A woman is raped by three men. She moves south to Tokyo and five years later is about to marry a colleague, when one of the rapists enters her apartment. The other two come later.A woman is raped by three men. She moves south to Tokyo and five years later is about to marry a colleague, when one of the rapists enters her apartment. The other two come later.A woman is raped by three men. She moves south to Tokyo and five years later is about to marry a colleague, when one of the rapists enters her apartment. The other two come later.
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What "I Spit On Your Grave" should've been. Well, OK, the plot advancement might be a tad contrived, and the weird way a rape victim in this film is portrayed, at least, I hope women aren't actually so victimized by shame in Japan as to maintain a stoic silence that is so firmly entrenched the antagonists can actually blackmail the victim vying against her fear that others might know of her "shame" of being deflowered, abused, or molested. Her inaction for a large portion of the film is agonizing, but understandable in consideration of the themes of the film (action vs. victimization, social shame vs. personal safety, social roles and double standards for men vs. for women). It's an educational bit of work, nicely shot, and generally engaging. Loads better than I had expected it to be. On a neat side note, the star of this, Harumi Inoue, was having dinner at a Sushi joint on fourth, bracketed by a pair of very Yakuza boss looking dudes, tans and black turtlenecks and thick ropey gold chains and tiny glinting glasses, real imposing. My pal Shotaro recognized her. Kind of weird to see a woman out calmly eating sushi that I'd just seen scantly clad, drenched in blood with murder on her mind. Guess that's an illustration of filmic reality vs. actual reality for you.
I didn't think this was as good as everyone made it out to be. I also felt that although this was almost some revenge fantasy-type tale from the female's side, it was still exploitative in a way. Haven't seen the director's other movies but I heard they were similar...
A thoroughly disturbing film, where the seemingly normality of a working woman's life is blown apart by the arrival of a man from her past. I liked the changes of direction that were made in the story. The beginning shows a perfectly normal group of workers, in a situation that seems perfectly plausible, indeed the acting here is so relaxed and natural. However, with the arrival of a man comes the first turn, and we see the dark secret that has been kept for so long, and this is where the disturbing feelings arrive with a violent crash. As the other members of a yakuza gang rape arrive, five years after the incident, they bring ever escalating levels of violence to the woman's life, and as the ties to her new normal life begin to break away, so do her ties to sanity. There comes the next turn, and her shocking actions. However, being shocking and disturbing does not a good film make, and I felt that it was this turn in direction that started a downward trip for the movie. Having started with a story that felt so real and human, this turn pulled in a totally different direction building a huge gulf between story and my beliefs and sympathies. I felt myself wishing that the story had remained in the vein of the first half, I am sure that it would have made a better film overall. Still, it's not a total loss.
At the start of the millennium, exploitation movies were few and far between. Films such as I Spit On Your Grave, The Last House On The Left and The Virgin Spring had left the subgenre with little room to breathe. Unsurprising then, that Takashi Ishii briefly moved away from the exploitation genre that dominated his early works and directed Gonin, making him an international name. His films have always been largely preoccupied with revenge, and Freezer was to be no exception. Whereas Irreversible, released two years later, drew critical acclaim mainly for not glorifying the life that had been destroyed but to mourn it, Freezer was first to shift the focus from gory revenge and concentrate on the victim as she struggled to cope with the memories she thought she had buried deep inside her. Irreversible may be more celebrated, but Freezer also demands your attention. Without ever glorifying the horrific acts that fuel Chirhiro's bloody vengeance, Freezer is, for the most part, well-paced and surprisingly beautiful, with a compelling and intensely dramatic performance from its lead. DW
I watched this movie with no knowledge of what the story was about. The director did a very good job developing suspense right from the start. When I found out about the plight of Chihiro, I automatically felt for her. Because of what happened, its effect is so traumatizing that she's virtually helpless to do anything. When push comes to shove, Chihiro has the "fight or flight" choice and it's interesting to see what choice she makes. I must commend Harumi Inoue who gave a really great performance. She truly displayed fear, confusion, paranoia well and I felt really concerned for her character. Hey, if a movie made me feel that strong, I think it got it successfully got its message across.
"Freeze Me" depicts intense violence and I don't mean like cheesy Hollywood does. It deals with violence against women which sadly is not fictional in society. The story takes a trippy twist towards the end and watch the character progression thoughout the film. I must say that Harumi Inoue is stunningly beautiful and was great to watch. She's definitely got a new fan!
"Freeze Me" depicts intense violence and I don't mean like cheesy Hollywood does. It deals with violence against women which sadly is not fictional in society. The story takes a trippy twist towards the end and watch the character progression thoughout the film. I must say that Harumi Inoue is stunningly beautiful and was great to watch. She's definitely got a new fan!
Did you know
- ConnectionsReferenced in Jersey Girl (2004)
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Details
- Runtime
- 1h 41m(101 min)
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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