Dr. Frankenstein has just finished rebuilding his creation, but the monster is unresponsive. He needs to try something different to make it work, perhaps some new parts. Enter a terminally i... Read allDr. Frankenstein has just finished rebuilding his creation, but the monster is unresponsive. He needs to try something different to make it work, perhaps some new parts. Enter a terminally ill sculptor and his assertive wife.Dr. Frankenstein has just finished rebuilding his creation, but the monster is unresponsive. He needs to try something different to make it work, perhaps some new parts. Enter a terminally ill sculptor and his assertive wife.
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Featured reviews
Hammerversal Horror.
Anton Diffring stars as the Baron, an obsessive scientist attempting to create human life, but who keeps failing due to a substandard supply of brains which have been harvested from executed murderers; however, when a terminally ill man and his wife approach the Baron seeking medical help, he at last sees the opportunity to perfect a non-psychotic version of his experiment. All he has to do is wait a few weeks...
A collaboration between Universal and Hammer, this pilot for a TV series that never was condenses all the elements of your average Frankenstein movie into a no-nonsense, half-hour slice of Gothic horror which, given the pedigree of both studios involved, unsurprisingly proves to be an entertaining treat for fans of the classic movie monster and his maker.
Diffring's portrayal of the Baron is sufficiently unemotional and effectively tinged with madness, the Universal-style monster make-up is well realised, and the half-hour format ensures that the action whips along at a brisk enough pace to avoid boredom setting in. Sure, the plot (from classic Universal scribe Curt Siodmak) holds no real surprises, primarily consisting of well-worn ingredients of the genrea creepy lab in a Gothic castle; a drunken grave-digger keen to earn a few extra bob; the hideous and rather unhappy monsterbut it is this very familiarity that makes the whole thing so much fun.
It's a shame that this show wasn't picked up for a whole series; it would have been great to see where they might have gone next.
A collaboration between Universal and Hammer, this pilot for a TV series that never was condenses all the elements of your average Frankenstein movie into a no-nonsense, half-hour slice of Gothic horror which, given the pedigree of both studios involved, unsurprisingly proves to be an entertaining treat for fans of the classic movie monster and his maker.
Diffring's portrayal of the Baron is sufficiently unemotional and effectively tinged with madness, the Universal-style monster make-up is well realised, and the half-hour format ensures that the action whips along at a brisk enough pace to avoid boredom setting in. Sure, the plot (from classic Universal scribe Curt Siodmak) holds no real surprises, primarily consisting of well-worn ingredients of the genrea creepy lab in a Gothic castle; a drunken grave-digger keen to earn a few extra bob; the hideous and rather unhappy monsterbut it is this very familiarity that makes the whole thing so much fun.
It's a shame that this show wasn't picked up for a whole series; it would have been great to see where they might have gone next.
Short well done monster movie.
Definitely something of interest for the lover of early monster movies. It's only a pilot and it's short but its good. If you liked the Frankenstein monster concept, this is a tidy tidbit of a good old monster movie that I think you will enjoy. This black and white gem has a good plot, good acting, great atmosphere and all you would expect from an old fashioned monster movie. Too bad the pilot was never picked up. What if there was a field of these little gems instead of just one. Oh well, we'll never know how a series would have done but do take a look at Tales of Frankenstein the one that was made. Have fun and enjoy this short well done monster movie.
The Award Theater: TALES OF FRANKENSTEIN (TV) (Curt Siodmak, 1958) **1/2
Yet another short TV production of the horror perennial whose major point of interest nowadays resides in its being capped by the double-shocker end credits - "Produced by Michael Carreras" and "A Hammer Film Production" - despite the fact that, being shot in black and white and directed by Curt Siodmak, it is clearly emulating the Universal template of almost thirty years previously rather than the fresh angle given by Hammer themselves!; other remnants of that consequently archaic influence are shots lifted from Tod Browning's Dracula (1931; the brides of Dracula) and the INNER SANCTUM series (the talking head). Actually, this above-average program was a co-production between Hammer and Columbia and features both future Hammer (a respectable but dour Anton Diffring in the lead) and past Universal (Ludwig Stossel as a tavern-keeper) alumni. Intended as a pilot for a proposed 26 episode TV horror anthology series to be filmed partly on the Columbia backlot and at Hammer's Bray Studios, it is no surprise that it failed and the plans for the follow-ups aborted. Frankly, the new storyline is weak: despite the fact that Baron Frankenstein has still not completed his life-giving experiments, the villagers are already scared shitless of him(!) and, worse still, an out-of-town couple (including a moribund husband) call on him for a miracle cure!! Even so, the Karloff-like monster - another Universal nod in this anomalous Hammer entry - is suitably menacing (if nothing else) as played by Don Megowan - previously of the Columbia horror programmer THE WEREWOLF (1956), which I will be watching later on during this Halloween Challenge - and, as usual, that wholly intoxicating black-and-white Gothic atmosphere wins the day in the end.
An Untold Tale of Frankenstein
"Dr. Frankenstein has recreated his creature, but wishes to correct his previous mistake. He wishes to prevent his creation from any further murderous rampages by placing the brain of a good man inside the skull of the monster. The arrival of a woman and her terminally ill husband offer the doctor an opportunity to try his new theory," according to the DVD sleeve's synopsis.
Anton Diffring (as Baron Von Frankenstein) is an extremely enjoyable and effective leading man.
If this is, indeed, the pilot for an unsold television series, it's difficult to understand how they were going to come up with the nearly 40 per season story ideas. As a short movie, writer/director Curt Siodmak does surprisingly well in this format, creating a "new" story to work within the existing "Frankenstein" mythos; and, it's much better than the average 1958 half hour teleplay.
****** Tales of Frankenstein (1958) Curt Siodmak ~ Anton Diffring Helen Westcott, Don Megowan
Anton Diffring (as Baron Von Frankenstein) is an extremely enjoyable and effective leading man.
If this is, indeed, the pilot for an unsold television series, it's difficult to understand how they were going to come up with the nearly 40 per season story ideas. As a short movie, writer/director Curt Siodmak does surprisingly well in this format, creating a "new" story to work within the existing "Frankenstein" mythos; and, it's much better than the average 1958 half hour teleplay.
****** Tales of Frankenstein (1958) Curt Siodmak ~ Anton Diffring Helen Westcott, Don Megowan
Failed Television Pilot Makes For a Decent Short Film
Frankenstein's reputation has done well for him. He has created another "monster", but needs a mind to control it. When a terminally ill subject enters his lab, he sees an opportunity to create the perfect being -- not having to rely on dead or criminal brains.
Anton Diffring ("Beast Must Die") stars as Baron Frankenstein and does a fine job. So does everyone else. For a television show, I'm uncertain ho this would have fared, particularly in the 1950s. And what would the story be? Would Frankenstein try a new brain each week? That would get old... or I've heard rumor it as to feature a different monster. That has some merit, but how many monsters are there? Dracula would make a much better ongoing character...
Luckily for us this pilot survived as a short film, and a decent one at that. Perhaps not a memorable one, but a strong piece of the Frankenstein story from a director ho knows the man and the monster ("Frankenstein Meets the Wolfman", for example).
This one crossed my desk through a box set. I'm not sure ho easily available it is, but if you get a chance to check it out, do so. It's only 27 minutes long, so you'd hardly be "wasting" time on this better-than-average attempt at a good horror story. "Tales From the Crypt" has done worse.
Anton Diffring ("Beast Must Die") stars as Baron Frankenstein and does a fine job. So does everyone else. For a television show, I'm uncertain ho this would have fared, particularly in the 1950s. And what would the story be? Would Frankenstein try a new brain each week? That would get old... or I've heard rumor it as to feature a different monster. That has some merit, but how many monsters are there? Dracula would make a much better ongoing character...
Luckily for us this pilot survived as a short film, and a decent one at that. Perhaps not a memorable one, but a strong piece of the Frankenstein story from a director ho knows the man and the monster ("Frankenstein Meets the Wolfman", for example).
This one crossed my desk through a box set. I'm not sure ho easily available it is, but if you get a chance to check it out, do so. It's only 27 minutes long, so you'd hardly be "wasting" time on this better-than-average attempt at a good horror story. "Tales From the Crypt" has done worse.
Did you know
- TriviaThe introduction contains stock footage from some of the Universal horror series, including the brides from Dracula (1931). The face in the crystal ball, who is supposed doing the narration, is actually footage that was used at the beginning of all of Universal's "Inner Sanctum" features.
- GoofsThe introductory narration does not come close to matching the lip movements of the face in the crystal ball. The face in the crystal ball had actually been shot about 15 years earlier for the introductions to Universal's "Inner Sanctum" series of features.
- ConnectionsFeatured in 100 Years of Horror: Baron Frankenstein (1996)
Details
- Release date
- Countries of origin
- Language
- Also known as
- Relatos de Frankenstein
- Production companies
- See more company credits at IMDbPro
- Runtime
- 28m
- Color
- Sound mix
- Aspect ratio
- 1.33 : 1
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