They Saved Hitler's Brain

I assume everyone knows that They Saved Hitler's Brain is basically two bad movies crushed together as one. The first 20-30 minutes were produced in the mid-sixties, and the rest was produced in the late fifties...a fact that really comes through in the production values.

I actually prefer the first half of the movie, and do have at least one good thing to say about this film...the editing in in the first half is excellent. The chase and crash footage from Thunder Road is edited in rather seemlessly...if I hadn't seen Thunder Road first, I would have never recognized it or realized it was stock footage.

Of course, all the characters introduced in the first ten minutes are dead by the halfway point, and the fifties-half of the movie begins, which actually takes you down to South America (or at least San Diego) to meet Mr. H, his goons, and his inane plan for immortality. We go from bad but moderately interesting sixties film to bad and boring fifties sci-fi/nazi movie.

"Is this a bad joke?!" utters a character when the plot is explained. In all fairness, I can't see how anyone would elevate this to ANY list, good or bad; mediocre but not Ed Woodian or as as bad as "Mesa of Lost Women." The oddity of the film is that some 1970's people added some footage at the beginning, which doesn't advance the plot but does highlight that the ORIGINAL, in contrast, had higher production values which viewers dismiss. Why they added more is a mystery: to finish the film? to change its politics (women's lib)? Given the fact that it was probably too expensive to replicate the "look" of the original footage, it was probably a money-making scheme. The original was on a par with other low-budget films like "Beatniks," "Teenagers from outer space", etc., with a few recognizable actors. Add to that it's intentionally funny moments (husband-wife banter, a beatnik sister, an improbable marriage at the climax) makes this NOT a topper for movie Baddom. What would have been interesting was if the amateur 1970's filmmakers had disassembled the film, like Steve Martin's "Dead men don't wear plaid" or Woody Allen's dubbed spy movie "What's up tigerlily"(surely the granddaddy of MST3K). As for the misnamed title, 2 other 'head' films also avoid using "head": "Brain that wouldn't die"(though they change the movie title at the end from brain to head) and "Thing that couldn't die." I guess "head" just doesn't sound scary. And the other complaint that 'Mr. H'(aka Hitler) doesn't say anything, well, it's not the Biography Channel; besides, what else would he say?: "Will someone PLEASE scratch my nose?!" For this invasion he's literally just a figurehead/paperweight (one of the characters alludes to this), and his head without a body aptly metaphors the Nazi totalitarian society where noone must feel anything (what would Nazis do on a Saturday night?). As Mr. H's plans backfire again, you'd think he'd learn from history: two wrongs don't make a Reich.

The movie is indeed a pastiche of two separate films with separate casts, shot years apart. However, I take issue with Leonard Maltin and the others who refer to the Stanley Cortez footage (the latter part of the film) as being from the 1950s. The actors are dancing The Twist in the Dos Palabras club in one Cortez scene. The Twist became a craze in the Fall of 1960, and remained all the rage for the next couple of years. The original Madmen of Mandoras was released in 1963 (I have a 22X28 poster, complete set of lobby cards, and some stills from this flick). All this is consistent with an early '60s (probably '62 or '63) filming of the Cortez footage.

The el cheapo additional footage (the first part of the film) was probably shot sometime between 1972-1976. The "liner notes" to the Drive-In Cult Classics 2 DVD says the modification of the old Crown International Pictures for TV release began in 1972, and the first mention of "They Saved Hitler's Brain" in a TV listing was in December, 1976.

BTW, StanleyCortez was a distinguished cinematographer who was nominated for an academy award - Orson Welles' The Magnificent Ambersons; he also photographed Charles Laughton's Night of the Hunter. The professionally photographed latter part of the film compared with the totally amateurish photography in the first part of the film makes the hodgepodge all the more evident.

The acting and special effects in this film are so bad as to be funny. The lack of any meaningful (or at least coherent) plot is equally hysterical. I was laughing so hard in some scenes that I had trouble getting my breath. As far as a serious horror film is concerned this is disaster but as far as a comedy is concerned it is smash hit.

It seemed that towards the end of the Second World War the Nazi's not only came up with a game plan to escape from the advancing allies to a South American country named Mandoras to regroup their forces and wait until the time was right to launch their second attempt to take over the world. They had a far more deadlier and sinister plan in how to do it then the use of any Atomic or Hydrogen bomb. The Nazis dreamed up a most intriguing idea of how they can take their leader, Adolf Hitler, along with them by putting his head, well really his brain, in a sealed and vacuumed-packed jar and have it, the brain's, super intelligence direct and guide them to total victory.

You would wonder why his brain? or even his head? why not Hitler's whole body? A movie that has to be seen to be believed with footage taken from two totally different films spliced together to try to make some sense to what the story is all about. With the results of the movie starting out like a porno flick,without any sex, and ending up like a bunch of out-takes of a very bad imitation of "Mission Impossible".

We have Hitler's head popping up all over the movie like some jack-in-the-box giving orders to his Nazi henchmen and evilly smirking every time someone gets beaten, shot or killed by them.

It had to be a miracle of science that they could have Hitler's head severed from his body and not only live but be able to communicate with them and instruct them on how to conquer the entire world. All this when he was not able to do so when he was still in one piece during the war before he was smuggled out of Germany by them. Did somehow by him becoming bodiless make Hitler smarter?

The plot also revolves around something called G-gas being released into the air and thus making it possible for the Nazi's hair brain plan of world domination to become a reality. Theirs only one hitch to their evil scheme, they have to stop a US scientist who's working on an antidote to the G-gas that would short-circuit their entire operation.

You know what, that after all these years since the release of "They Saved Hitler's Brain' I can't for the life of me see why Hollywood hasn't made a sequel.