Freeze Me

While similar in plot to a revenge movie, this is actually a survival movie. I liked it for its intensity: it doesn't take long to get going, and keeps nonstop tension for the next hour or so. Although it reaches its emotional climax a full half-hour before the end, there's enough tension built up by then to carry it through. It concerns a young lady who's confronted by a gang of men who had raped her five years before. The second meeting is no accident, they've sought after her to victimize her some more. Rape is not a crime of sexual gratification, it's a crime of humiliating domination over another person. That said, Chihiro is just the kind of timid soul who can easily be dominated: she doesn't have the courage to do the sensible thing, instead simply hoping the whole thing will go away. It doesn't, of course, and she's forced into action out of self-preservation. It often reminds me of Miike's earlier film, "Audition". That is said to have a strong message about the treatment of women in Japanese society, and I see this as another side of the same coin: a woman who has had a disabling stigma of shame placed on her, and has to struggle to overcome it. While the ensuing violence is certainly justified, it is not glorified. There is no real victory in this movie. While the things she is subjected to are revolting, the camera is thankfully restrained. Most of the violence against her is offscreen, and even the original attack is shown only in fragments, as a series of flashbacks. There is a lot of nudity here, but I don't see it as exploitational. First of all, it's very much a sex-themed movie, so nudity is pretty much a given. Most of it occurs in the shower: she spends an awful lot of time trying to wash herself clean. The movie does offer plenty of messages, but they're not uplifting or inspiring ones at all: more indictments of double standards in the treatment of women. I thought this was a terrific movie, and one that sticks with you, marred only by some truly awful English-language dubbing (at least, in the version I saw). A movie like this depends on a strong lead actress to carry it, and the voice actress in the U.S. version is just really not any good at all.

What "I Spit On Your Grave" should've been. Well, OK, the plot advancement might be a tad contrived, and the weird way a rape victim in this film is portrayed, at least, I hope women aren't actually so victimized by shame in Japan as to maintain a stoic silence that is so firmly entrenched the antagonists can actually blackmail the victim vying against her fear that others might know of her "shame" of being deflowered, abused, or molested. Her inaction for a large portion of the film is agonizing, but understandable in consideration of the themes of the film (action vs. victimization, social shame vs. personal safety, social roles and double standards for men vs. for women). It's an educational bit of work, nicely shot, and generally engaging. Loads better than I had expected it to be. On a neat side note, the star of this, Harumi Inoue, was having dinner at a Sushi joint on fourth, bracketed by a pair of very Yakuza boss looking dudes, tans and black turtlenecks and thick ropey gold chains and tiny glinting glasses, real imposing. My pal Shotaro recognized her. Kind of weird to see a woman out calmly eating sushi that I'd just seen scantly clad, drenched in blood with murder on her mind. Guess that's an illustration of filmic reality vs. actual reality for you.

Some films are made that test society's underlying beliefs, and this is one of them. some would say that the women in such a circumstance should call the police (as i would advocate also in every case), but sometimes with some people, pride and society may lead to people hiding. This is the case with Chihiro, who on being gatecrashed by her attackers, is afraid to lose her life once again by revealing what happened to her.

It tests our attitude to the victims in such circumstances, and makes you think. You see the film from the victims point of view... and in that way, for those willing to see a film that tests their minds, then this is a film for you. Outstanding and frightening movie that deserves to be watched..

Five years after being raped in her small home town, Chihiro Yamazaki has made a new life for herself in Tokyo. She works in an office and is engaged to be married. Then one of her assailants turns up at her home and forces his way in. He says he spent a lot of time tracking her and that the other two will be arriving later. He also tells her that the original rape was filmed and that if she doesn't do has he demands copies will be given to people she knows. He soon takes over her life but then she fights back and he ends up in her freezer. It isn't long before the next of her attackers turns up looking for his friend... this time she doesn't wait so long before striking back. Now there is just one more rapist to worry about.

The rape revenge genre can be problematic to say the least; the initial crime must be shown in a way that makes the viewer totally sympathetic with the woman so we can accept it when gets her revenge... without that scene seeming exploitative. I thought this succeeded fairly well in that respect. There is quite a bit of nudity but, at least as far as Chihiro is concerned, it is most in in non-coercive situations. Having the film set mostly inside Chihiro's small apartment gives an impressive sense of claustrophobia. There are obviously some violent moments and while they are not excessively gory they are somewhat disturbing. Perhaps surprisingly there are a few comic moments... such as Chihiro worrying about her latest victim getting blood on the rug as she gave him a well-deserved battering. There are some slight plot holes; the fact that she never reported the original crime might be believable but it stretched credulity a bit to believe she wouldn't report when they started coming after her again... still it wouldn't have been much of a film if she'd done that. The cast is solid; most obviously Harumi Inoue who really impresses as Chihiro Yamazaki. Overall I'd say this won't be for everybody but it is well worth a watch if enjoy the genre or are a fan of gritty Japanese cinema.

These comments are based on watching the film in Japanese with English subtitles.

Freeze Me is Ishii's best film since Gonin, and displays all of the characteristic visual finesse, pacing and editing skills which give him his reputation. A rape-revenge film is hard to do and stay on the right side of comfort: too often the female victim is exploited and seem to 'enjoy' the violent assault, while the (usually male) viewer is encouraged to oogle at the exposed, yielding flesh. Not that I am against exposing the female form, and certainly Ms Inoue is frequently very nice to look at, but it is to Ishii's credit that the crimes are shown as undoubtedly painful, and as humiliating as they surely would be. Apart from some nudity in the plentiful bath and shower scenes, perhaps as a sop to the burger crowd, her unpleasant ordeal is filmed with full sympathy for the victim. The video of her orginal rape is a necessary intrusion, but even here it is in its proper place, viewed as as a flashback not, as it must have been tempting to do, as a over-the top-first act, pileing cruelty on cruelty.

Set mostly within Chihiro's small apartment, Freeze Me quickly assumes a claustrophobia which is a chilly and as constricting as one of her newly acquired deep freezes. Within this setting, the three principal killings are staged with sufficient variety and flair to make them distinctive. A stand out is the bath tub killing, a magnificently staged murder which is amongst the best minutes in the film, while the death twitches of the second rapist's legs reminded me of a similarly shocking moment in The Texas Chain Saw Massacre.

If the basic direction of the film is excellent, then how much more one wishes that the script broadened out more. The rapes, the revenge, the batty soliliquies, the discovery, the denouement - these all follow with the logic of one of those cheesy 70's horror compilation films, where plot expansion is sacrificed due to the demands of the portmanteau format. Here Ichii has considerably more space but spends a lot of the running time on showing a succession of repeating, dramatic events. Often thrilling and well mounted in themselves, they restrict matters to a very narrow narrative path, incidentally almost entirely removing Chihiro from any social context. Because of this she loses some sympathy. The truth is that, once the last body appears on screen, the story has nowhere left to go except into the rain. It's been one hell of a ride in the meantime, but Freeze Me ultimately offers nothing more than a train of horrors seen rightly or wrongly as justification in themselves, and which create story cul-de-sac. Ichii of course has to close his show somehow, and sidesteps the issue with what is practically a narrative sleight of hand, leaving the viewer curiously unsatisfied. It is as if the Wild Bunch have killed all the Mexicans, and a stray bullet has got Deke Thornton too.

Interestingly, the HK DVD box shows the heroine apparently frozen, a misleading image to say the least. While perhaps emotionally cold after her traumatising experiences, she never ends up in the cooler herself...