Winter, 1944. Lucía at 21 returns to her small village in the mountains. She again meets Manuel, a young iron-smith who helps "those in the mountain", the "maquis", the anti-Franco resistanc... Read allWinter, 1944. Lucía at 21 returns to her small village in the mountains. She again meets Manuel, a young iron-smith who helps "those in the mountain", the "maquis", the anti-Franco resistance. Lucía is attracted to Manual, because of his smile and the bravery of those men who con... Read allWinter, 1944. Lucía at 21 returns to her small village in the mountains. She again meets Manuel, a young iron-smith who helps "those in the mountain", the "maquis", the anti-Franco resistance. Lucía is attracted to Manual, because of his smile and the bravery of those men who continue fighting for their ideas, even at the cost of their own lives. When Manuel is pursue... Read all
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The beautiful setting of the film, in the north of Spain, stood in sharp contrast to the depressing circumstances of the villagers as they attempted to carry on the struggle against the Falange as represented in the film by the Guardia Civil. The drama of this well-acted film was steady and wrenching.
Always interested in the Spanish Civil War, this film made me more aware of the heavy price the Spaniards paid as a consequence of the fascists' victory.
By 1944, with German forces in retreat, the guerrillas refocused their attention on the liberation of Spain. That year, there was an invasion by a maquis force through Val d'Aran and other passes in the Pyrenees with the hope of being supported by the invading Allied Armies in France. However, the Germans were still a formidable menace, the Allied command was wary of opening a new front, and help didn't materialize.
Guerrilla activities intensified right after the end of WWI in 1945. Due to its support for the Nazis during the war Spain was internationally isolated, its economy collapsed, and an uprising seemed imminent. However, the Franco government joined the nascent crusade against Communism and opened Spain to American bases. The enemy now was Communism, and Nazi crimes were discreetly swept under the rug. The Spanish government carried out a savage campaign against the guerrillas where civilians suspected of collaboration were tortured and murdered without trial. Savagery worked, and the guerrillas gradually faded away. All the while the regime suppressed every bit of information about this war, which may be the reason for the title Silencio Roto (Broken Silence).
The movie begins in 1944, with Lucía (Lucía Jiménez) returning to her birthplace, a village in Navarra and getting involved with Manuel (Juan Diego Botto), a blacksmith that acts as contact for the guerrillas and joins them shortly after. However the romance, realistically presented, is not the main subject. Navarrese director Montxo Armendáriz weaves an atmospheric tale of day-to-day life in the village, where guerrilla successes translate in savage reprisals, not reporting suspicious activities may be fatal and where neighbors denounce each other for survival or to avenge old grievances. Cinematography captures skillfully the melancholic landscapes and shady interiors and acting is excellent not only from the principals but from all the supporting cast, with special mention for Maria Sampietro. The movie can be found in the streaming services with the title Time of Honor.
Most of us in the audience obviously knew about some of the history that is shown in the film, but not enough as the first person, Ossanser, from Valencia, Spain who wrote the first commentary on the opening page . That is why at times we are lost in trying to think how was it possible to see the rebels fighting when both the Civil War and World War II were over.
The film was interesting to watch, but there are a lot of loose ends that are not resolved, as far as we are concerned.
Loved the women in this film the best. Lucia Jimenez, Mercedes Sanpietro and Maria Botto were very restrained. It's about the best quality I find with Mr. Armendariz's films, in contrast with some other Spanish directors, he's the captain of the ship and nothing seems to be out of place, contrary to other 'geniuses' from Spain who sometimes let the cast get away with murder.
One can only wish the best to this director in future films.
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- Silencio roto
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- 1h 50m(110 min)
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- 1.85 : 1