In South Central L.A., a misguided 20-year-old African-American man, a "baby boy", faces the commitments of real life.In South Central L.A., a misguided 20-year-old African-American man, a "baby boy", faces the commitments of real life.In South Central L.A., a misguided 20-year-old African-American man, a "baby boy", faces the commitments of real life.
- Awards
- 1 win & 14 nominations total
Alexsandra Wright
- Woman Inside
- (as Alex Wright)
Tamara Bass
- Peanut
- (as Tamara LaSeon Bass)
Candy Ann Brown
- Ms. Herron
- (as Candy Brown Houston)
Kareem J. Grimes
- Do Dirty
- (as Kareem Grimes)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
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Featured reviews
I did not like it the first time I saw it. Now, I like it.
In 2001, I did not like this move. In 2021, I can appreciate why it is loved by so many.
With age and life experiences comes understanding as well as an appreciation of things.
John Singleton had a way of capturing the heart, creativity, culture, love and struggle of black people that still resonates today. You can see how his movies set the stage for other classics such as Jason's Lyric, The Wood, Friday and many others.
With age and life experiences comes understanding as well as an appreciation of things.
John Singleton had a way of capturing the heart, creativity, culture, love and struggle of black people that still resonates today. You can see how his movies set the stage for other classics such as Jason's Lyric, The Wood, Friday and many others.
Singleton does not disappoint...
Despite (or maybe because of) the negative things I'd heard from friends and acquaintances, I decided to check BB out for myself. I was very glad I did.
It's basically a scaled-down version of Boyz in the Hood, with fewer characters allowing for more development. While it's not quite on the same level as Boyz, it's a very emotional drama that's thought provoking, sad, hilariously funny, and at times subtly disturbing.
After this, Boyz, and Shaft, I am anxiously awaiting John Singleton's next work.
It's basically a scaled-down version of Boyz in the Hood, with fewer characters allowing for more development. While it's not quite on the same level as Boyz, it's a very emotional drama that's thought provoking, sad, hilariously funny, and at times subtly disturbing.
After this, Boyz, and Shaft, I am anxiously awaiting John Singleton's next work.
Difficult to watch; doesn't make it a bad movie
While watching this movie, I had absolutely no idea what I would end up rating it. It was not an enjoyable experience. Not until it was over did I realize what a good job John Singleton had actually done. This was not a comedy, nor a romantic story, but a true depiction of SOME (NOT ALL) aspects of Black life. I recognized each and everyone of these characters, for better or worse. They were not exaggerated or sugar-coated, but portrayed in a true light which is often difficult to watch or accept. Which explained my uncomfortableness, I'm sure that was the point and it was well received. 7 out of 10***
Take 2
John Singleton did an excellent job portraying a young African American urban male, who is not a gang member or a street pharmacist. Jody is just trying to live. I thought the opening scene was very artistic, didn't love it though. I loved the relationship between Jody and his best friend Sweetpea. Both are trying to live but with different ways to do it. But despite differences, they both have each other's back. I liked Ving Rhames character as well (Melvin). Melvin showed that the street mentality never leaves a street thug, but he can learn to make better and more positive choices. His character showed that anyone can make it in life, once they have accepted who they are and where they are going. The women played strong roles as well. Not the typical cinematic role for a black woman either. Both Yvette and Jody's mother, Juanita, proved to be strong black women in their own way. Excellent movie, a little sluggish once or twice, but whose life isn't?! Singleton kept it true to the game. No one's life is truly cinematic, if it was then we wouldn't need cinema.
John Singleton at his very best!
I love all of John Singleton's film ever since I seen his brilliant debut Boyz N The Hood which I was blown away by. When I heard about Baby Boy I was expecting a follow up to Boyz N The Hood but both films are very unique although some aspects are similar. Before I seen the film I wasn't expecting Tyrese Gibson to be that good because the late great Tupac Shakur was suppose to play the role of Jody but I was astounded at how good Tyrese is at acting. This also has to be the best film Snoop Dogg has starred in because some of his earlier efforts e.g. Urban Menace are just pitiful. I recommend this film to anyone who is interested in life in the hood or to people who like enjoyable dramas with good acting and dialogue. 8/10
Did you know
- TriviaJody listens to the song "Hail Mary" by Tupac Shakur and has a mural of him in his room. Tupac Shakur was originally supposed to play the role of Jody, but was fatally shot in a drive-by shooting in 1996.
- GoofsWhen Rodney and his crew are rolling and headed to find Jody there is no tint on the windows. Once they reach the spot where Jody is, all of a sudden the tint is so dark, Jody can't tell whether its Rodney driving or Yvette. When the window is going down you can see the tint is on the glass.
- Quotes
Sweet Pea: Dear Lord, Please forgive us for all the sins we have brought upon us. And look down upon us with forgiveness for the the sins we will have in the future. I know you understand that niggas ain't perfect, but we try lord. We try to keep our heads up in bad times. This is a bad time, show us the way. And if you can't show us the way, then forgive us for being lost.
- Crazy creditsFrom L.A. South Central Cinema, dealing a new hand. The new deal has struck again.
- Alternate versionsDVD features deleted scenes from the movie, plus bloopers and outtakes:
- Love In The Afternoon: Jody and Peanut have sex.
- A scene where Jody and Sweetpea slap box.
- Jody and Yvette watch a lion documentary then he puts her to bed.
- Jody and Yvette have a picinc in the park, he takes Jo-Jo to swing and checks out ladies
- Juanita and Jody talk about the mantra
- Back Then-Juanita and Melvin have a talk that leads to sex.
- The Card Game: Melvin and his boys paly cards
- Phone Calls: Yvette talks on the phone with Sharika and Rodney.
- Don't Go There: Jody sells clothes to women and Yvette tells him no sex with coworkers.
- That's What I Know: Juanita and Jody talk about Ray-Ray
- The Break In: SweetPea and Do-Dirty break into a couples house.
- Adam's Rib: Jody beats up Peanuts new man,Jody and Peanut break up the cops arrive and Melvin talks to Jody about Adam's rib.
- Cold Bumper: Sweetpea and Jody talk to Kim.
- Say Dip: Jody and Jo Jo play with a toy car and Tonio arrives in a real car.
- SoundtracksSummer Madness
Written by Robert 'Kool' Bell (as Robert Bell), Ronald Bell, George 'Funky' Brown (as George Brown),
Robert 'Spike' Mickens (as Robert Mickens), Claydes Smith, Alton Taylor,
, Dennis D.T. Thomas (as Dennis Thomas) and Ricky Westfield
Performed by Kool & The Gang
Courtesy of The Island Def Jam Music Group
Under license from Universal Music Enterprises
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Details
- Release date
- Country of origin
- Official site
- Language
- Also known as
- El rey de la calle
- Filming locations
- 4509 11th Avenue, Leimert Park, Los Angeles, California, USA(Sweatpea's pad)
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $16,000,000 (estimated)
- Gross US & Canada
- $28,734,552
- Opening weekend US & Canada
- $8,606,403
- Jul 1, 2001
- Gross worldwide
- $29,381,649
- Runtime
- 2h 10m(130 min)
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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