The Life and Adventures of Nicholas Nickleby

I've not read the book in ages and I haven't seen much of the 2002 film version, but I love this wonderful adaptation of Charles Dickens' "The Life And Adventures Of Nicholas Nickleby".

The acting is first rate for all involved. James D'Arcy as Nicholas Nickleby and Sophia Myles as Kate Nickleby both give a lot of strength and dignity to their roles. Although both characters are presented as quite pure and face a lot of adversity, they are played with such strength you know that they won't let anything destroy them. Charles Dance is compelling as the cold hearted Ralph Nickleby and the many comic grotesques are all very enjoyable and distinctly painted. The pig-like Squeers family in particular- Gregor Fisher, best known for playing Rab C. Nesbitt does fantastic as the monstrous one-eyed Wackford Squeers, Pam Ferris gives good value as drunken Mrs. Squeers, a pre-'Tittybangbang' Debbie Chazen is hilarious as Fanny Squeers- her argument after a game of cards to her much more attractive best friend Tilda is a highlight). The rather dopey Mrs. Nickleby, the air headed dressmakers, the fancy, flamboyant circus-like theatre troupe, the twin Cherrybles, the lecherous old man and the cackling old hag Peg Silderskew (played by the always brilliant Liz Smith) are all great.

This is the first thing I saw Lee Ingleby in. I was very impressed. He does a remarkable job as the tragic Smike. He gives a very moving performance here, conveying the suffering and the innocence of the character very well.

Everything works to set the scene. The scenery shows a lot of wild countryside, the costumes, which earned designer Barbara Kidd a BAFTA are particularly good- even the food used adds to the overall feel of the story. The biggest weakness is the bombastic incidental music. It often drowns the actors out and distracts from the events in the story. Background music should be just that- left in the background to enhance the feel of the scenes rather than dominate them.

A brilliant adaptation by the late Stephen Whittaker as director and Martyn Hesford who adapted it as a script. A credit to TV drama.

I fell head over heels for this film! This movie made me laugh, cry, and had me glued to my seat for the entire 4-something hours it comprises. I love Dickens, but had not read NN prior to seeing this film. After watching it, however, it inspired me to read the book. I found it to be a very faithful adaptation of Dickens' huge novel. The acting is superb. Charles Dance is excellent in his subtly cold Ralph Nickelby. I love the way he lets just the slightest flicker of emotion register in his eyes or the set of his jaw, but no more, which is perfect for a character who detests any feeling but greed. Smike is also perfect in his emaciated, stuttering patheticness. And Nicholas! Well, he's not only beautiful, but is a wonderful actor as well. He has all the innocence and smoldering passion the character requires. This film clarifies some of the grim realities that the Victorian Dickens only hinted at, and while it has wonderful moments of humor and kindness, this is no glossy, fluffy caricature, like McGraw's Hollywood-pretty version, which I hated. The acting is infinitely superior too! A truly wonderful film.

The leading roles of Nicholas, Kate, and Smike are performed with great empathy, wonderful naturalness, admirable restraint, and endearing conviction by their respective actors James D'Arcy, Sophia Myles, and Lee Ingleby. Charles Dance as Ralph Nickleby portrays an icily Dickensian villain, and Gregor Fisher an indeed despicable head of a school. Superb photography conveys the changing moods and varied scenes excellently. The smooth connectedness of the film easily allows the viewer to enter into and remain as an observer of the action. Scenes of merriment, tender affection, and gripping terror add up to a truly powerful dramatization on film.

This latest version of Dickens's wonderful Nicholas Nickleby is yet another in a line of excellent BBC produced dramatizations of classics; something Hollywood rarely if ever does these days because "art" doesn't sell! All I can say is "Thank God for television!"

Everything about this adaptation speaks of excellence. The casting in particular is a joy. James D'Arcy is the finest Nicholas on screen. He is a "Candide"-like figure; total believable and you want to root for him just as Dickens wanted his readers to sympathize with the protagonist. Charles Dance is equally effective as Nicholas's villainous uncle. But it doesn't end with the two leads. Every single character (and there are a lot of them) is cast perfectly and totally believable from a physical standpoint; from the lowest street people to the wealthy upper class. There's not a dud in the lot! The casting director should be knighted!

The direction is fluid and unflinching as it examines the seedier sides of the story. Pairing down the story to three hours is done with excellent comprehension. Those parts of the story missing are inevitably not missed for a dramatic presentation. The art direction is exquisite throughout. Costumes, sets and locations are brilliantly handled.

I'll also take exception to those who prefer the Royal Shakespeare version. That production was a noble effort to bring the story to the live theater and in many respects it was original and excellent. It suffers, however, from a forced stage theatricality inherent in such projects and simply gets bogged down with too much detail. The result is way too long. The new version sacrifices some length for clarity and precision story telling and has better casting in every role.

I have no hesitation in finding the entire production to be delightful; and by all means go out and buy it. Contrary to some other remarks, you will enjoy immensely.

After suffering though the lackluster new theatrical film - poor Charlie Hunnam has to be the least talented young actor thrust into a lead role in a long, long time - I was more than grateful to catch the Company Television miniseries version on Bravo. Not only is this adaptation blessed with a Nicholas who really can act - James D'Arcy is particularly fine in the role - but director Stephen Whittaker and screenwriter Martyn Hesford have done a remarkable job of maintaining the sweep and period feel of Dickens' huge, slightly flabby novel. (Take that, Douglas McGrath!) Well cast over all - Charles Dance is wonderfully subtle as the greedy, coldhearted Ebeneezer Scrooge prototype, Uncle Ralph Nickleby - this made for television NICKLEBY stands high above McGrath's boneheaded, miscast (save for Jim Broadbent as a gleefully wicked Squeers) & period-challenged Cliff Notes-meets-Reader's Digest version. Skip that wee bit of Dickens Lite in favour of this robust, full strength version.