Puckoon

Directed and narrated by Richard Attenborough, Puckoon is an adaption of Spike Milligan's humorous book about an Irish village where the border between the six Ulster counties and what was then called the Irish Free State. I doubt that anyone on this side of the pond would know anyone in the cast other than Elliott Gould who plays the village Jewish doctor like he might have been understudying Paul Muni from The Last Angry Man. Gould's kind of artificially grafted into the proceedings and he really doesn't serve any purpose.

The main character is played by Sean Hughes and he's the village lout who avoids work like it was a bill collector. Somehow some way Hughes gums up everything he gets involved in, including the boundary commission where the line in Puckoon takes all kinds of crazy twists and turns.

You probably have to be a bit up on Irish history to appreciate most of this picture. Still there is enough physical comedy in it and that language is universal.

Puckoon is amusing enough and recommended, but for a select audience.

Saw the film at the closing gala of the Ealing Film Festival in West London(England). Enjoyed it immensely. Although the Crow & the Chinese Policeman don't appear, and Dan Milligan becomes Dan Madigan (played by Sean Hughes (I)). The interaction between Dan and the Author (Writer/Director) voiced/played by Lord Richard Attenborough, works very well.

The rumour is that Lord Attenborough and Elliott Gould (as Dr. Goldstein) appeared in the film for just a pint of beer.

Spike was shown the film, on video before he died and by all accounts enjoyed it immensely.

Spike Milligan was one of the funniest men I've ever seen, and a huge influence on my life.

This movie is limp and awful, and does his memory no credit. The script is cluttered and preserves too many lines from the book intact (the leg jokes here are incomprehensible). The actors' performances are uniformly ineffective, a great cast wasted, and the lead, Sean Hughes, delivers Milligan's belligerent hostilities in a plaintive whine, which misses the point completely.

The gentle pacing is a killer as well. Farce should accelerate towards the end. The Goon Shows often did, the novel "Puckoon" definitely did, but this film, if anything, slows down just when you want the various elements to smash together in a final climax.

Milligan narrated an abridged audio recording of "Puckoon" in 1980, with T.P. McKenna, Dermot Kelly, Norma Ronald and Jack Hobbs. Now, that's funny. Ten minutes of that is funnier than this whole film. I believe the LP was transferred to CD, but don't know if it's still in print.

There is a movie of "Adolf Hitler: My Part in his Downfall" with Jim Dale and Arthur Lowe. It too is a godawful mess, but it's funnier than this thing.

It's possible that Milligan's spirit is too rambunctious for the screen. The other reviewers here are indulging in politeness and wishful thinking. This film fumbles virtually every opportunity and never misses a chance to disappoint.

I saw this at a Boston Irish Film Festival screening a few years ago and thought it was just simply amazing!! Does ANYONE know where to get it in the U.S.? It rivals such other Irish flicks as Waking Ned Devine and the Rat in it's hilarity, but alas it is unavailable here as far as I know. All about a little town in the hills that gets divided up during the separation of the counties of Ulster from the rest of the country. The most memorable scene to me was when people were trying to cross the border to get to their everyday lives. Women unable to feed their chickens/harvest the eggs, men being able to go into the bar but not actually sit at it. The church even gets separated from sections of the graveyard, which in turn creates some more very funny situations where some of the villagers and the priest (Daragh O'Malley) try and sneak into Ulster to bury a body of one of their late friends. Absolutely BRILLIANT!!!

At last Puckoon has been made into a wonderful, mesmerizing film. This is a film that every Milligan fan will want to see many times, if just to catch everything that happens in each scene. The script has cleverly constructed in layers, the surface being the fast paced comedy and the deeper layers showing what happens to ordinary people, like the villagers of Puckoon, when their country is suddenly and arbitrarily divided