The crew of a U.S. Navy submarine in World War II rescues survivors from a sunken ship, only to face a series of mysterious deaths and supernatural occurrences.The crew of a U.S. Navy submarine in World War II rescues survivors from a sunken ship, only to face a series of mysterious deaths and supernatural occurrences.The crew of a U.S. Navy submarine in World War II rescues survivors from a sunken ship, only to face a series of mysterious deaths and supernatural occurrences.
- Director
- Writers
- Stars
- Awards
- 2 nominations total
Matthew Davis
- Odell
- (as Matt Davis)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
This was only playing at one cinema in my area (off my usual track) and when I saw it listed in the paper I thought "Wait, how did I miss that?" But it was rated R (always a plus for me; for one thing, an R rating means the F-word gets used at least twice, so it'll have at least that much realism) and I had read somewhere (probably on IMDB) that it was about submarines, so I thought I'd take a crack at it. My venture was well rewarded.
Set during World War II, an American submarine rescues 3 people on a liferaft, one of whom turns out to be a woman, news of which galvanizes the sub's crew, who seem to know every female slang term ("Brillo pad" was new to me). The movie pays tribute to the German "Das Boot," the best submarine flick ever, as the camera goes darting from one passageway to another as the crewmen are introduced. Then some odd things start occurring.
Helping to win me over was the sheer copiousness of period detail with all the 1940s technology used by the crew to run their boat plus their cigarettes, girlie pin-ups, phonograph records, a Yo-Yo, etc. The actors all rang true except for the young idealistic guy. Lots of great claustrophobic atmosphere; limited but effective use of a certain kind of special effect. One needs to pay attention, such as the mirror scene, where you might think "Is that image duplicating what the guy is doing, or not?" Slow but steady heightening of tension and development of otherwordly aspects. Delightful underwater renditions with plankton & manta rays cavorting. Some drawbacks: too much use of flashbacks, some of which may be "false" (Hitchcock used a false flashback once & always regretted it); too much action occurring off-screen, to where it calls attention to itself. There's a central flashback issue that seems to call for an awful lot of expository dialogue, some of which occurs when one would suppose the characters would be engaged with more pressing matters, such as running out of air.
Given how many other recent movies have cost a lot more money, been given much more ballyhoo but have had much weaker plot, characterization and atmosphere, it seems a shame "Below" must rely entirely on word of mouth, or keyboard. I won't claim I was on the "edge of my seat" throughout but I definitely "bought into" the situation. There's a really lovely closing shot, like a shorter & underwater "Koyaanisqatsi," that no one should find overly corny or contrived.
Bottom line: if you can't find this one in a cinema or reach it before it goes away, keep an eye out for video. The studio made a mistake just blowing the movie off, it deserves better.
In one scene we see a seaman with pet fish in a tank, a nice ironic touch.
Set during World War II, an American submarine rescues 3 people on a liferaft, one of whom turns out to be a woman, news of which galvanizes the sub's crew, who seem to know every female slang term ("Brillo pad" was new to me). The movie pays tribute to the German "Das Boot," the best submarine flick ever, as the camera goes darting from one passageway to another as the crewmen are introduced. Then some odd things start occurring.
Helping to win me over was the sheer copiousness of period detail with all the 1940s technology used by the crew to run their boat plus their cigarettes, girlie pin-ups, phonograph records, a Yo-Yo, etc. The actors all rang true except for the young idealistic guy. Lots of great claustrophobic atmosphere; limited but effective use of a certain kind of special effect. One needs to pay attention, such as the mirror scene, where you might think "Is that image duplicating what the guy is doing, or not?" Slow but steady heightening of tension and development of otherwordly aspects. Delightful underwater renditions with plankton & manta rays cavorting. Some drawbacks: too much use of flashbacks, some of which may be "false" (Hitchcock used a false flashback once & always regretted it); too much action occurring off-screen, to where it calls attention to itself. There's a central flashback issue that seems to call for an awful lot of expository dialogue, some of which occurs when one would suppose the characters would be engaged with more pressing matters, such as running out of air.
Given how many other recent movies have cost a lot more money, been given much more ballyhoo but have had much weaker plot, characterization and atmosphere, it seems a shame "Below" must rely entirely on word of mouth, or keyboard. I won't claim I was on the "edge of my seat" throughout but I definitely "bought into" the situation. There's a really lovely closing shot, like a shorter & underwater "Koyaanisqatsi," that no one should find overly corny or contrived.
Bottom line: if you can't find this one in a cinema or reach it before it goes away, keep an eye out for video. The studio made a mistake just blowing the movie off, it deserves better.
In one scene we see a seaman with pet fish in a tank, a nice ironic touch.
I enjoyed 'Below' a LOT more than I anticipated. It's a very similar movie in theme to the disappointing 'The Bunker', apart from the obvious difference of being set on a submarine of course. But unlike 'The Bunker' this movie has interesting characters that a)you can tell apart, and b) actually care about their fate. The script, direction and acting are all superior, and it's very effective in conveying the tense atmosphere of a sub in WW2, despite not being made on a mega-budget. I like David Twohy's debut 'Pitch Black', and I like 'Below' even more. It's not only a very well made suspense movie, but also a good war one. I hope Twohy fulfills his promise in projects to come.
Sci-Fi escape drama that will have you on the edge of your seat and cracking your knuckles. When a WWII submarine picks up three survivors of an incident in the middle of the Atlantic Ocean in 1943, the crew suddenly experiences mysterious doings in the confined space. It appears this boat is doomed from the start. Typical problems for a submarine movie. Pretty good acting from a diverse cast that includes: Bruce Greenwood, Matt Davis, Olivia Williams, Scott Foley and Holt McCallany. Decent enough F/X and sometimes scary story line holds your interest.
So, should you give up a couple of hours and watch this film. If you're one of those people that are happy to chat with everyone around you while watching films or laugh at parts that are meant to be touching or scary, then no. (Okay, don't get me started on that.) If not, you'll enjoy this film, you'll enjoy the acting and you'll enjoy the atmosphere and the tension. I think the 6.? score is to be honest down to people who'd rather watch a documentary on WW II. Yes the submarine seems a bit roomy at times but that doesn't spoil the drama for me. As for the plot, without giving anything away, the sin at the heart of the story grows larger and darker. I won't say any more, just that you'll see some good actors here that have popped up and become more famous 10 years after this film.
Director David Twohy's BELOW is a gem of paranoia, claustrophobia, conspiracy, and deep sea creepiness.
The USS Tiger Shark submarine rescues 3 members of a doomed British ship, only to be hunted by Germans from above and haunted by ghostly visions, strange sounds, and otherworldly occurrences below. Unexplained malfunctions and tragedies keep happening in seemingly supernatural ways.
Has a dead crewmember returned, or is the lowering oxygen level causing everyone to go insane?
As the story unfolds, we find that not everyone is what they appear to be. As in all of the best of these underwater thrillers, the action takes place in corridors and quarters so tight that movement is severely restricted. This adds to the tense feeling of suffocation, and makes us feel trapped along with the crew.
The Director and cast are flawless in creating a thick atmosphere of terror and madness. Bruce Greenwood and Olivia Williams are especially good in their roles.
Highly recommended...
The USS Tiger Shark submarine rescues 3 members of a doomed British ship, only to be hunted by Germans from above and haunted by ghostly visions, strange sounds, and otherworldly occurrences below. Unexplained malfunctions and tragedies keep happening in seemingly supernatural ways.
Has a dead crewmember returned, or is the lowering oxygen level causing everyone to go insane?
As the story unfolds, we find that not everyone is what they appear to be. As in all of the best of these underwater thrillers, the action takes place in corridors and quarters so tight that movement is severely restricted. This adds to the tense feeling of suffocation, and makes us feel trapped along with the crew.
The Director and cast are flawless in creating a thick atmosphere of terror and madness. Bruce Greenwood and Olivia Williams are especially good in their roles.
Highly recommended...
Did you know
- TriviaSome filming for this movie took place on an actual WWII submarine. The USS Silversides (which is available for tours) located in Muskegon, Michigan, was towed out into the middle of Lake Michigan where scenes with Bruce Greenwood were filmed. The Silversides had some minor re-painting done (rust coloration) but is now back to her original gray color. The rest of the sets and models used in this movie were all based on the look and layout of the Silversides.
- Goofs(at around 1h 22 mins) When the crew comes out of the sub from the forward torpedo room, they walk up stairs. In submarines during the war, there were no stairs out of a ship; sailors climbed up ladders through hatches. They walked through the forward torpedo loading hatch that was opened, and stairs were added to the sub after turning it into a museum ship to make it convenient for tourists to enter and exit the sub.
- Quotes
Lt. Loomis: Sorry about what?
Brice: Uh... she was... asking about Winters.
Lt. Loomis: What'd you tell her?
Brice: The story.
- Crazy creditsThe only thing in the opening credits is the movie's title. Everything else is only shown after the movie is over.
- ConnectionsFeatured in An Unfinished Life (2005)
- SoundtracksSing, Sing, Sing (With A Swing)
Written by Louis Prima
Performed by Benny Goodman
Published by EMI Robbins Catalog Inc. (ASCAP)
Courtesy of the RCA Records Label, a unit of BMG Music
Under license from BMG Special Products
Details
Box office
- Budget
- $40,000,000 (estimated)
- Gross US & Canada
- $605,562
- Opening weekend US & Canada
- $201,431
- Oct 13, 2002
- Gross worldwide
- $2,622,015
- Runtime
- 1h 45m(105 min)
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
Contribute to this page
Suggest an edit or add missing content