One fine morning, not any different from every other day, a promising poet shoots herself. Leaving no trace of motive, her husband's best friend and journalist, Balu embarks on a journey to ... Read allOne fine morning, not any different from every other day, a promising poet shoots herself. Leaving no trace of motive, her husband's best friend and journalist, Balu embarks on a journey to find the truth.One fine morning, not any different from every other day, a promising poet shoots herself. Leaving no trace of motive, her husband's best friend and journalist, Balu embarks on a journey to find the truth.
Suparna Anand
- Saleena Joseph
- (as Suparna)
Innocent Vareed Thekkethala
- Nanu
- (as Innocent)
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- Writers
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Utharam is a 1989 crime thriller film directed by Pavithran and scripted by MT Vasudevan Nair and starring Mammootty, Sukumaran, Suparna, Parvathi and Sukumari.
Journalist Balachandran (Mammootty)'s friend and mentor Mathew Joseph (Sukumaran)'s wife and poet Selena (Suparna)'s suicide suspect is being investigated.
On his journey to find Balu's investigation / answer, he meets Shyamala Menon (Parvathi), Selena's childhood friend and teacher. Continuing the investigation from the information received from Shyamala, Balu arrives at that shocking answer.
This film is one of the rare films that makes the audience want to watch it in one sitting.
While certain aspects of the film might feel dated, Utharam - scripted by M.T Vasudevan Nair and directed by Pavithran, is a solid mystery drama that still sends shivers down my spine, especially with its climax twist. Stellar performances from the likes of Mammootty, Sukumaran, Sankaradi, and Parvathy are certainly amongst the film's positives.
Based on the short story No Motive by Daphne du Maurier, the film will be remembered for how well M.T Vasudevan Nair tweaks it almost flawlessly for Malayali audiences. It's an elaborately structured screenplay with every character having a significant role to play in unraveling layers of the dead woman's past. The background score by Johnson adds to the film's overall intrigue. The supposed "answer" (as the title suggests) leaves room for a few minor fallacies, but it's a well-grounded film overall.
Based on the short story No Motive by Daphne du Maurier, the film will be remembered for how well M.T Vasudevan Nair tweaks it almost flawlessly for Malayali audiences. It's an elaborately structured screenplay with every character having a significant role to play in unraveling layers of the dead woman's past. The background score by Johnson adds to the film's overall intrigue. The supposed "answer" (as the title suggests) leaves room for a few minor fallacies, but it's a well-grounded film overall.
Utharam Has to be one of the best in its genre. Sadly it s not talked about much. If you really want to watch a good investigation/mystery cinema in malayalam,this has to be It. Worth The Watch.
I cannot believe I am watching it only in 2019, better late than never. Sukumaran is fantastic in this film. A simple story told in a beautiful manner. Highly recommended.
10cloudine
A deep searching journey down the life and evolution of a poetess and wife who meets a sudden death which could be suicide or accident. Balu (mammmooty) starts the investigation down the lane of life. In his journey, he meets up with her childhood friend who lost track of her down the memory lane.. Recreating the past, the movie comes to a very satisfying end..
The high degree of practical improvisation ability of a journalist shows in Mammooty's character, implemented and presented seamlessly...
An awesome movie, with awesome revelations : "Irul veenoridavazhiyil evide vechaarente cheru kai vilakkum edutherinju.."
The high degree of practical improvisation ability of a journalist shows in Mammooty's character, implemented and presented seamlessly...
An awesome movie, with awesome revelations : "Irul veenoridavazhiyil evide vechaarente cheru kai vilakkum edutherinju.."
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- TriviaThis movie is written by M.T. Vasudevan Nair based on a short novel 'No Motive' by Daphne du Maurier.
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