Hercules the Invincible

Son of the great man - Argolese (Vadis) - saves heiress Telca (Rozin) from the clutches of a fearsome bear and is granted her hand in marriage by her father the king (Sasso). Before they can marry, Argolese must recover the tooth from a dragon - which he duly does, but discovers on his return that the kingdom has been overrun by bandits and his wife-to-be, kidnapped and enslaved by the evil Queen Ella (Brown). Argolese must overcome not only the Queen, but her trusted right hand man (Clark) and his scheming daughter (Fiore) who has designs on the throne.

Vadis is a behemoth (and looks like he's just performed a thousand hack squats before each take), although not as anatomically gifted as Steve Reeves or Reg Park, he still towers above the rest, dispatching men, horses, bears, boulders - he is apparently impervious to just about anything (except a pair of elephants trained to tear his limbs off). Rozin is innocent and sweet, whereas Fiore is the smouldering siren, but with a megalomaniacal streak that makes her both feisty and attractive. Me thinks Argolese, the great chastity-breaker, should re-consider his choice of damsel.

If you're accustomed to the peplum genre, then this "Son of Hercules" tale will be no more, no less what you'd expect with another amiable muscleman, scantily-clad babes and the ubiquitous comedian covering all the bases adequately.

Hercules the Invincible finds Dan Vadis cast as the demigod son of Zeus who saves the life of a princess by slaying a couple of lions. Her father is ever so grateful, but asks him if he could do just one more little job for him, slay a dragon and yank out a back tooth which is said to be charmed. Hercules takes the contract and the dragon is summarily dispatched.

But while the dragon is being slain, some nasty dudes carry off the king, the daughter, and all other able bodied folks as slaves for their queen who lives inside a hollow volcanic mountain with her subjects. All they leave behind is John Simons who then becomes Hercules's companion.

Simons is about as useful to Hercules as Pancho was to the Cisco Kid. But the reason he was left behind is he's hardly a valiant types. The men of the kingdom eat the hearts of the valiant in the belief it will increase their courage. This guy will put it in the negative.

The rest of the film is concerned with the rescue with Hercules battling a bear, two elephants, and the volcano itself. He proves to be quite invincible.

Simons provides some nice comic relief for the audience. The big guy is stoic throughout Simons's cowardly goofiness.

Peplum fans should like this one.

I suppose we must allow a certain degree of cinematic licence here as the chunky Dan Vadis - our eponymous hero - has to combat a dragon (not one of his labours, methinks) after he has rescued a beautiful princess ("Teica" - Spela Rozin) from a couple of hungry lions. He had been promised the princess's hand in marriage after this but when he returns from his quest, he discovers that the kingdom is under new management - "the Demelus" - who live deep inside a mountain. It now falls to "Hercules" to rescue his girl, free their enslaved people and not to get torn limb from limb by some elephants. If you are expecting high cinema drama here, then you will certainly be disappointed. It's just your usual sword and sandals sort of effort with plenty of fights, sloppy editing and budget special effects - but it is still quite an entertaining piece of Peplum that doesn't ever hang about. There is plenty of adventure to occupy the wooden actors, the stolid script and - of course, there are plenty of glamorous ladies upon whom one might feast the eyes... It is by no means the worst of this genre, but no - it isn't very good.

Take all the "Hercules" movies and boil them down to a series of plot essentials and you'll come up with something close to this movie. It has the muscular hero whose hairless chest is almost constantly on display and whose favorite wardrobe items are mini-mini-skirts and lace-up boots. The hero fights a few real beasts -- a lion and a bear -- as well as a mythical one: a dragon. He acquires a chubby, timorous sidekick who provides comic relief. He falls in love with the daughter of a king whose kingdom is taken over by a wicked queen. The hero becomes this queen's captive. She orders him to be pulled apart, wishbone-style, by teams of wild animals. (Elephants, this time, instead of horses.) The hero emerges unscathed from this ordeal. The queen falls in love with him but he remains true to the deposed king's daughter. The queen's slaves rise in revolt and her city is destroyed by a wave of lava. The hero and the king's daughter walk hand-in-hand to the cheers of the liberated citizenry.

So, if you see this movie, you've seen virtually all the other "Hercules" movies!

Dan Vadis lacks Steve Reeves' looks and charisma but he's in his physical prime here, looking appropriately brawny but not muscle-bound. Particularly noteworthy are his silver-dollar-sized nipples which punctuate his chest like a pair of decorative decals.

Ken Clark lists this movie on his filmography and the credits list a "Ken Klark" but if he's in here, he's hard to spot. Possibly he plays the evil general with the Fu Manchu make-up?

Sword and Sandal films are perhaps the most nerve-wracking movies to try and track down. They usually have numerous different titles, versions and edits. This one is a prime example. Many of the reviews here trashing it for "stealing scenes" from other flicks (including the iconic 1958 Hercules starring Steve Reeves) are actually reviewing the more commonly available US TV Edit by Joseph E Levine which did in fact replace scenes from this flick with that previous one, which he also did US distribution for. In such a case when you are literally viewing half the movie, not just the edits but the chopping off of half of the screen to get a cinemascopic picture to fit to a 4x3 TV, one's assessment can be unfairly ravaged because you are only seeing fragments of what a movie is meant to be! I was fortunate enough to catch the original and superior Italian version which is likely to please anyone who finds a title like "Hercules The Invincible" tantalizing enough to merit a watch in the first place. Although the Italian version is missing the groovy narration added to the US Version - guaranteed to take you back to your childhood living room floor in front of the old TV set - it is an overall better viewing experience.