Documentary about the pioneering 1970s Zephyr skating team.Documentary about the pioneering 1970s Zephyr skating team.Documentary about the pioneering 1970s Zephyr skating team.
- Awards
- 7 wins & 6 nominations total
Steve Freidman
- Surfer
- (archive footage)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
Anyone looking to learn more about the development of skateboarding should find Dogtown and Z-Boys adequate research material. This is not to be confused with Lords of Dogtown, that sorry Hollywood attempt to cash in on the success of the original Dogtown revival.
Directed by Stacey Peralta, a former Z-Boys himself as well as pro skater and mastermind behind the 80s Bones Brigade, and co-written with skateboarding photojournalist Craig Stecyk, this documentary traces how a group of surfing kids from Southern California's mean streets (known as Dogtown) who formed the Z-Boys skateboard team (actually there was one girl--Peggy Oki) revolutionized skateboarding. The film contains interviews from nearly all of the Z-Boys (Chris Cahill's whereabouts are unknown) with the most noteable being bad ass Tony Alva and the youngest, Jay Adams, who's talents (along with Perlata) seemed to transcend the rest of the teams. There are interviews of the team's (and the Dogtown shop) founders, surfboard designer Jeff Ho, Skip Engbloom, and Craig Stecyk. There are also interviews of folks like Tony Hawk (obviously), Ian McKaye (Fugazi), and Henry Rollins, who were young kids in the 70s when Dogtown was making it's influence on skateboarding (skateboarding was a whole other context in previous years as the documentary explains).
It really shows you not only who the Dogtown team was and how they formed, but why their style changed not only skateboarding tricks (pool skating became immensley popular, and thus gave way to vert skating), but also facilitated the sport (though not into the extreme commercialism it is today) as more than just the fleeting fad it had been earlier as these surfing kids who's waves ran out in the early morning needed ways to spend their time and eventually got into skateboarding. The days of Russ Howell and Alan Gelfand were long over as the Dogtown, at least through the publicity of their skate team, paved the way for the new generation of skaters. Because Dogtown got all the attention, they were able to push skating to the next step.
It's a great documentary in the way that it is put together, though Stacey Peralta always knew how to do this even when producing the Bones Brigade mini movies/skate demos like "Ban This" and "Search for Animal Chin." Narrated by Sean Penn, the film is accompanied by a fantastic soundtrack, contains lots of terrific archive footage, and lots of interview to give you a genuine feel of who the Z-Boys were and how they made their mark on skateboarding.
Directed by Stacey Peralta, a former Z-Boys himself as well as pro skater and mastermind behind the 80s Bones Brigade, and co-written with skateboarding photojournalist Craig Stecyk, this documentary traces how a group of surfing kids from Southern California's mean streets (known as Dogtown) who formed the Z-Boys skateboard team (actually there was one girl--Peggy Oki) revolutionized skateboarding. The film contains interviews from nearly all of the Z-Boys (Chris Cahill's whereabouts are unknown) with the most noteable being bad ass Tony Alva and the youngest, Jay Adams, who's talents (along with Perlata) seemed to transcend the rest of the teams. There are interviews of the team's (and the Dogtown shop) founders, surfboard designer Jeff Ho, Skip Engbloom, and Craig Stecyk. There are also interviews of folks like Tony Hawk (obviously), Ian McKaye (Fugazi), and Henry Rollins, who were young kids in the 70s when Dogtown was making it's influence on skateboarding (skateboarding was a whole other context in previous years as the documentary explains).
It really shows you not only who the Dogtown team was and how they formed, but why their style changed not only skateboarding tricks (pool skating became immensley popular, and thus gave way to vert skating), but also facilitated the sport (though not into the extreme commercialism it is today) as more than just the fleeting fad it had been earlier as these surfing kids who's waves ran out in the early morning needed ways to spend their time and eventually got into skateboarding. The days of Russ Howell and Alan Gelfand were long over as the Dogtown, at least through the publicity of their skate team, paved the way for the new generation of skaters. Because Dogtown got all the attention, they were able to push skating to the next step.
It's a great documentary in the way that it is put together, though Stacey Peralta always knew how to do this even when producing the Bones Brigade mini movies/skate demos like "Ban This" and "Search for Animal Chin." Narrated by Sean Penn, the film is accompanied by a fantastic soundtrack, contains lots of terrific archive footage, and lots of interview to give you a genuine feel of who the Z-Boys were and how they made their mark on skateboarding.
I never surfed or skateboarded but I still found this documentary fascinating. I accidentally stumbled on it while channel surfing (not sidewalk surfing) and watched it a second time later in the day. The Z-Boys made me think of the early days of rock and roll when young kids with no formal musical training basically "invented" rock and roll as they went along.. It seems the Z-Boys did the same with skateboarding.
A close-up look at the birth of skate board culture in Southern California, Dogtown and Z-Boys has attitude to burn, just like the sport it documents. Directed by Stacy Peralta, one of the legends of the sport, it captures the punk rock spirit of skate boarding, and perfectly places it into context within the boundaries of time (the 1970s) and location (a neighbourhood between Santa Monica and Venice, California). Even if you are not a fan you'll be fascinated by the story, which is told using a combination of narration, stills, great vintage 1970s skate boarding footage and new interviews with all the key players. Sean Penn provides the narration, and adds a flair all of his own. The opposite of stodgy, Penn speaks to the audience not at them, sounding like someone sitting at a bar telling the tale. At one point in mid-sentence he coughs, pauses for a moment and then continues. It's this kind of approach that gives this movie its edge.
I'm sure glad I finally took the time to rent and watch this documentary! It really brings back a lot of fond memories of skateboarding when I was a surfer kid back in the early seventies. Everything in this movie was familiar to me, the surfing, the skating, the names of the skaters, the equipment they were riding. As I watched all these kids ripping and doing the moves we strived so hard to emulate, I could feel the old stoke returning to my veins. Peralta (a great skater himself) really captures the electricity and energy of the time and the place. I'm 47 years old now, but after seeing this movie I'm so fired up I think I may have to get a board and get back out there (wearing a helmet and lots of pads, of course).
Back in the day, I was one of the RN's in the Emergency Rooms, these skaters would occasionally land in. They were not treated well, and some of it was brought on by their asocial personalities- but we all knew they were a talented bunch of "wonderkids" even then. They deserved better care than they received, I'm afraid. They had "attitude" in spades.
I'm so glad I caught this documentary on IFC tonight- it will be on again at 1 am and I'll be watching again!
Little attention was given to them until the rich dying kid was able to talk his parents into draining the pool- and the film really highlights that as the taking off point....it was an amazing time, and deserved to be recorded. Stacy Peralta is due all the praise heaped on him, and long may those Z-Boys enjoy their memories and contribution to the real sport of skateboarding. As for the few "sour grape" reviews contained herein, there always were and there always will be "wannabees" and hangers-on who never do more than dream...the Z-boys lived it, breathed it, were it.
Nice to see the vintage films and even the lone girl, "Peggy" who was so talked about as being the only female to win their respect.
Thanks to IFC I get to really take the occasional drug-free head trip of my youth and relive the heart pounding excitement again.
I'm so glad I caught this documentary on IFC tonight- it will be on again at 1 am and I'll be watching again!
Little attention was given to them until the rich dying kid was able to talk his parents into draining the pool- and the film really highlights that as the taking off point....it was an amazing time, and deserved to be recorded. Stacy Peralta is due all the praise heaped on him, and long may those Z-Boys enjoy their memories and contribution to the real sport of skateboarding. As for the few "sour grape" reviews contained herein, there always were and there always will be "wannabees" and hangers-on who never do more than dream...the Z-boys lived it, breathed it, were it.
Nice to see the vintage films and even the lone girl, "Peggy" who was so talked about as being the only female to win their respect.
Thanks to IFC I get to really take the occasional drug-free head trip of my youth and relive the heart pounding excitement again.
Did you know
- GoofsA brief shot of a news article/photo of the Z-Boys is flopped (so that the text is backwards).
- Quotes
Skip Engblom: Children took the ruins of the 20th century and made art out of it.
- Crazy creditsEmpty backyard pools & pool skateboarding for sound recordings by Toby Burger.
- ConnectionsFeatured in The 2002 IFP/West Independent Spirit Awards (2002)
- SoundtracksSeasons of Wither
Performed by Aerosmith
Written by Steven Tyler
Courtesy of Columbia Records
By Arrangement with Sony Music Licensing
- How long is Dogtown and Z-Boys?Powered by Alexa
Details
- Release date
- Country of origin
- Official site
- Language
- Also known as
- Парни на скейтах
- Filming locations
- Venice, Los Angeles, California, USA(Location)
- Production companies
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $1,300,682
- Opening weekend US & Canada
- $103,355
- Apr 28, 2002
- Gross worldwide
- $1,523,214
- Runtime
- 1h 31m(91 min)
- Color
- Sound mix
- Aspect ratio
- 1.37 : 1
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