to think about; how many people would do better than Kenji if given 24 hours to put their life in order? In traditional Hollywood, everything would miraculously work out fine, but of course Wonsuk Chin knows better than that. This is a case where I think a bitter flavor is better than sweetness. Not all of the loosely-linked scenes work, and Sorvino can grate at times, but on the whole the movie is very much worth seeing. The opening is wonderful.
    4parlo

    interesting moments don't add up...

    A film with a really interesting premise and obviously some provocative ideas behind it. Unfortunately it goes nowhere from there and particularly towards the end becomes tiresome and violent.

    The best part of the film is by far the character of Death played by Mira Sorvino.
    10polgas

    i keep spewing words, hoping i'll hit one that describes how i feel

    i just finished watching "too tired to die" on cinemax. i had seen the commercial for it earlier today, and it looked like it was a good watch. basically, a japanese slacker, played by takeshi kenshiro (from 'chungking express' - another excellent movie), is approached by death, played by mira sorvino, and told that he has 12 hours to live. from that premise, i figured it would be your basic lark of a movie, seeing how a slacker deals with the fact that he has half a day left to live.

    it wasn't quite the hour and a half of hijinx and hilarity that i'd expected.

    not to say that it wasn't good. it was. i just --- it was one of those movies that ends and i'm not quite sure just what i'm feeling. one of those movies without an actual crescendo or climax or resolution, or anything. not your typical movie vehicle. and so, now that it's over, i have no idea what to feel. i mean, it basically followed his 12 hours, and the surreal, bizarre events that take place. i can't even discuss it or how i feel about it or talk about what happened, because i don't want to spoil it for whomever might be reading this. it was just one of those movies that leaves you hanging and yet, at the same time, doesn't. it was a little confusing, and a little ... i don't even know.

    i can't help but feel that i missed out on something in the movie. like it was some art piece that somehow escapes me. that i can't quite understand. which is funny, because that exact premise came up in the movie, where kenji (the main character) is looking at a piece of abstract art and asks the artist if it's possible to like something without understanding it. i guess that's how i feel about the movie. i liked it, and i know it was a good movie, but i can't understand it. and i can't help but wonder if i'm missing out on something bigger because i can't understand it. for maybe it wasn't even meant to be understood. after all, isn't the purpose of art to create different meanings in different people? each person who views it, who experiences it, creates their own interpretation of it. maybe it wasn't intended to be understood. just watched, enjoyed (and i don't even know if i enjoyed it. if that makes any sense. i know i liked it, but did i enjoy it?), and appreciated.

    maybe this is what the director had in mind. maybe this is what he wanted? for the audience, after watching it, to just sit and not know what they feel. whether or not they enjoyed it, or understood it, or even knew what the hell just happened.

    i know i want a copy of it, though. i know that i want to be able to share it with people, and --

    i just called a friend on his cell phone. told him to remember the name of the movie, and try to catch it on cinemax, or watch it. i need someone to share it with. discuss it with. someone to help me understand it, maybe, i don't even know. it's just too --- god. it's a mind f*ck, and emotion f*ck, a head f*ck. i couldn't even form coherent sentences on the phone, while trying to explain the movie to phil. i feel like i'm some sort of messed up, bizarre drug, that's how messed this movie has me. i don't get it. it was such a ... non-movie movie ... and yet it's got me so affected. it just WHAM hit me. maybe it's just me. just some weird emotional state i'm in that was triggered or enhanced by the movie, but i can't remember being this -- shaken, moved, affected, bewildered -- by a movie. i keep rambling on, spewing words onto the computer, hoping one of them will help describe what i feel, but so far none of them are even close to it.
    Raizok

    really really really.. strange.

    This movie is like a moving dartboard. details flash before you and as you aim your attention on a particular target, it quickly goes out of reach.

    I just rented this flick among 6 others (saw Wall Street before this one, really good movie) simply because Mira Sorvino is a hottie and the premise of the film (guy gets 12 hours to do whatever he wants) sounded intriguing.

    It turned out to be something a hell of a lot different.

    From the opening credits I was impressed with the set-design, the actor and the way it was being filmed. Fantastic opening scene gave me the feeling I was going to watch something really unique. And I did.

    Unfortunately, I cant quite find the words to describe what I saw. It seemed almost like an improvisation. Characters that didnt quite seem to fit in the story, conversations that didnt seem to hold any relevance, plot-twists that were inconceivable. This isnt your typical hollywood film.

    Again, I was taken aback by the style of the movie, and I recommend this for those seeking something "different" to comment on along with their friends. Just like "Lost Highway" had an important message locked somewhere in it's tangled skein.

    Oh well. That pretty much sums up my opinion of the movie, sorry I couldn't have done a better job. peace out.

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    Related interests

    Will Ferrell in Anchorman: The Legend of Ron Burgundy (2004)
    Comedy
    Mahershala Ali and Alex R. Hibbert in Moonlight (2016)
    Drama
    Elijah Wood in The Lord of the Rings: The Fellowship of the Ring (2001)
    Fantasy

    Storyline

    Edit

    Did you know

    Edit
    • Trivia
      Laura Kirk's debut.
    • Quotes

      Death: He said that you stopped him for no reason.

      Kenji: No reason? No, I saw him in my dreams. And you... Who are you?

      Death: I... I am...

      Young Arab: Chukhram.

      Death: He also wants to thank you.

      Kenji: Thank me? For what?

      Death: He's been running all his life. He must have been tired. We must go.

      Kenji: Wait! Wait! Wait! I don't get it, OK?

      Death: [smirking] How do you want me to disappear?

      Kenji: What?

      Death: Never mind. I'll see you.

      [gives Kenji a kiss on the cheek]

    • Connections
      References The Bank Dick (1940)

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    Details

    Edit
    • Release date
      • August 8, 1998 (Japan)
    • Country of origin
      • United States
    • Languages
      • English
      • Japanese
      • Mandarin
      • Arabic
      • French
      • Cantonese
      • German
    • Also known as
      • På flykt undan döden
    • Filming locations
      • New York City, New York, USA
    • Production companies
      • Black Swan Productions
      • Dream Search Entertainment
    • See more company credits at IMDbPro

    Box office

    Edit
    • Budget
      • $1,200,000 (estimated)
    See detailed box office info on IMDbPro

    Tech specs

    Edit
    • Runtime
      • 1h 37m(97 min)
    • Color
      • Black and White
    • Sound mix
      • Ultra Stereo
    • Aspect ratio
      • 1.78 : 1

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