Lammbock

Lammbock is a very special comedy, as I have never seen it before from a german director. He doesn´t try to impress the audience with brilliant pictures as in our days most of the german directors do in order to show how german movie has developed. No, this movie lives from its brilliant dialogues. Moritz Bleibtreu shows once again, why he is one of my favorite german actors. In some scenes I had the impression that this conversation happens just now, "live". In my opinion Bleibtreu had the chance, to improvise in some scenes.

Of course Lammbock is a Low-Budget-Production if you compare it to Tarantino´s works for example (who deals with the same kind of humor) but it works and it is good enough to compare it.

Great Actors, Great dialogues, great soundtrack - great movie! 7/10

You don't have to be into smoking (weed) to find what is going here funny. This comedy goes above and beyond what others do. Our two main protagonists do stuff ... well, it's a good thing they are so likeable. And after all it is a movie, so no harm, no foul (in reality). The actors in general ... so good. I usually am very critical when it comes to German actors ... I can not fault them! And that elevates the movie more. I feel really bad now that I have not watched this before/earlier.

But my missing out on this aside, I could watch this back to back with the sequel, which while it ain't as good as the original still has quite the flavor to it. If you are too sensible you may feel offended of course, by this and even more by the Remake. If you find it on yourself I would urge you to watch this and have fun with it. Take the ride the characters offer you and just have a good time. The movie is set up to offer you that - without having to take any drugs

Lammbock is one of these - new modern german movies, made by "hot young" directors - bullshit. The movie is supid from the first minute on. The six minute starting dialogue about Pamela Andersons Breasts is a sign of that, what follows. Boring quotes, humor about incest, puking and drugs. But there is nothing new in it. It seems, that the director has made a summary of every urban teeny legend he ever has heard in his high school time. No Joke was bad enough for him to fit his 110 pages Screenplay. There is only one word with wich i could describe this movie - cheap! A black chapter in the career of Moritz Bleibtreu, Marie Zielcke and Sönke Wortmann.

I don't think it is justified to diss Lammbock because of a) "toilet humour" or b) low moral standards. It's a funny movie, which demonstrates the problems of growing up instead of making a pure comedy out of it. There may be some harsh scenes, but in no way are they dominating the film. instead the movie treats its characters with honesty and doesn't sell them for a cheap joke, which you can see in so much "growing-up"-comedies: it has a certain warmth at his heart. It is indeed a german attempt to make an "earnest Tarantino-style" -movie but Lammbock doesn't even try to hide these facts - it is in some way a homage to Tarantino-style dialogues.

I have to admit, guiltily, that I quite liked Lammbock, even though it manages to serve up cinematic gaffes faster than McDonald's soggy hamburgers: plenty of silly dope-induced jokes aimed at a very immature audience, cheap rip-offs from Kevin Smith, Roger Avery and Quentin Tarantino (... etc.) 's oeuvres, totally improbable subplots that lead nowhere fast, pointless and -- even worse -- unentertaining violence, underdeveloped characters; in short, a movie that doesn't quite gel. Still, the director Christian Zübert seems to know how to handle actors and consequently there are some great performances (notably from Lukas Gregorowicz, Marie Zielcke, Julian Weigend, the ever- dependable Moritz Bleibtreu, and the underrated Elmar Wepper) despite the somewhat deficient script. Heck, there are some great, memorable scenes as well, only they are outweighed by others that that are born dead. I would suspect that the film's problems are mainly due to the directors lack of experience, which in turn would have required an experienced producer, who should have known when to step in and call the shots.

I will be on the lookout for Christian Zübert's next film, and overall I enjoyed watching his film -- on the telly. Had I seen it in the theatres I probably would have been disappointed.