Working at a fishing resort in an idyllic location, but surrounded by various facets of human unpleasantness, a young mute woman falls in love with a man on the run from the law for committi... Read allWorking at a fishing resort in an idyllic location, but surrounded by various facets of human unpleasantness, a young mute woman falls in love with a man on the run from the law for committing murder.Working at a fishing resort in an idyllic location, but surrounded by various facets of human unpleasantness, a young mute woman falls in love with a man on the run from the law for committing murder.
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The film gives you that heavy, unexplainable, load after watching. There's not much child-friendly scenes going on, and that's what made me love this. There's cruelty and profanity everywhere, with the injection of, on its face, irrelevant scenes which were either intentionally placed to stir our brains, or were unintentionally left by a director who lacked ideas. I have to believe its the former.
The Isle actually made me laugh, because the scenes were just so explicit, overt and straightforward that I can't help but be amazed at Kim's confidence. I honestly can't believe he had the guts to do all those stuff. He takes the risk to employ moral and social taboos in his films and that's what I like about him. He doesn't hold back just to please everyone.
The story isn't messy, too. There's room for interpretations but the movie still gave away its own essence. Actually, if you were to summarize the story, you can do it in a sentence or two. What made the movie complex is Kim's approach. I think he failed on his approach in 3-iron but he was successful this time. Perhaps because he coursed through the more understandable route--hit what you wan't to say in your movie without lingering, but do it painfully straight to scar the viewer--that's what he did! I think any social and moral controversy you can think of can be found in this movie..rape, prostitution, poverty, animal cruelty, torture, lust, murder, name it. It's all here.
I can totally understand how some scenes probably scared and scarred a lot of viewers. And I can totally understand how some might view him as a provocateur. I, on the other hand, believe otherwise. The movie might not be accommodating to those who have weak stomachs, but there lies the beauty of this film.
The Isle won't bore you, because its either the explicit sex scenes will hold your attention, or the previous metal-eating, vomit-inducing, scene still consumes your thoughts. This for me, is a timeless masterpiece.
The Isle actually made me laugh, because the scenes were just so explicit, overt and straightforward that I can't help but be amazed at Kim's confidence. I honestly can't believe he had the guts to do all those stuff. He takes the risk to employ moral and social taboos in his films and that's what I like about him. He doesn't hold back just to please everyone.
The story isn't messy, too. There's room for interpretations but the movie still gave away its own essence. Actually, if you were to summarize the story, you can do it in a sentence or two. What made the movie complex is Kim's approach. I think he failed on his approach in 3-iron but he was successful this time. Perhaps because he coursed through the more understandable route--hit what you wan't to say in your movie without lingering, but do it painfully straight to scar the viewer--that's what he did! I think any social and moral controversy you can think of can be found in this movie..rape, prostitution, poverty, animal cruelty, torture, lust, murder, name it. It's all here.
I can totally understand how some scenes probably scared and scarred a lot of viewers. And I can totally understand how some might view him as a provocateur. I, on the other hand, believe otherwise. The movie might not be accommodating to those who have weak stomachs, but there lies the beauty of this film.
The Isle won't bore you, because its either the explicit sex scenes will hold your attention, or the previous metal-eating, vomit-inducing, scene still consumes your thoughts. This for me, is a timeless masterpiece.
Introducing the world to the wickedly disturbing yet thoughtful style of one of South Korea's most prolific & controversial filmmakers, The Isle is a deliriously dark story of love, obsession & salvation that follows two broken souls who find comfort in each other's company but is notorious for its grisly & graphic imagery of stomach-churning gore.
Written & directed by Kim Ki-duk (3-Iron, Pieta & Moebius), the film takes its time to set things up but an aura of mystery & hint of past trauma does loom over its main characters from the very beginning. Kim allows their relationship to develop at its natural pace and holds nothing back when portraying their emotional vulnerability or darker sides.
The serene & soothing ambience is aptly illustrated by the quiet camerawork but a lot of gruesome moments unfold in this calm setting. There are some scenes involving fish hooks that are extremely distressing to watch while the animal cruelty on display is bound to upset most viewers. As for the performances, Suh Jung steals the show without uttering a word.
Overall, The Isle is more inclined towards art-house audience than casual filmgoers and is destined to garner a divisive reaction. While some might call it a misunderstood gem, others will feel violated by it. Definitely not a film for all, it is as beautiful to look at as it is vile on several occasions but the human drama that unravels at its centre remains mostly compelling. Enter at your own risk.
Written & directed by Kim Ki-duk (3-Iron, Pieta & Moebius), the film takes its time to set things up but an aura of mystery & hint of past trauma does loom over its main characters from the very beginning. Kim allows their relationship to develop at its natural pace and holds nothing back when portraying their emotional vulnerability or darker sides.
The serene & soothing ambience is aptly illustrated by the quiet camerawork but a lot of gruesome moments unfold in this calm setting. There are some scenes involving fish hooks that are extremely distressing to watch while the animal cruelty on display is bound to upset most viewers. As for the performances, Suh Jung steals the show without uttering a word.
Overall, The Isle is more inclined towards art-house audience than casual filmgoers and is destined to garner a divisive reaction. While some might call it a misunderstood gem, others will feel violated by it. Definitely not a film for all, it is as beautiful to look at as it is vile on several occasions but the human drama that unravels at its centre remains mostly compelling. Enter at your own risk.
Wow, where to start with this. Ki Duk Kim has always been a divisive director, with his films showing slow burning, very natural, almost spiritual human traits. This though is like a magnified version of a Ki Duk Kim film. It's low budget, set in a single location, stunningly beautiful, very gruesome in parts, explicit and controversial. It centres around a lonely woman (Hee Jin) who delivers bait to tourist fisherman. What we see unfold is a symbolism heavy ride into a twisted / tumultuous relationship between Hee Jin and a visitor. It's full of breathtaking cinematography, sparse dialogue and one of the most stomach churning suicide attempts I've ever seen on screen. As usual with Ki Duk Kim, water as a symbol is featured heavily, and so are animals and nature. Quite why certain little creatures are sacrificed on screen I'm not sure though. A warning to anyone who is easily offended by animal cruelty - don't watch this movie.
What does it all mean in the end? I'm torn between it being an entire metaphor for how difficult relationships can be / an exploration into gender roles or a simple descent into madness tale. Maybe all 3. It is a heck of an experience though. Think of a Pedro Almodóvar movie mixed with a bit of Takashi Miike, maybe with a bit of Haneke in there too, and you may get the picture.
It's beautiful yet gruesome. I have to take a mark off for the animal cruelty, as it is bordering on unacceptable levels at times, but it still gets a 7.5/10
What does it all mean in the end? I'm torn between it being an entire metaphor for how difficult relationships can be / an exploration into gender roles or a simple descent into madness tale. Maybe all 3. It is a heck of an experience though. Think of a Pedro Almodóvar movie mixed with a bit of Takashi Miike, maybe with a bit of Haneke in there too, and you may get the picture.
It's beautiful yet gruesome. I have to take a mark off for the animal cruelty, as it is bordering on unacceptable levels at times, but it still gets a 7.5/10
There are two immutable truths in matters of the heart. None more desirable than those who do not want you; none less desirable than those you could possess with ease. Somewhere between these two axioms fall the doomed lovers of this spellbinding offering. Beautiful Hee-Jin (Jung) is the grounds keeper for a dingy Korean fishing resort, selling snacks, bait, her tits 'n' ass, to the tourists she ferries between flotillas of fishing huts.
Fugitive Hyun-Shik (Yoo-Suk) shows up one day, shivering, suicidal, utterly alone. Another lost soul, Hee-Jin's smitten because, unlike her sleazy clientèle, Hyun-Shik's different. He doesn't abuse her or make fun of her muteness. And he fashions exquisite little wire sculptures for her, as they study one another across the rain-spattered lake. He in his unreachable desolation, she in her shore-side cabin, cat-like and inscrutable. The first time he tries to kill himself, by swallowing fishing hooks, she brings him back to life to love the only way she knows. From suicide to sex in three minutes. And nobody is going to get in her way. Director Kim Ki-duk, responsible for surprise Art-house hit Spring, Summer, Autumn, Winter and Spring, has crafted another beautiful-horrible movie; gorgeous to look at, and often between splayed fingers. It's as minimal and soulful as a haiku. And as painful as falling in love
Fugitive Hyun-Shik (Yoo-Suk) shows up one day, shivering, suicidal, utterly alone. Another lost soul, Hee-Jin's smitten because, unlike her sleazy clientèle, Hyun-Shik's different. He doesn't abuse her or make fun of her muteness. And he fashions exquisite little wire sculptures for her, as they study one another across the rain-spattered lake. He in his unreachable desolation, she in her shore-side cabin, cat-like and inscrutable. The first time he tries to kill himself, by swallowing fishing hooks, she brings him back to life to love the only way she knows. From suicide to sex in three minutes. And nobody is going to get in her way. Director Kim Ki-duk, responsible for surprise Art-house hit Spring, Summer, Autumn, Winter and Spring, has crafted another beautiful-horrible movie; gorgeous to look at, and often between splayed fingers. It's as minimal and soulful as a haiku. And as painful as falling in love
Now this is a great example of horror. Not your slasher, undead walking, predictable spoon fed story. Instead, the Isle's simple setting proves that looks can be deceiving as calm waters and clear blue skies belie the murky depths and secrets hidden within.
I never realized the symbolism in this movie: fishing, bait, the simple action of simply tossing back an unwanted catch back in the water. Scenes most striking and prominent contained little or even no dialogue. The soundtrack is subtle, yet highly effective in establishing mood. Then again, anyone who has gone fishing can appreciate the tranquil, and peaceful state which can be very rewarding. How about human relationships? How about the bad times or deep hurts so traumatizing which cannot be shared with anyone. Do we walk burdened carrying deep pains like say a wounded scaled fish? Although it may be wounded, it still goes on swimming in its daily routine. Our two main characters throughout the film really catch you offguard. Let's just say "misery loves company". This horror is more psychological and more tangible than what you would usually see on screen.
I was impressed by Jung Suh who really displays the strength of Hee-Jin, and at the same time shows a frail, tragic side. Her routine actions like steering the boat, tending to the renters' are done so convincingly that you feel like you're at the lake watching true events unfold. Credit also Ki-Duk Kim for directing this without making it into a sappy love story and not going overboard or too artsy. Be warned: the Isle is laced with dark humor and will have you thinking about it after it is done. I really appreciate films that are able to do that.
I never realized the symbolism in this movie: fishing, bait, the simple action of simply tossing back an unwanted catch back in the water. Scenes most striking and prominent contained little or even no dialogue. The soundtrack is subtle, yet highly effective in establishing mood. Then again, anyone who has gone fishing can appreciate the tranquil, and peaceful state which can be very rewarding. How about human relationships? How about the bad times or deep hurts so traumatizing which cannot be shared with anyone. Do we walk burdened carrying deep pains like say a wounded scaled fish? Although it may be wounded, it still goes on swimming in its daily routine. Our two main characters throughout the film really catch you offguard. Let's just say "misery loves company". This horror is more psychological and more tangible than what you would usually see on screen.
I was impressed by Jung Suh who really displays the strength of Hee-Jin, and at the same time shows a frail, tragic side. Her routine actions like steering the boat, tending to the renters' are done so convincingly that you feel like you're at the lake watching true events unfold. Credit also Ki-Duk Kim for directing this without making it into a sappy love story and not going overboard or too artsy. Be warned: the Isle is laced with dark humor and will have you thinking about it after it is done. I really appreciate films that are able to do that.
Did you know
- TriviaThis fell foul of the British Board of Film Classification who demanded cuts, not because of the scene where a metal object is inserted into a vagina but of cruelty to fish, which director Kim Ki-duk admitted was genuine.
- Alternate versionsThe cut UK print was submitted to the Irish censor who cited the violence as causing concern - he gave the distributor (Tartan Films) two options:
- Resubmit the same version (presumably for an appeal/reconsideration)
- Submit an altered version to secure a certificate
- ConnectionsReferenced in Spring, Summer, Fall, Winter... and Spring (2003)
- How long is The Isle?Powered by Alexa
Details
Box office
- Budget
- $1,000,000 (estimated)
- Gross US & Canada
- $20,666
- Opening weekend US & Canada
- $4,546
- Aug 25, 2002
- Gross worldwide
- $24,963
- Runtime
- 1h 30m(90 min)
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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