The Quiet American

The story starts with the body of American Adrien Pyle , a medical specialist , being found in a river in Saigon . He has been stabbed to death and London Times journalist Thomas Fowler recounts to the authorities how he knew the man

TQE is a very strange film to comment on simply because I get the feeling that it is based on a very complex political novel by Graham Greene and it's interesting to note how many people on this page have commentated on how well or how badly it has been adapted to screen . It's also interesting to note that it was filmed in the spring of 2001 when George Bush's " war on terrorism " had not happened which clouds the issue more . People on the message boards have written many political threads to tie in with this but it's very interesting that Greene's original novel was written several years before Lyndon B Johnson sent combat troops to South East Asia , so Greene is criticisng American foreign policy in general and an intelligent , cogent way , not so much jumping on the fashionable bandwagon with Michael Moore , John Pilger and George Monbiot so I guess for that he deserves some credit

As a film what makes it so successful is with the casting . Michael Caine as we all know is a living legend and the fact that he has appeared in so many awful movies simply for the money while still retaining prestigious star quality speaks volumes for his talent and as you might expect in this type of role he's superb . What is even more amazing than Caine's performance is that of Brendan Fraser's as Adrien Pyle . I've just remembered how good he was in GODS AND MONSTERS and he's equally as good here as a man who's not what he seems to be . One can't help thinking how well he'd be regarded as an actor if he'd decided to skip THE MUMMY films which unfortunately seems to have prematurely killed his career . Certainly I wasn't reminded of Rick O'Connel while watching this

Where the film falters is - Again - where it shows its literary roots . There's no way you can confuse a Graham Greene novel with a Harold Robbins one , but there's maybe too much of a romantic subplot which gets in the way of the real story and you find your self questioning as to what the main story . Is it the political one or the love triangle ?

Another one to file under "very well made but a little disappointing."

First of all: it looks pretty good, as Noyce is a talented visual director. There was one slightly cheesy explosion of a model that looked straight out of a 60s Godzilla film though- those substandard effects don't bother me in old monster movies, but they feel more noticeable in super serious romantic thrillers from the 2000s.

Michael Caine is very good, and I like seeing old Michael Caine offered a lead role, because for the last 20 or so years, it feels like he's always a supporting player. Brendan Fraser is good at first- I know we all stan and love him nowadays, but I do think he felt a bit out of his depth in the film's second half. His character is given more complex things to do as the plot gets more intense, and I didn't think he had the acting chops for it, sorry.

Also, the music is as a little overblown, and the female lead very underdeveloped, which made the romance angle a bit underwhelming. So it moves well, looks mostly nice, and has a strong lead performance, but it doesn't coalesce into something great. Was going to say this is the kind of movie that should be remade, but I guess this version already was a remake?

Oh well- remake it again! Give it three strong lead performances, more time to flesh out the lead female role, and maybe don't give away the ending at the start and we'd have something really good (I do think revealing the climax and then flashing back sometimes works, like in Double Indemnity, but here, it just robbed the film of most of its suspense and emotion to be honest).

I liked this film more than I thought I would. Michael Caine (nominated for an Oscar for this role) plays a British journalist in Vietnam, durring the period before the French pulled out. The film follows his investigation of some atrosities his discovers, but treats that as a "B" story to the story of his relationship with a young vietnamese girl and his friendship with a mysterious American played by Brenden Fraser, who likes the same girl. Fraser is actualy quite good in this film, shedding his trademark goofieness from his more mainstream efforts. And Caine definitely captures your interest with his performance. The film kinda moves along slowly but it strangely held my attention and it does suck you in, especialy as they throw in some unexpected plot twists towards the end. GRADE: A

Michael Caine gives yet another outstanding performance in `The Quiet American,' Philip Noyce's 2002 adaptation of the Graham Greene Cold War novel (the first movie version was released in 1958). Set in 1952 Saigon, the film features Caine as Thomas Fowler, a world-weary British journalist who's been sent to Vietnam to cover the attempt by colonial French forces to hold back the communist insurgence from the North. But Fowler has a problem. Despite the fact that he is a reporter, he freely admits that this country exerts a sort of magical hold on him and that, in order to maintain that image, he must will himself to look beyond the ugliness and strife that are tearing the country apart. In fact, reporting is the last thing on Fowler's mind. He is even madly in love with a beautiful young Vietnamese girl who lives with him. When his publishers back in England threaten to call him back, Fowler realizes that he must become more actively engaged in the events around him if he hopes to be allowed to stay.

One day he meets Alden Pyle (Brendan Fraser), an American eye specialist who falls in love with Fowler's girl. Even though they are drawn together by much that they have in common, Fowler and Pyle soon become rivals for the woman, though by the end, their conflict has broadened to include the issues of war vs. peace, truth vs. deception, and personal feelings vs. political expediency.

`The Quiet American' is typical Greene in that it provides an intense personal drama played against the backdrop of geopolitical turmoil in an exotic setting. Both Caine and Fraser bring a quiet intensity to their scenes together. Caine, in particular, is brilliant at conveying the many moods of a man who wants to be left alone to live a simple life with the woman he loves but who knows that circumstances are conspiring to make such a life impossible. He is heartbreaking as he sees that ideal existence suddenly slipping away, with little he can do to stop it from happening. He also begins to see just how difficult it is to remain emotionally detached from the horrors happening around him once the atrocities begin to encroach on his world directly. Fowler also has to decide whether his final action is truly rooted in a humanitarian impulse or the product of wanting to eliminate a pesky rival from the field of competition.

In addition to telling a fairly solid story, `The Quiet American' also provides a glimpse into the history of its region, particularly showing how the Americans ended up usurping the role of the French in that far off, alien country in the late ‘50's and early ‘60's. This is reflected in a wonderful coda that chronicles the steps leading up to this slow handoff of power and responsibility.

But for all the film's various virtues, it is Caine's performance that is the real reason to catch `The Quiet American.'

Phillip Noyce achieves a remarkable triumph in his version of The Quiet American by staying true the Graham Greene's text. Christopher Hampton's adaptation of the book never strays away from the basic premise of the story. This film in someone else's hands would have probably evolved into a war epic. Noyce and Hampton stay focused on the two main characters, who, after all, are the key to the story.

It's hard to think Thomas Fowler was not tailor made for Michael Caine. He was born to play this part. His characterization of this troubled soul is remarkable. Mr. Caine gets the essence of Fowler without any effort, or so it seems. He is a jaded man who understands the Viet Nam before the American involvement. He knows he can't go home again to a loveless marriage, one in which he will not be able to escape after having experienced things he never would have thought possible in starchy old London.

Brendan Fraser is an actor with a lot of experience in the theater, even though his choices in films leave a lot to be desired. As he proved with Gods and Monsters, he can hold his own against a great British actor such as Ian McKellen, or on an equal footing with Michael Caine in this film. His take on Alden Pyle is as vicious, devious and sly as Graham Greene made him out to be. Mr. Fraser gets under the skin of Pyle with such flair in the creation of this enigmatic man.

The rest of the cast is not up to the two principals, but it's the confrontation between Fowler and Pyle what really makes this a tremendous acting feast.