Panic Room

This claustrophobic suspense thriller sets itself up well with a remarkable, if digitally enhanced, one-shot that neatly and necessarily establishes the geography of the central location, while also planting the seeds for the seedy uses of various tools laying about the house, so that the action that comes later is clean and clear without ever needing to slow down for the sake of audience reorientation. 'Panic Room (2002)' is pretty pacy and nicely gritty to boot, being unusually violent for pictures of the kind but never less tense either. It manages to make a compelling home-invasion seem suitably layered, presenting the bad guys as rounded individuals with differing yet believable motives and personalities. It still feels immediately dangerous, though, never losing sight of its protagonists and the escalating peril they're placed in, until it finally reaches its truly edge-of-your-seat and slightly unexpected finale. 7/10

In her first suspense-thriller since her Academy-Award winning turn in "The Silence of the Lambs", Jodie Foster registers quite well as middle-aged New Yorker Meg Altman, who moves into an EXTREMELY spacious brownstone with her daughter Sarah (Kristen Stewart), a diabetic tomboy. The building is equipped with a special shelter designed in the event of a break-in, known as a 'panic room'. Meg and Sarah waste no time in putting the claustrophobic area to use (on their first night, no less) when a trio of burglars (Forest Whitaker, Jared Leto and Dwight Yoakam) make their way into her building to retrieve a large sum of money. The catch is that the burglars' stash is in the very room in which Meg and her daughter are hiding! While 'Panic Room' is not exactly white-knuckle suspense, it definitely has its moments, especially the heart-pounding moment when Meg leaves the panic room to grab her cell phone, and the the tension-building scene when Whitaker and Yoakam enter the panic room when Foster leaves. The only main plot hole is clear in the very beginning: Why would a recently separated woman with one child want to purchase a four-story brownstone? What does she need all of that space for? Besides that, 'Panic Room' is an intelligently written and directed thriller from director David Fincher (Fight Club). The only characters that don't make sense are Meg's friend in the opening scenes and her husband (Ann Magnuson and Patrick Bauchau). They both seem hopelessly unnecessary; otherwise, 'Panic Room' is a first-rate thriller with similarities to several shockers of the early 1990s, 'Unlawful Entry' (1992) being one in particular. Whitaker has to be one of the nicest thieves in recent film history!

David Fincher directs this cleverly conceived thriller about a mother and daughter trapped inside a panic room by three criminals. The film is well-paced and the camera work is slick. The film does well in exploring the confines of the house. Jodie Foster is effective and maintains a high intensity throughout. Kristen Stewart is decent as her daughter. Forest Whitaker plays a slightly sympathetic criminal and does well. Unfortunately, after an engrossing game of cat and mouse, the conclusion is weak. Staple clichés crop up and the film goes for a crowd-pleasing finale that doesn't quite feel right. Still watchable.

Overall 7/10

Panic Room stands as a classic horror film that expertly blends elements of thrill and crime. Curiously, despite its clear horror attributes, it doesn't find its home in the horror genre on IMDb. As a fan of well-crafted horror movies that encompass compelling character arcs and character development, this film left a mark considering its impeccable writing which ticked all the boxes.

What sets Panic Room apart is its unique narrative approach. The writer's choice to conclude the movie in a similar fashion to how it commenced is a rarity within the horror genre. Both the protagonist and antagonist are intricately developed characters, brought to life with equally outstanding performances that mirror their well-structured designs and deep character arcs.

Although the trapped-in-a-house subgenre can sometimes be predictable due to its reliance on intense horror and survival, Panic Room is as an exception. The tense atmosphere adds to the film's overall impact. I was engrossed by its gripping combination of thrills, well-crafted writing, and stellar performances thanks to Jodie Foster & Forest Whitaker's stand-out performance.

I felt the iconic dialogue of the classic, Shawshank Redemption (So was Red) was recreated - You're gonna be okay.

This movie starts out slow, but it builds tension. This would be a very terrifying situation. I can see why Dwight Yoakam wears a stetson all the time. Is acting going to be his new career? He plays a real good creep. This movie has a sense of realism. It is worth seeing on the big screen.