A man returns home after years away, facing wild rumors about his life. He fishes mullet for cash and pursues his ex, now his pregnant sister-in-law. The town grows hostile to his presence.A man returns home after years away, facing wild rumors about his life. He fishes mullet for cash and pursues his ex, now his pregnant sister-in-law. The town grows hostile to his presence.A man returns home after years away, facing wild rumors about his life. He fishes mullet for cash and pursues his ex, now his pregnant sister-in-law. The town grows hostile to his presence.
- Awards
- 5 wins & 11 nominations total
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Bryan Brown
- Publican
- (voice)
- Director
- Writer
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Featured reviews
. I did my best to like this film, and it has many good things. A reasonably tight script, a good smoldering performance from Ben Mendelssohn in the lead, fine supporting performances from Andrew Gilbert, Susie Porter, Tony Barry, Kris McQuaide and Belinda McClory, rugby league, nice countryside, stark, open, beautiful cinematography, and even a decent theme; what is there at the heart of the Aussie soul?
Well, mullet is a pretty dull fish, and this celebration of it, if that's the right word, just wasn't entertaining. The film even at 90 minutes dragged. Some contrived drama at the end came to nothing. The characters were understandable, if not likeable, but it really just amounted to pointing the camera at a group of country people and saying `tell us about the hollowness of your lives.' It is partly redeemed by a reasonably upbeat ending. It was like a film school piece made by someone with 10 years experience in the industry. It may have some resonance with Australians who have good attention spans (especially residents of Kiama), and is pretty to watch, but mullet like to swim in shallow waters, which this film never leaves.
Well, mullet is a pretty dull fish, and this celebration of it, if that's the right word, just wasn't entertaining. The film even at 90 minutes dragged. Some contrived drama at the end came to nothing. The characters were understandable, if not likeable, but it really just amounted to pointing the camera at a group of country people and saying `tell us about the hollowness of your lives.' It is partly redeemed by a reasonably upbeat ending. It was like a film school piece made by someone with 10 years experience in the industry. It may have some resonance with Australians who have good attention spans (especially residents of Kiama), and is pretty to watch, but mullet like to swim in shallow waters, which this film never leaves.
this movie was so terribly bad that just as my girlfriend and i were getting up to leave in total disgust... it ended. a thin plot, bad acting, lifeless characters, no action or startling developments, it was by far the worst movie i've seen in a long time.
i am familiar with the area that it was filmed in, and can't say that the characters portrayed are indicative of the locals... the locals are smarter, funnier, and far better company (and i dont live around there).
well may they say god save the queen, for nothing can save the australian film industry... if they keep turning out "quality" like this.
i am familiar with the area that it was filmed in, and can't say that the characters portrayed are indicative of the locals... the locals are smarter, funnier, and far better company (and i dont live around there).
well may they say god save the queen, for nothing can save the australian film industry... if they keep turning out "quality" like this.
The trouble with this film is that it is empty. Ben Medehlson is usually really good but in this little Aussie drama he really struggles to find his character. It's a pity because it had a few things going for it but didn't deliver.
I went to this film with high expectations. While I'm not a fan of David Ceaser's work, I had heard positive reviews from both critics and friends whose opinions I usually agree with. Sadly, either they or I must have seen a different film.
I found the film slow, unrealistic and with continuity holes so large you could drive a truck through them. The characters' personalities were either rammed down your throat or not explained at all.
While I have not spent much time in rural Australia, the film did not strike me (nor any of my friends who have all lived in the country) as an accurate depiction of country town life. I also felt that the emphasis on the naivety of the people living in the area (such as Mullet's father being excited about having a flush toilet) was patronising. In addition, the town is only a couple of hours from Sydney - hardly the outback. I felt this was another example of Sydney-centric film making, showing anyone who lives outside of the inner city as a hick who is overwhelmed by the possibility of going to Sydney, let alone actually living there.
I could go on, but I can't be bothered. It disappoints me that this film has received such good reviews. I was hoping that these reviews were based on the film actually being a good production, rather than being from the 'Oh but it's Australian so we should give it a good review' camp. Sadly this does not seem to be the case.
I found the film slow, unrealistic and with continuity holes so large you could drive a truck through them. The characters' personalities were either rammed down your throat or not explained at all.
While I have not spent much time in rural Australia, the film did not strike me (nor any of my friends who have all lived in the country) as an accurate depiction of country town life. I also felt that the emphasis on the naivety of the people living in the area (such as Mullet's father being excited about having a flush toilet) was patronising. In addition, the town is only a couple of hours from Sydney - hardly the outback. I felt this was another example of Sydney-centric film making, showing anyone who lives outside of the inner city as a hick who is overwhelmed by the possibility of going to Sydney, let alone actually living there.
I could go on, but I can't be bothered. It disappoints me that this film has received such good reviews. I was hoping that these reviews were based on the film actually being a good production, rather than being from the 'Oh but it's Australian so we should give it a good review' camp. Sadly this does not seem to be the case.
I really love the fact that Australians really don't mind having a honest look at themselves.What I especially liked was how accurate these characters were portrayed, these people are real! Granted the movie was a little slow in places, but this is set in a small town so the pacing really puts the viewer inside the minds and hearts of the people and the general atmosphere of the township. Simple story telling at its best, well portrayed by an excellent cast, I think we have all met a "mullet" or Peter and of course their fabulous parents at sometime in our lives. This film was gritty, emotional, and always searching and trying to make sense from a personal perspective, especially from a family perspective. The questions this film asks, are how does this town work? where do I (mullet) fit in? do I fit in? why did I come back? and the search always made difficult with so much communication breakdown and self denial, ultimately people are pushed into corners where eventually you have to "stand back up when you have been knocked down". The story is about Eddie "mullet" coming home after 3yrs absence and completely upsetting this little community, which is tight knit, simple yet complicated. The girlfriend he left behind has married another, so mullet wants answers! leaving the girlfriend torn between her past and her present lovers. No pretense. No gloss, just honesty and simplicity. So I f you want to kick back, smile, empathise and enjoy some light drama (just to escape hollywood cliches, and not be bombarded by explosions/gunfire and cgi effects!) then this movie is just the ticket........well done 7/10
Did you know
- TriviaDavid Caesar wrote the role of Mullet with Ben Mendelsohn in mind, but thought he was too young for the role. By the time he found funding, Mendelsohn was the ideal age for the role of Mullet. Mendelsohn had participated in most of the staged readings of the script, but always played another role.
Details
Box office
- Budget
- $1,000,000 (estimated)
- Gross worldwide
- $466,796
- Runtime
- 1h 29m(89 min)
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1
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