Conspiracy

The other reviewer her could not be more wrong, and shows a lack of historical knowledge. Heydrich WAS rushing to get through the meeting -- that was why it only lasted 90 minutes! The meeting was not held to plot the Holocost, but rather was a staged production organized by the SS (who already had started planning the final solution and embarked on mass murder at smaller scales 7 months earlier)to obtain administrative and cooperative buy-in from the other facets of the German government, and their recognition of the SS's total authority over carrying it out. And Heydrich was alternatively charming and then abrupt and short: he was head of the Gestapo, after all. Although Branagh is much smaller and better looking than Heydrich was, he does what an actor does -- capture the essence of a presence, the gist of the personality. Likewise, Tucci embodies the "banality of evil" -- a schedule obsessed numbers & detail man, an accountant concerned only with pleasing his superiors and making mass murder efficient, while dissociating himself from the meaning and consequences of his actions.

Although not as well-acted, the German language Wansee Conference is actually a bit better in imparting the agenda-driven business meeting quality of the event. Anyone who has ever been to a business planning meeting (in any business, but especially in government or regulated utility during budget planning time) cannot help but feel sick at the ordinary familiarity of it all. Replace killing people with making and marketing widgets, and you got it.

Our perception of the Holocaust is shaped by the harrowing images of the gas chambers and crematoria of Auswitz; watch Conspiracy and be jarred out of the complacency that comes from familiarity and be a fly-on-the-wall at the genesis of genocide.

The film documents a meeting held during WW2, when SS second-in-command, Reinhard Heydrich, assembles a group of Nazi bureaucrats and functionaries to 'discuss the final solution of the Jewish question'. In the sublime surroundings of a German country house, the assembled mingle for drinks, enjoy a first class buffet lunch and debate whether execution or sterilisation is the most efficient option of eliminating an entire race of people.

Subject matter aside, Conspiracy is all the more devastating, and precious, from its excellent script and incredible ensemble performances. There is no attempt or need to manipulate the viewer - the enormity of the truth is compelling, and appalling enough. The are no cartoon Nazis here, the depiction of Heydrich is fascinating and complex: the man is urbane, witty, impeccably mannered and utterly devoid of morality.

Credit must be given to Kenneth Branagh who propels the entire piece with one of the best portrayals on screen in memory. He is utterly convincing in the role of a man who epitomises the classic definition of evil: not just the doing of wrong, but the perversion of the human spirit so that it no longer has any perception of the good.

Where Heydrich is conviction, as the narrative develops, almost exclusively as table-talk, others are less sure. The range of attendees symbolises the various strains of Nazi culture, which developed over the course of the third reich. For the idealistic of these - the philosopher/technocrat Kritzinger; the legalistic Wilhelm Stuckart and the young soldier Major Lange, there is the dawning realisation of the human catastrophe in which they are complicit.

Technical objections are raised - Stuckhart expounds a ludicrous web of of objections on how the plan breaks the vile race laws he himself architected, and will be an 'administrative nightmare', but they soon realise this is a done deal - most of the mechanisms are already in place. The politically sharp Heydrich only needs to extract expressions of support in order to bind all the orders of Nazi society into equal guilt. During breaks in the proceedings he discreetly buttonholes the wobblers and silences their doubts: by naked threats, or in the case of Lange by invoking the fantasy that what they do is all part of a plan for a better tomorrow. Succumbing to Heydrich's magnetism and realising the dream is pretty much all that is left, Lange allows himself to be persuaded.

The eloquent script captures the delusional, the grotesque and the desparate qualities of the German position at that moment in the war: the calculation that defeat is inevitable, but unthinkable - despite the repeated whimsy of Heydrich that he will return here for a quiet country life once the war is over. He knows that he, and all others present, is headed only into the dark. And it's a one-way journey.

It was just as Hitler tasted defeat at the Russian front, that a little known meeting was arranged to mark one of the worst events in humankind. That meeting, known as the Wannsee Conference, was to put into motion the evacuation of the Jews from Germany, then the rest of their controlled territories.

15 officials from various departments were in attendance, chaired by SS Chief of Security Reinhard Heydrich (Kenneth Branagh) and SS Major Adolf Eichmann (Stanley Tucci), and has in its members several lawmakers and doctors. They sit and debate (well, not much of a debate actually) the notion of evacuating (read: Eliminate) the Jews, and you'll probably witness how casual it all sounded to some of the members.

It was interesting to see how Heydrich cajoled everyone into agreeing to his plans, by hook or by crook. And it's very chilling to see how semantics were danced about, and how methods were discussed as if it was a process so trivial - the building of concentration camps, the techniques of gassing and how to perform it, the statistics of the kill that would have them reach their target numbers intended.

Based on a surviving record of that meeting, despite the fact that the minutes are to be read, memorized and destroyed, this HBOfilm is a good watch to peek into the decision making process, into that stain in human history, and the unthinkable evil that humans are capable of.

If you're a fan of Downfall, then perhaps this depiction of history will interest you.

In January 1942, General Heydrich chaired a meeting of Hitler's top men from various Nazi bodies including the Party, the SS etc. The reason was to `discuss the inevitable and try to bring it about in the most practical way under one command'. The `inevitable' being the spiralling problem of the huge numbers of Jews and how best to deal with them.

This is a chilling dramatisation of the meeting that sealed the fate of millions of Jews. The story is quite simple and could be easily put on the stage - it is merely a board meeting with the focus being on the characters of those involved. The film plays as a normal board meeting - no one in the room is portrayed as monsters - in fact Heydrich is almost comic. One of the most chilling elements is that no-one in the room believes the Jews were normal people, some are horrified by the thought of killing them all on production lines but even then their alternatives never approach humane options.

This very wordy production would never have succeeded without strong actors and here it is blessed by not only famous faces but unknowns giving great performances. It is difficult at first to accept English actors playing Nazis but you soon get past it. Tucci and Branagh are both excellent and Colin Firth is the best I've seen him as Dr Stuckart from the Interior Ministry. I could literally name the whole cast as the members of the meeting are all well played.

This is not presented as a terrible moment and the men are not portrayed as Indiana Jones style evil Nazis. The facts are allowed to speak for themselves and it's all the more chilling for it. Overall this is an excellent film that benefits from great acting, a great script and great direction.

This movie could have been entitled, "how to chair a board meeting" or "how not to chair a board meeting" - given that the outcome of the meeting was the "final solution".

Gen. Heidrich with consumate skill and care manipulated the gathered Nazi hierarchy to the pre-arranged and pre-destined solution to the Jewish question.

There are a number of moments of exceptional power in the movie - one is where Kritzinger realises the truth, another is where Heidrich makes it clear to Shtukhard that he will be victimised if he does not cooperate. But the best moment must be when even those in favour realise that they are not there to decide the matter but to be to lend their complicity to the pre-made decision.

The psychology of the writing is insprired. I have never been so totally captivated by the mix of acting, subject matter and drama. This is a must see.