The Forsyte Saga

I came across "The Forsyte Saga" and its sequel, "The Forsyte Saga: To Let," in my local library. It was the sequel that I had watched first, not realizing there had been a mini-series made prior to this. THE FORSYTE SAGA is an utterly brilliant film, in my opinion, ranging from the exceptional performances of the actors (notably Rupert Graves, Damian Lewis, Gina McKee, Gillian Kearney, & Corin Redgrave), to the screenplay, to the cinematography, to the music (closing theme). The actors executed their portrayals with such realism that I was engrossed in the mindsets of the major players in the film. Such performances are refreshing in the movie industry, as one loses sight of the actors for the "characters." The plot was very good and well written; as such, the movie never seemed to drag. For me, this drama evoked powerful emotions ranging from: deep sorrow & loss (Old Jolyon), to empathy & sympathy, and even a few moments of unexpected humour. I kept wanting more. All in all, this miniseries shows us many injustices, and that dignity, integrity, goodness, and compassion can prevail. If you can set aside an afternoon or long evening to relax and watch the miniseries in one sitting, it will be worth savouring. I hope others find THE FORSYTE SAGA to be a pleasure to watch. I certainly plan to add the DVD set in my film library soon.

This is the sequel to the previous year's mini series, The Forsyte Saga, based on John Galsworthy's novel. It continues on with the dramatic lives of the younger generation of Forsytes, namely the forbidden romance between Fleur and Jon. Fleur is the daughter of Soames Forsyte, and Jon the son of Soames's former wife, Irene. Once again scandal, secrets, and deception dominate the tale. Like its predecessor, this saga has beautiful English scenery, finely furnished country manors, and lovely period costumes.

The story is interesting, though I personally find Fleur not a sympathetic heroine at all but instead totally self absorbed, deceptive, and manipulative. Jon is much more appealing, a young man with a deep love and respect for his parents. From their first encounter at an art gallery, the lovely & spoiled Fleur has made up her mind to have Jon for herself. Naturally their ill advised love affair opens up all the old wounds between Soames and Irene. In addition to Fleur and Jon, there is a likable third party to the love triangle... Michael Mont, who also vies for Fleur's affections. Essentially the conniving Fleur uses poor Michael for her own selfish purposes.

Actually, the most compelling part of the story for me remains the unfolding lives of the older generation, Soames and Irene. Soames is now wed to the unfaithful French Annette, and Irene is happily married to Jolyon. Especially given the drama with their offspring, will Soames ever be rid of his obsession with Irene, the wife who never loved him and is now married to another?

I had never heard of The Forsyte Saga before seeing the mini-series but I enjoyed it so much that I bought the novel, and isn't that really what these adaptations of novels are all about- trying to interest people enough to read the book the movie was based on? I'm glad this version wasn't completely true to the novel considering that so many of the characters in the novel are either underdeveloped or so enigmatic that it's hard to have any kind of feelings about them.It was a stroke of genius to develop Dartie and George into the two jokers of the family, who provide light entertainment when the plot gets a little dark. In defense of Gina McKee, I think the choice to cast her as Irene was a wise one. I can't think of any other actress today who has such an elegant, classy beauty without being "showy" about it and I thought her characterization of Irene was true to how she is portrayed in the book, considering that Galsworthy deliberately made Irene a very shadowy, unreachable figure. Ioan Gruffudd, who, with his dark good looks just seems to be made for these lavish period pieces, was his usual dashing and charming self playing "The Buccaneer" and the rest of the cast put in a fine performance. While I admit these costume drama mini-series aren't to everyone's taste, you can not doubt the painstaking hard work put in by all involved that makes them a cut above the rest.

This second installment lives up to the expectations created by the first series and by the novel itself - To Let. We meet again, with much pleasure, the magnificent cast of the first series (D. Lewis as Soames stands out) and discover the choices that have been made to cast the 4 new main characters : Fleur and Jon Forsyte, Prosper Profound, and Michael Mont. I found the 4 of them to be nearly-ideally suited to their part. May be the actor playing Jon lacked a little bit of brilliance, but he showed a lot of sensibility and looked a lot like his "mother", Irene. The story unfolds with relentlessness but there are also many moving, or funny moments. The films is really faithful to the tone of Galdsworthy and is, all in all, a magnificent achievement. it is as good as the first series, and may be even better. At the end of the 4th episode, we are really sorry to have to wait for the next episodes of the saga, and the lives of Fleur and Michael Mont. Highly recommended to fans of British top quality literary drama.

I have not seen the original film or read the book, so I have a fresh perspective on this version of The Forsyte Saga. It is a brilliantly acted, emotionally stirring film. Damian Lewis is outstanding. He brings such intense emotions to the character of Soames. I don't know if it's the character but I like to think it's his acting that makes you almost feel sorry for this man. How can you feel sorry for someone who, on the surface can be so cruel? Well, that is the genius of Damian Lewis! He brings such passion to the complex character of Soames that you can't stop watching it! He expresses so realistically the repressed emotions of the character. I feel that is what makes this film so moving, it's so human. The film displays w/such heartache(thanks to the acting) the struggles and human complexities of individuals forced to stay within the expectations of their repressed society. The actors effectively display how the characters desperately need & want love and acceptance, but don't have a clue how to obtain it, although some do find love eventually. I definitely recommend this film to anyone who likes period type/costume dramas which showcases brilliant acting. And if you don't know Damian Lewis, this is an excellent introduction to his work!