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A documentary exploring the rise and fall of 80s skateboard legend Mark "Gator" Rogowski.A documentary exploring the rise and fall of 80s skateboard legend Mark "Gator" Rogowski.A documentary exploring the rise and fall of 80s skateboard legend Mark "Gator" Rogowski.
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Featured reviews
Brilliant. Everything a documentary should be...
This film NAILS it by juxtaposing the fast rise and rocky descent of 80's counter-culture commercialism with the tragic story of Gator and his victim. We get to know Gator as a wild punk, arrogant jock, immature romantic, and finally, a violent and dangerous man. He was made for stardom, but the path to skater stardom was even younger than its pioneers... he was the era's most notable fallen angel.
I haven't yet seen a more vivid reflection on the style and attitude of California in the 1980s. It's very easy to get lost in this one; it's a sad, enlightening, and socially significant piece of journalistic film-making. Kudos to the filmmakers.
I haven't yet seen a more vivid reflection on the style and attitude of California in the 1980s. It's very easy to get lost in this one; it's a sad, enlightening, and socially significant piece of journalistic film-making. Kudos to the filmmakers.
Hello. My name is Mark Rogowski. And I am a recovering vert skater.
"Stoked" is a documentary about the rise and fall of Vision skate company's glory boy, Mark "Gator/Gravity" Rogowski/Anthony. When you could still keep track of the number of pro skaters in the mid and late 80s, Gator was counted as one of the best, matching ranks with Christian Hosoi and the Bones Brigade Team. For four years (it seems a lot longer), Mark Rogowski was on top of the world as the pinnacle of vert skating. He sure made Vision Street Wear plenty of money, and with his fall, so came the demise of his primary sponsor.
This documentary is less about skateboarding, although skate enthusiasts familiar with the cast of pro skaters, will probably enjoy it for several reasons. They know who Mark Rogowski is, and are probably familiar with the story. However, this story doesn't introduce much of anything new that had not been written about him in the past. The recounts are pretty much all the same in piecing together the story of the extreme rise and fall of a once-great skater.
The movie pans out more like an illustration, and perhaps a valid caution, of stories so common to celebrities of any field. When Rogowski and skaters like himself (most of whom--but not all of whom--didn't have such a destructive finale to their careers) couldn't make the transition into street skaters, the next wave of skateboarding that took over in the early 90s, they suddenly found themselves out of the spotlight. Whereas guys like Tony Hawk and Steve Caballero, and hell, even Tony Alva, were able to keep up with the transitions, and hang on tight to their super-stardom. Not Rogowski.
Like young superstars given all the attention and the money and fame, and then to have it all taken away for the next best thing (and the cycle repeats itself), Rogowski started out at a crucial developing point in his life--going pro when he was in high school and enduring much of the fame in his late teens and early twenties--and couldn't seem to adapt when the skateboarding audiences were taking interest in a new generation of skating. He got depressed, turned on to religion (too much), and then killed a girl.
I think to enjoy this movie, you would have to have some interest in Rogowski, as he was a pretty egotistical guy (and why not, his sponsors made him into god's gift to skateboarding). He seemed arrogant much of the time, and his days seemed like nothing but one big unimportant party. The image became so big, I'm not even sure if it was about skateboarding for him at one point. He was the badass of the sport, but it just seemed to be entirely show. Everything Rogowski did seemed to be one big show, and for that, a movie about him seems hollow and hardly interesting. Of all the stories of skateboaders, why is his the most interesting? I think much of Lance Mountain's interviews sums it up best. Speaking from experience as one who faded from the scene, Lance says that the whole thing is so phony. That they're given a false superstar/invincibility status as such a young age, and they're not taught how to cope with it when it's all over. At their age, they just assume it will last forever. And the way skateboarding always fluctuated in popularity, someone should've sense that it wasn't.
The movie sweeps across from being all the bruhaha about the wild Mark Rogowski, then eerily resembling an episode of 'Unsolved Mysteries' as California law enforcement involved in the case piece together the murder of a twenty-year old girl. Any appreciation for Mark as a skater seems lost in the tragedy . It's sad, but it's not sympathetic. I suppose the movie makes a useful caution to people desirous of the fame and fortune, especially at such a young age and with such an unpredictable medium (skateboarding). The movie leaves you with a cold feeling about it all, especially when following up with information about the fate of other fellow skaters from that time.
"Stoked" is probably a movie most appreciated by skaters familiar with the scene, but otherwise, Gator doesn't make a very sympathetic creature (not even to those who knew him). He was just another naive kid who thought the kick would last forever and wasn't sure what to do when it finally did. I wonder if they have made support groups for former young superstars.
This documentary is less about skateboarding, although skate enthusiasts familiar with the cast of pro skaters, will probably enjoy it for several reasons. They know who Mark Rogowski is, and are probably familiar with the story. However, this story doesn't introduce much of anything new that had not been written about him in the past. The recounts are pretty much all the same in piecing together the story of the extreme rise and fall of a once-great skater.
The movie pans out more like an illustration, and perhaps a valid caution, of stories so common to celebrities of any field. When Rogowski and skaters like himself (most of whom--but not all of whom--didn't have such a destructive finale to their careers) couldn't make the transition into street skaters, the next wave of skateboarding that took over in the early 90s, they suddenly found themselves out of the spotlight. Whereas guys like Tony Hawk and Steve Caballero, and hell, even Tony Alva, were able to keep up with the transitions, and hang on tight to their super-stardom. Not Rogowski.
Like young superstars given all the attention and the money and fame, and then to have it all taken away for the next best thing (and the cycle repeats itself), Rogowski started out at a crucial developing point in his life--going pro when he was in high school and enduring much of the fame in his late teens and early twenties--and couldn't seem to adapt when the skateboarding audiences were taking interest in a new generation of skating. He got depressed, turned on to religion (too much), and then killed a girl.
I think to enjoy this movie, you would have to have some interest in Rogowski, as he was a pretty egotistical guy (and why not, his sponsors made him into god's gift to skateboarding). He seemed arrogant much of the time, and his days seemed like nothing but one big unimportant party. The image became so big, I'm not even sure if it was about skateboarding for him at one point. He was the badass of the sport, but it just seemed to be entirely show. Everything Rogowski did seemed to be one big show, and for that, a movie about him seems hollow and hardly interesting. Of all the stories of skateboaders, why is his the most interesting? I think much of Lance Mountain's interviews sums it up best. Speaking from experience as one who faded from the scene, Lance says that the whole thing is so phony. That they're given a false superstar/invincibility status as such a young age, and they're not taught how to cope with it when it's all over. At their age, they just assume it will last forever. And the way skateboarding always fluctuated in popularity, someone should've sense that it wasn't.
The movie sweeps across from being all the bruhaha about the wild Mark Rogowski, then eerily resembling an episode of 'Unsolved Mysteries' as California law enforcement involved in the case piece together the murder of a twenty-year old girl. Any appreciation for Mark as a skater seems lost in the tragedy . It's sad, but it's not sympathetic. I suppose the movie makes a useful caution to people desirous of the fame and fortune, especially at such a young age and with such an unpredictable medium (skateboarding). The movie leaves you with a cold feeling about it all, especially when following up with information about the fate of other fellow skaters from that time.
"Stoked" is probably a movie most appreciated by skaters familiar with the scene, but otherwise, Gator doesn't make a very sympathetic creature (not even to those who knew him). He was just another naive kid who thought the kick would last forever and wasn't sure what to do when it finally did. I wonder if they have made support groups for former young superstars.
A lurid tale from the inside of skate culture history
Mark `Gator' Ragowski (later `Mark Anthony' briefly) rode his skateboarding skills to the heights of fame and success in the mid-to-late eighties. He was one of the giants of the sport's development from vertical skating in trespassed abandoned swimming pools to pop phenomenon ramp touring. Unfortunately, he just as quickly hit the skids as the sport changed styles to street skating, leaving him and his over-commercialized and suddenly unpopular `vert' world behind. While skaters like Tony Hawk made the adjustment and thrived even to the present day, Ragowski took a hard dive instead into substance abuse, briefly emerging from an alcoholic haze as a `born-again' skater, only to take a harder descent into violent sexual crime, landing him in prison for a 31-year term. A fascinating doc, exploring a lurid tale from a rarely seen culture (last explored in 2003's "Dogtown and Z-Boys"), with clips of Ragowski in his "glory" MTV/ Swatch tour days, as well as intimate peeks into backstage shenanigans on tour, and his frustrations in trying to move to a street style.
Brilliantly put together. Five stars to Helen Stickler
It seems like only a few years ago when the local news stations were reporting on one of San Diegos local skateboard heroes,apparently being accused of murder? This was, of course a shock to everyone who knew or admired Mark Rogowski. It seemed like all those guys had such a great lifestyle! How could one of the sports most succesful icons have spiraled so far out of control? Well,its' been about 13 years now since Gator was convicted, and until I saw "Stoked" The Rise and Fall of Gator", I had many questions about what really happened to this guy. Helen Stickler, I must say right off the bat, did an outstanding job bringing his story to light. It's a story ,that if fallen into the wrong "creative hands" ,so to speak, could have come off as sensationalizing, or dramatizing the life, and subsequent murder conviction of Rogowski. While using classic skate footeage from the eighties, recorded phone conversations from Rogowski himself,and on camera interviews from fellow skate legends,former friends and former Girlfriend ,Brandi Mc Clean, Stickler created a mesmorizing look into this sad story. Her contact with those close to Gators story even includes the investigating homicide officers. The film tells it like it is. Through clever editing of skate footage and commentary, it is a sad look into a pathetic downfall of a once great sports hero.You see the effect his rape and murder conviction has had, not only on his life, but, on everyone who knew and loved him. "Jessica didn't deserve my rage", Gator stated from a prison phone call. Jessica Bergsten was only about twenty one years old,when gator murdered her. He claims,out of rage towards her relationship with his ,then, ex- girlfriend,Brandi McClean. Although none of Bergstens family members appear on the film ,one can only imagine the effect, Rogowskis' rage has had on their lives. Anyone who has any interest or questions regarding ,what exactly happened to Mark"Gator" Rogowski, should definately check out, Stoked! It's a a top notch documentary, that keeps you rivetted to the story, while never glorifying it.
Well researched and well told story
Using the life of Mark 'Gator' Ragowski as the thread, director Helen Stickler tracks the rise of skateboarding from underground pastime to cultural phenomenon. As corporate America jumped all over the sport, the proponents got richer and the sport of skateboarding more mainstream, but some of the players weren't equipped for the fame and money - Gator amongst them.
With a great soundtrack, excellent original resources and unparralleled access to the sports biggest names (many of whom skated with Gator and are now owners of Skateboard companies), Stoked is as much a look at the Eighties and the gluttony of the times; some made it through unscathed, some profited nicely, and one at least is going to be in jail for some time to come!
Stoked is a great documentary, for fans of skateboarding and pop culture junkies alike
With a great soundtrack, excellent original resources and unparralleled access to the sports biggest names (many of whom skated with Gator and are now owners of Skateboard companies), Stoked is as much a look at the Eighties and the gluttony of the times; some made it through unscathed, some profited nicely, and one at least is going to be in jail for some time to come!
Stoked is a great documentary, for fans of skateboarding and pop culture junkies alike
Did you know
- Quotes
Mark 'Gator' Rogowski,: I am a skater. I live it, breathe it, I sleep with it.
- ConnectionsReferences Skatevisions (1984)
Details
Box office
- Gross US & Canada
- $150,268
- Opening weekend US & Canada
- $10,998
- Aug 24, 2003
- Gross worldwide
- $150,268
- Runtime
- 1h 22m(82 min)
- Color
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