Eban and Charley

The filmmaker's indication that Eban's behavior is part of a pattern are proposing that it is compulsive and unhealthy. Charley is portrayed as emotionally needy because of the tragic circumstances in his life. Society's strong condemnation of their relationship is presented by the boy's fathers. However, one cannot walk away from this sensitive film without compassion for Eban and Charley, perhaps even a wish that society would leave them alone if their relationship satisfies their needs. A sub-plot involving straight teenagers suggests that the film is meant to consider the feelings of human beings rather than to react automatically. The film promotes thought.

This is a small quiet film that never sensationalizes the subject matter - pedophilia?? It has some sound problems that are glaring at times but that didn't stop me from enjoying the movie. Although it was slow, I felt that it was quite sweet, a little creepy, and even suspenseful at times. It was shot digitally like many great movies of it's kind are (i.e. Chuck and Buck) but I assume it was never transferred to film since I saw a not so great video projection in the east village.

I would recommend this low budget dv flick to anyone who hates big happy gay hollywood movies that never deal with anything touchy or interesting. There's not a lot of movement, locations, or characters to be mesmerized by - but minimalist nature of the story really works if you let it. I believe it was a bold and conscious move on the director's part and I truly respect him for that. I wouldn't mind seeing it again.

Wow! I get to be a movie critic or so most people think who write on this message board. Horrors! It was shot on tape using a digicam! Is that bad? It didn't have LucasFilm Surround Sound...which automatically makes it a bad picture. And OHHH, those actors. Not a one of them ever won an Oscar...no talent whatsoever! The subject matter is shocking and poorly developed through a weak script. Sorry, no Pulitzer this time! Why are these matters taken into account and must be criticized. The people had little or no money. Probably no member of the cast or crew were paid a dime...but they MADE their film in spite of all their professional needs and MY HAT'S Off TO THEM. One thing I've learned in my long lifespan is that people don't walk around with their ages tattooed on their foreheads. Love comes from the heart, the mind, the emotions, fun, laughter, wanting to be with that certain 'someone'. If the friendship leads to sex, if they're both willing...it's THEIR choice not society's. People can't be satisfied living their own lives, they have to involve themselves in other people's lives and set the rule and the moral limits for others when it's really none of their business. It's the same in most society standards. I don't drink or smoke and I don't want you to have the right to drink or smoke because it's against my rules/ I'm not gay so it's wrong for anyone else to be gay and I'll vote to make sure that MY rules are enforced (even though it doesn't affect me or my family or friends...I just don't want YOU to be gay. Getting back to the movie...Eban is 29 and Charley is 15...but they talk and feel on the same plane. What one feels, so does the other. Neither if forcing the other to do anything he doesn't like. Stay in your own domain and don't set your rules for others. They could set a few of theirs toward your not minding your own business!

Some of the negative reaction this film induces can be attributed to the subject matter. In other words, any film ... regardless of the script, the direction, the casting, the acting, or any other technical element ... would be greeted with hostility by large numbers of people, simply because they disapprove that the subject is even being addressed. In this case, the subject is the relationship between a 29-year-old man and a 15-year-old boy.

For open minded viewers, this is a well made film, especially given that it is low budget. Eban is not some lecherous old man, the stereotyped image conjured up in the befuddled minds of moralistic puritans. Eban is caring and sensitive. He's not the least bit predatory. In fact, it's Charley, the boy, who advances the physical relationship as soon as he senses Eban's interest. And the film's plot is so bereft of sexual activity that it seems downright prudish. The only abominable behavior comes from the two guys' fathers, both of whom exude a pathological hatred toward their sons.

That said, a relationship involving a teenage boy must be examined skeptically. And I am doubtful that a long term relationship that benefits both Eban and Charley would actually work out. Still, Charley asks a valid question: "What about my rights?"

Overall acting is highly naturalistic. Characters pause before speaking, as would be expected of people communicating thoughtfully and seriously. Both lead actors act largely with their eyes. There's a lot of silence. Dialogue is sparse. The overall tone of the film is serious and very low-key. The story's ending is appropriate, given the plot circumstances.

"For nonconformity, the world whips you with its displeasure", said Ralph Waldo Emerson over a hundred years ago. I applaud the film's producer and director for having the courage to make a film that addresses an unpopular topic.

I was surprised by the excellent production values in this film, even though it is shot in digital video. The cinematography was superb. Several reviewers speak about the very slow pace of the film, but I think that this gives it a remarkable life-like feel. The reticence of Eban works well with his confusion. The two male leads work very well together, and the tender scenes between them are quite effective. You can sense that they are quite comfortable with one another, and the young teen, Charley, seems ecstatic. The only problem I have with the script and the acting centers around Charley's father, who comes off so over the top, without real motivation for his belligerent attitude towards his son, that it takes away from what could have been a top-notch film. As for the subject matter, pedophilia usually occurs between a teen and a much older person; but the film asks the simple question: why should other people tell teenagers whom to love? It seems to be a very personal matter, and not up to society or the state to dictate the terms of love. But I suppose there is an emotional line to be drawn that protects young people who are clearly not in control of their sexual longings. The ending of the film is hopeful, and thus breaks a trend away from depressing endings. All in all, a very good film that young people should watch and discuss.