About Schmidt

This is an inspiring story. It teaches me so much about what is important in life. Jack Nicholson, with a great performance as Warren R. Schmidt is an example of an American middle class after retiring. For many years he has worked as an actuary at a big insurance company. After retiring, Jack at home, while watching television, he decides to sponsor a six years old boy (Ndugu) from Tanzania. Sending a check of US$ 22,00 every month, he is also required to write a letter to the boy. In the process of writing these letters, he vents out to the boy about his life frustrations, his lost dreams and the dilemma he is in. He is married for forty-two years with his wife Helen (June Squibb) and he has a daughter living in Denver, Jeannie Schmidt (Hope Davis) who will marry a looser pretty soon. He misses his daughter. A few days after his retirement, his wife dies, and Jack realizes how important the wife was in his life now even though he never appreciated her. The director of the movie, Alexander Payne takes the audiences with Jack on a trip in a trailer to visit specific places in America. He mainly makes Jack visit the places where he has been before physically but at the same time Jack was revisiting his own life inside. In this trip he realizes what really matters in life - friendship, family and sharing- then why it is important to appreciate them whenever you have a chance.

In 'Citizen Kane' (1941), the director Orson Welles portrays the same idea when creating Mr. Kane. The movie is more than the story of a tycoon's rise and fall; it is an account of what is ultimately important in a person's life. Even though Kane attains riches and prestige, he is far from happy. He ends with two failed marriages and few friends. At his dying bed, all he has left is his reminiscences - and something called "Rosebud." In 'About Schmidt' the director Alexander Payne uses voiceover to convey Jack's thoughts and memories throughout the movie. To be specific it is when Jack is writing a letter to the boy he sponsors - (Ndugu), at the same time Payne is informing the audience about Jack's regrets and pain concerning his wife and daughter while the movie is still rolling on. I think this is a great technique.I believe this has been a great adventure and wake up call to many Americans as to what is important in life and why we should cherish every moment of it.

This is the saddest movie I've seen in years, maybe in my entire life. People who say it's comedy are dead wrong. It's a realistic, brutally true example of a failed life, and it's so tragic.

Nicholson plays Warren Schmidt, an insurance salesman, whose life crashes down on him when he retires. Nicholson, someone I've loved ever since I first saw him, gives his best performance since "One flew over the cuckoos nest". He's so subtle, so sad, so hollow. You don't doubt for a second that he is Schmidt. He has let his body age for the role, which makes him even more real.

Alexander Payne's direction is flawless. Everyone, simply everyone, does a great job portraying the various characters, from the hotshot newly educated young man who takes Schmidt's job, to the embarrassing buddy of Schmidt's daughter's fiancé.

This is a must-see movie. Even if you hate Jack in all his other movies, you will love him in this one. Don't expect a "hilarious comedy", though. This is a thoughtful movie and not "Anger Management".

10/10

I spent a day watching "About Schmidt", with Jack Nicholson... and then the evening rambling through reviews, since my wife's perception of the ending differed somewhat from mine....

Conflict can often lead to enlightenment and discovery, but not so in the case of Warren Schmidt. In his case it leads to a life of complacency, denial, delusion, and passive-aggressive behaviors... and eventually, to a meaningless life of servitude devoid of passion or purpose.

Since my wife and I are around the same age as the character, and we ponder the same issues of our lives, the film had more significance to us. I found the work to be a cinema-graphic piece of art laced with symbolism and dark humor (at best). I likened it to previous movies like "Death of a Salesman", "The Apartment", "The Swimmer" (Burt Lancaster), or a short filmed called "The Bridge".

As a cautionary tale (or social comment) on the "American Way" of life, the messages it conveys are slightly exaggerated, but nevertheless there to be debated. We are talking about identity, achievement, interpersonal relationships, and the "average IQ".

In the end, I believe this film will become one that is studied in future classrooms, and it was brave of Nicholson to participate in such a character study and a work intended primarily for writers, actors, and directors. If laughter is "the sound we make when we are surprised (or shocked) by the truth", then the amount of humor you find in this film may be directly related to your own level of naivety or denial. After all, laughter can often be just another defense mechanism, right?

Some movies are straightforward, some are magical, some are mystical, and then, some are symbolic. This movie falls into the last category. The use of time, space, cognitive dissonance, and Irony abound in this work and challenge us to look, think, and feel.

Notes: we would have cut or altered the "Percodan scene" at the rehearsal (as overdone), also note- the cattle at the funeral who later appear on the freeway, inside jokes about Des Moines and Denver, Randall's "Certificate of Attendance", the look on Jeannie's face at the end of Warren's speech at the Wedding Reception, the use of "overstatement", details of wall decorations, and Warren's obvious attraction to the trite, idealistic, delusional, and superficial.

If you are a thinking, feeling, serious movie-lover, you should SEE this film once, and then STUDY it the 2nd time!

About Schmidt is Forrest Gump through the lens of Sartre or Camus. Warren Schmidt has a handicap, but it's the same handicap most of the people standing on line at seven p.m. at your local Wendy's have. The real star (or anti-star) of About Schmidt is the mediocre architectural landscape of America. Every room or box Warren Schmidt enters in this movie is as devoid of caring and vitality as he is: the retirement banquet room, Warren's house, the tire store, the hired wedding reception room. Schmidt's director and production designer take care to place us in the same life-draining, cheap structures we inhabit and deal with everyday. No prettifying. This is the drab landscape of Fargo revisited, but without the irony. The steady doses of violence in Fargo allowed you an escape route. But there's nothing ironical about a wasted life and a 66 year old widower spinning his wheels in the same rut, now partnerless and foundering. The combination of Jack, this story and these settings is effective and compelling. The result would be, I think, inevitable. The tone and attitude is not consistently managed, even by Nicholsen, whose worn-out, mannered schtick pops up occasionally. Yet the final effect is impossible to fend off: mundane American hell with droll comedic diversion. We experience a downfall as poignant as the smell of bacon cooking in Denny's at eight a.m.

Like Forrest Gump, the film depends on extensive voice over narration, V.O'd by Nicholsen as letters to Schmidt's newly adopted six year old Tanzanian foster child. Through these ridiculous sharings of sextagenarian angst with an African boy, we register Schmidt's internal grievances - thoughts we would never know about otherwise without his commentary. The slow dragging score drains vitality from each transition, as if cinematic momentum would be antithetical to the point of the tale. Back and forth we rock from a single minor chord to a second one, getting nowhere. The mood, the landscape, the buildings, the people say it all: Schmidt's on the road, but he might as well be sitting home in his lay-z-boy. The cushy bucket seat of a 35 foot Winnebago makes a good substitute.

Casting Jack Nicholson may have been the only way this story could have come to the screen. I've racked my brain to think of one other actor who could have pulled Schmidt off. Tony Hopkins? Not with the same comedic finesse. Gene Hackman reprising his role in Coppola's The Conversation or doing his Tennenbaum hamming? Don't think so. Only Jack has the mix. He does some hilarious bits in this, but overall the mood is somber, glum, inert. Can this be how that other famous Warren from Nebransas - Mr. Buffet - lives?

I was confused, amused, depressed and wierdly disoriented by About Schmidt as I left the theater. I commented that it wasn't a film I'd go see again. Thinking about it a day later, I'd hold to that IF it meant returning to the theater and paying. BUT - were I to run across About Schmidt on cable, I doubt I could tear myself away from it any more than I could from a crack up at the Indy 500. And I think that chance encounter might happen more than once, maybe for years. After all, this is the America I know and mark time in myself. A recommended film going experience.

I was dubious when my 65 year old father picked this DVD up from the shelf at Blockbuster. "Great choice dad!", secretly wondering why I let him pick 2 films out of the 3 in the special offer they had going. You see, my father has a penchant for Woody Allen and anybody who has a rather dry sense of humour, this includes Nicholson.

We sat down tonight, and the first thing that hit me was the way that the film was shot. It is shot using rather blue and green hues, so the film is rather subdued. Secondly, the music stands out. Instead of using a typical 'boohoo' orchestra, the film uses beautiful wandering piano and marimba sounds.

The characters, I could easily relate to. Helen, the faithful wife who is excited about getting to spend a new chapter of her life with her husband. The husband, who obeys his wife but secretly resents it. A sudden change which causes a rethink in everything he has done up until that point.

At first, this appeared to be a comedy, but it was soon revealed to be a beautifully poignant film. Throughout, it questions mortality, what you can achieve in life, and how to cope with loss, or change. I don't think I have ever cried as much in 2 hours as I did during this film, and yet at the same time laughed so hard that my sides were splitting.

I would thoroughly recommend anybody to watch this film. It will stay with you for a long time.