Working at a fishing resort in an idyllic location, but surrounded by various facets of human unpleasantness, a young mute woman falls in love with a man on the run from the law for committi... Read allWorking at a fishing resort in an idyllic location, but surrounded by various facets of human unpleasantness, a young mute woman falls in love with a man on the run from the law for committing murder.Working at a fishing resort in an idyllic location, but surrounded by various facets of human unpleasantness, a young mute woman falls in love with a man on the run from the law for committing murder.
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Beautiful but gruesome
Wow, where to start with this. Ki Duk Kim has always been a divisive director, with his films showing slow burning, very natural, almost spiritual human traits. This though is like a magnified version of a Ki Duk Kim film. It's low budget, set in a single location, stunningly beautiful, very gruesome in parts, explicit and controversial. It centres around a lonely woman (Hee Jin) who delivers bait to tourist fisherman. What we see unfold is a symbolism heavy ride into a twisted / tumultuous relationship between Hee Jin and a visitor. It's full of breathtaking cinematography, sparse dialogue and one of the most stomach churning suicide attempts I've ever seen on screen. As usual with Ki Duk Kim, water as a symbol is featured heavily, and so are animals and nature. Quite why certain little creatures are sacrificed on screen I'm not sure though. A warning to anyone who is easily offended by animal cruelty - don't watch this movie.
What does it all mean in the end? I'm torn between it being an entire metaphor for how difficult relationships can be / an exploration into gender roles or a simple descent into madness tale. Maybe all 3. It is a heck of an experience though. Think of a Pedro Almodóvar movie mixed with a bit of Takashi Miike, maybe with a bit of Haneke in there too, and you may get the picture.
It's beautiful yet gruesome. I have to take a mark off for the animal cruelty, as it is bordering on unacceptable levels at times, but it still gets a 7.5/10
What does it all mean in the end? I'm torn between it being an entire metaphor for how difficult relationships can be / an exploration into gender roles or a simple descent into madness tale. Maybe all 3. It is a heck of an experience though. Think of a Pedro Almodóvar movie mixed with a bit of Takashi Miike, maybe with a bit of Haneke in there too, and you may get the picture.
It's beautiful yet gruesome. I have to take a mark off for the animal cruelty, as it is bordering on unacceptable levels at times, but it still gets a 7.5/10
Very painful view of relationships
This is definitely not a film for all tastes. "The Isle" not only shows some of the most disturbing images on film but it also makes the viewer work hard to try and figure out what it all means. Especially the very last scene which I think was put there for each viewer to make they're own interpretation, as Kubrick did for the end of "2001, A Space Odyssey". Suh Jung plays Hee-Jin who rents out floating fish cabins and supplies bait, food and prostitutes. She also is a prostitute and she never utters a single word in the film. Some have called her character a mute but towards the end of the film she screams so I am thinking her silence might be of her own doing! She is attracted to one of the renters who is suicidal and is hiding out. Suh Jungs performance is very strong and its difficult to carry a film without speaking a word and the actor has to rely to a great length on how well and interesting the story is. Her performance reminds me of Isabelle Huppert in "The Piano Teacher". The amount of pain between the two characters is what they have in common. This is a film about relationships in a very strange setting with two strange people. Each character has a scene involving fish hooks and when they take place its up to the other character to try and ease the pain. Good cinematography with shots of the lake at dawn or sunset with mist and fog on the water. Very tough film to view with all the self mutilation and animal cruelty. For those of you who have viewed Asian films before then you should check out this very well made film.
I literally said "WTH did I just watch?"
The film gives you that heavy, unexplainable, load after watching. There's not much child-friendly scenes going on, and that's what made me love this. There's cruelty and profanity everywhere, with the injection of, on its face, irrelevant scenes which were either intentionally placed to stir our brains, or were unintentionally left by a director who lacked ideas. I have to believe its the former.
The Isle actually made me laugh, because the scenes were just so explicit, overt and straightforward that I can't help but be amazed at Kim's confidence. I honestly can't believe he had the guts to do all those stuff. He takes the risk to employ moral and social taboos in his films and that's what I like about him. He doesn't hold back just to please everyone.
The story isn't messy, too. There's room for interpretations but the movie still gave away its own essence. Actually, if you were to summarize the story, you can do it in a sentence or two. What made the movie complex is Kim's approach. I think he failed on his approach in 3-iron but he was successful this time. Perhaps because he coursed through the more understandable route--hit what you wan't to say in your movie without lingering, but do it painfully straight to scar the viewer--that's what he did! I think any social and moral controversy you can think of can be found in this movie..rape, prostitution, poverty, animal cruelty, torture, lust, murder, name it. It's all here.
I can totally understand how some scenes probably scared and scarred a lot of viewers. And I can totally understand how some might view him as a provocateur. I, on the other hand, believe otherwise. The movie might not be accommodating to those who have weak stomachs, but there lies the beauty of this film.
The Isle won't bore you, because its either the explicit sex scenes will hold your attention, or the previous metal-eating, vomit-inducing, scene still consumes your thoughts. This for me, is a timeless masterpiece.
The Isle actually made me laugh, because the scenes were just so explicit, overt and straightforward that I can't help but be amazed at Kim's confidence. I honestly can't believe he had the guts to do all those stuff. He takes the risk to employ moral and social taboos in his films and that's what I like about him. He doesn't hold back just to please everyone.
The story isn't messy, too. There's room for interpretations but the movie still gave away its own essence. Actually, if you were to summarize the story, you can do it in a sentence or two. What made the movie complex is Kim's approach. I think he failed on his approach in 3-iron but he was successful this time. Perhaps because he coursed through the more understandable route--hit what you wan't to say in your movie without lingering, but do it painfully straight to scar the viewer--that's what he did! I think any social and moral controversy you can think of can be found in this movie..rape, prostitution, poverty, animal cruelty, torture, lust, murder, name it. It's all here.
I can totally understand how some scenes probably scared and scarred a lot of viewers. And I can totally understand how some might view him as a provocateur. I, on the other hand, believe otherwise. The movie might not be accommodating to those who have weak stomachs, but there lies the beauty of this film.
The Isle won't bore you, because its either the explicit sex scenes will hold your attention, or the previous metal-eating, vomit-inducing, scene still consumes your thoughts. This for me, is a timeless masterpiece.
A Deliriously Dark Love Story Between Two Broken Souls
Introducing the world to the wickedly disturbing yet thoughtful style of one of South Korea's most prolific & controversial filmmakers, The Isle is a deliriously dark story of love, obsession & salvation that follows two broken souls who find comfort in each other's company but is notorious for its grisly & graphic imagery of stomach-churning gore.
Written & directed by Kim Ki-duk (3-Iron, Pieta & Moebius), the film takes its time to set things up but an aura of mystery & hint of past trauma does loom over its main characters from the very beginning. Kim allows their relationship to develop at its natural pace and holds nothing back when portraying their emotional vulnerability or darker sides.
The serene & soothing ambience is aptly illustrated by the quiet camerawork but a lot of gruesome moments unfold in this calm setting. There are some scenes involving fish hooks that are extremely distressing to watch while the animal cruelty on display is bound to upset most viewers. As for the performances, Suh Jung steals the show without uttering a word.
Overall, The Isle is more inclined towards art-house audience than casual filmgoers and is destined to garner a divisive reaction. While some might call it a misunderstood gem, others will feel violated by it. Definitely not a film for all, it is as beautiful to look at as it is vile on several occasions but the human drama that unravels at its centre remains mostly compelling. Enter at your own risk.
Written & directed by Kim Ki-duk (3-Iron, Pieta & Moebius), the film takes its time to set things up but an aura of mystery & hint of past trauma does loom over its main characters from the very beginning. Kim allows their relationship to develop at its natural pace and holds nothing back when portraying their emotional vulnerability or darker sides.
The serene & soothing ambience is aptly illustrated by the quiet camerawork but a lot of gruesome moments unfold in this calm setting. There are some scenes involving fish hooks that are extremely distressing to watch while the animal cruelty on display is bound to upset most viewers. As for the performances, Suh Jung steals the show without uttering a word.
Overall, The Isle is more inclined towards art-house audience than casual filmgoers and is destined to garner a divisive reaction. While some might call it a misunderstood gem, others will feel violated by it. Definitely not a film for all, it is as beautiful to look at as it is vile on several occasions but the human drama that unravels at its centre remains mostly compelling. Enter at your own risk.
Deeply moving and emotional film.
Ki-duk Kim's "Seom"/"The Isle" has to be one of the most beautiful movies I have ever seen.The cinematography,the silence and the themes under the surface are incredible.The film explores human relationships and the pain of being in love,and being loved.Both characters(Hyun-shik and Hin-jin)are lost human beings searching for love.They crave love,yet shun it when it comes to them,as they are deeply aware of the destructive qualities it brings out in them.Suh-Shik Hwang's cinematography is absolutely beautiful and captures many impressive visuals.Still there are some horrific images that will shock casual viewer,so the viewer should be prepared.9 out of 10.
Did you know
- TriviaThis fell foul of the British Board of Film Classification who demanded cuts, not because of the scene where a metal object is inserted into a vagina but of cruelty to fish, which director Kim Ki-duk admitted was genuine.
- Alternate versionsThe cut UK print was submitted to the Irish censor who cited the violence as causing concern - he gave the distributor (Tartan Films) two options:
- Resubmit the same version (presumably for an appeal/reconsideration)
- Submit an altered version to secure a certificate
- ConnectionsReferenced in Spring, Summer, Fall, Winter... and Spring (2003)
- How long is The Isle?Powered by Alexa
Details
Box office
- Budget
- $1,000,000 (estimated)
- Gross US & Canada
- $20,666
- Opening weekend US & Canada
- $4,546
- Aug 25, 2002
- Gross worldwide
- $24,963
- Runtime
- 1h 30m(90 min)
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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