Lumumba

I just saw this movie last night, 2/21/02, on HBO TV in New York and noticed a fascinating and rare bit of censorship within it. In one late scene in the movie when Congo politicians and 1-2 Americans meet around table and vote whether Lumumba is to be captured/killed, the apparent American, perhaps a CIA officer, is addressed by Gen. Mobutu and asked how he wants to vote. But the American's name uttered by Mobutu is bleeped out in the televised version I saw and heard. Then in the film's final credits, this same character's name is masked over and appears only as "Mr......" played by actor Dennis Thatcher. So what IS the name of the mysterious man, no doubt too accurately identified, in this movie, airing on American TV some 2 years after it was made.

This movie is the best movie I have seen in a long time. It is also the best movie seen that uses a drama to tell history, without going to speculation such as with JFK,Nixon or Hoffa. It deftly depicts the clutches that Belgium had on the Congo. It also teases out easily for us the European and American forces that were behind the power the inflict the Congo today. The film was sure to specifically implicate the U.S., rightly so, in the murder of Lumumba. This film could never be made in the U.S. for U.S. film rarely criticizes itself in acts of imperialism and murder. (Save Stone's JFK) It also lets us in on the problems that were present with the inner conflict of the Congo, between Lumumba, Mobutu and Katanga. We can see how precarious countries sit in establishing new governments when their history is one of colonization and those who were the colonizers continue to pull the strings of power and force. The film is excellently shot with Eriq Ebouaney an excellent Lumumba. The cast is great and they really draw you into the feeling of the climate in the Congo during that time.

Again, this is a must see for those who love drama with a correct historical background. See my notes on Quilombo.

To answer the question of a previous reviewer who asked the name of the U.S. official mentioned in "Lumumba", the name of the character is "Mr. Carlucci." Frank Carlucci is reported as having been at that time Second Secretary at the U.S. Embassy in the Congo. Subsequently, among other assignments, he was appointed U.S. Ambassador to Portugal, Deputy Director of the Central Intelligence Agency, Secretary of Defense, and is now the Chairman of the Carlyle Group. It's hardly surprising that Carlucci's biographical sketch on his www.carlylegroup.com web site fails to credit his service in the Belgian Congo. If his name was deliberately censored from the HBO version of "Lumumba" it may have been to avoid the possibility of HBO's being sued in U.S. courts. Carlucci's name, however, is clearly mentioned in the theatre version of "Lumumba" that I saw recently. In the event, I expect that he would deny any involvement in Lumumba's murder.

Others have commented on the evenhandedness with which the film "Lumumba" treats the parties concerned: Lumumba-supporters, other Congolese, even Belgians. A somewhat more sinister view emerges, I think, from the BBC documentary entitled "Who Killed Lumumba?", based on the book "The Murder of Lumumba" by Belgian historian Ludo de Witte. When examined closely, these films demonstrate that the fate of Lumumba and the history of the Congo is not just a matter of black and white. Only Lumumba's murderers believe that.

I was a pre-teen when news of Lumumba's assassination hit the news so I very vaguely recall at the time it was sad a leader who tried to shuck the reigns of colonialization was killed for efforts towards independence.

There is woefully insufficient time in a 2 hour movie to completely explain the whos whys and wherefores of a political assassination. Suffice to say the victors write the history and even if the truth were portrayed adequately, who's truth would it be? As the character Lumumba says in the movie, he came 50 years too early.

I found the story fast paced with good production values. It mirrored the all too brief time in power for a promising African leader, and there is a dearth of them lately. That continent still suffers a vacuum in its leadership, a state that will take another century to rectify. The film and life of Lumumba is a lesson of how badly things can go wrong in a climate of conflicting objectives and numerous parties and forces acting in a volatile setting. Congo had just gained independence and tribal rivalry reared its head very quickly. It is suggested for example that Lumumba seek sanctuary in the province of Katanga, where months before he had been refused landing rights in a flight to visit the troubled area. Politics makes strange bedfellows.

The time of the 1960s was the height of the cold war and Lumumba's courting of Soviet aid to fast track his country did not win any favours. No doubt the superpower USA had at least some hand in his death, much the same as Ngo Dhin Diem in Vietnam around the same time. Attempts to assassinate Fidel Castro at that time are also well documented so it may be some measure of just desserts that Kennedy met his end with an assassin's bullet.

Read up on that period of history then watch the movie to get additional value for the time you invest, and then you will be prepared to better understand contemporary events in far off places when national interests are at stake. Oil, diamonds, bauxite, coffee, whatever; liberty always seems to take a back seat when these interests get the ear of the powers that be.

Realism in the film is reinforced with the french dialog. I also understood the subtleties having studied military coups in university under a black professor who came from Nigeria.

Wow. What a fabulous film. The artists are to be congratulated and thanked for making this whole era come to life.

Should you go to this movie? Well, my wife didn't want to go because she guessed that it would be upsetting. She was correct: It IS deeply upsetting to see cruelty, treachery, panic, wobbly social institutions, etc.

On the other hand, there's nothing like a strong dose of the truth. I don't know enough Congolese history to have an opinion on the accuracy of this tale, but the movie certainly had an emotional truth to it.

In fact, it reminded me of something Meryl Streep once said. She mentioned that the purpose of a movie is to tell you what it felt like to be there -- wherever "there" might happen to be. By that standard, this movie succeeded. The film showed me -- a white guy from an American suburb -- what it means to have guts and commitment to high ideals during the most chaotic of times.

If that sounds intriguing to you, go see "Lumumba"!