Below

The relatively low 6-ish average rating might lead you believe this is a poor movie that's not worth your time, and that would be both doing the movie a disservice, and potentially cause you to miss out on something you would enjoy.

There is something of a limit to possible plots with submarine movies to be honest. The elements of anxiety and tension and some of the more obvious risks of being in a submarine at combat are well defined to anyone who has worked as, or with, a submariner or is well versed on those aspects of naval warfare pertaining to submarines. There ARE going to be some aspects of things you've seen in other submarine movies , it's unavoidable.

Nevertheless I feel that this movie, with it's undercurrent of something weird and disturbing going on introduces something to a submarine movie I've not seen before.

If you like movies that put you in tense, creepy situations with no obvious way to escape then this might be your movie.

Overall the acting and script were fine. I watched this again for the second time so I perhaps was left feeling that the tension would have benefitted from being ramped up even more, but I do remember being suitably chilled the first time I watched it.

This is a tense chiller, not really a horror, imo so it's important to set ones' expectations accordingly.

Definitely worth a watch if you like this style of movie. I would rate 7.5/10.

So, should you give up a couple of hours and watch this film. If you're one of those people that are happy to chat with everyone around you while watching films or laugh at parts that are meant to be touching or scary, then no. (Okay, don't get me started on that.) If not, you'll enjoy this film, you'll enjoy the acting and you'll enjoy the atmosphere and the tension. I think the 6.? score is to be honest down to people who'd rather watch a documentary on WW II. Yes the submarine seems a bit roomy at times but that doesn't spoil the drama for me. As for the plot, without giving anything away, the sin at the heart of the story grows larger and darker. I won't say any more, just that you'll see some good actors here that have popped up and become more famous 10 years after this film.

This was only playing at one cinema in my area (off my usual track) and when I saw it listed in the paper I thought "Wait, how did I miss that?" But it was rated R (always a plus for me; for one thing, an R rating means the F-word gets used at least twice, so it'll have at least that much realism) and I had read somewhere (probably on IMDB) that it was about submarines, so I thought I'd take a crack at it. My venture was well rewarded.

Set during World War II, an American submarine rescues 3 people on a liferaft, one of whom turns out to be a woman, news of which galvanizes the sub's crew, who seem to know every female slang term ("Brillo pad" was new to me). The movie pays tribute to the German "Das Boot," the best submarine flick ever, as the camera goes darting from one passageway to another as the crewmen are introduced. Then some odd things start occurring.

Helping to win me over was the sheer copiousness of period detail with all the 1940s technology used by the crew to run their boat plus their cigarettes, girlie pin-ups, phonograph records, a Yo-Yo, etc. The actors all rang true except for the young idealistic guy. Lots of great claustrophobic atmosphere; limited but effective use of a certain kind of special effect. One needs to pay attention, such as the mirror scene, where you might think "Is that image duplicating what the guy is doing, or not?" Slow but steady heightening of tension and development of otherwordly aspects. Delightful underwater renditions with plankton & manta rays cavorting. Some drawbacks: too much use of flashbacks, some of which may be "false" (Hitchcock used a false flashback once & always regretted it); too much action occurring off-screen, to where it calls attention to itself. There's a central flashback issue that seems to call for an awful lot of expository dialogue, some of which occurs when one would suppose the characters would be engaged with more pressing matters, such as running out of air.

Given how many other recent movies have cost a lot more money, been given much more ballyhoo but have had much weaker plot, characterization and atmosphere, it seems a shame "Below" must rely entirely on word of mouth, or keyboard. I won't claim I was on the "edge of my seat" throughout but I definitely "bought into" the situation. There's a really lovely closing shot, like a shorter & underwater "Koyaanisqatsi," that no one should find overly corny or contrived.

Bottom line: if you can't find this one in a cinema or reach it before it goes away, keep an eye out for video. The studio made a mistake just blowing the movie off, it deserves better.

In one scene we see a seaman with pet fish in a tank, a nice ironic touch.

If you have seen your share of genre-movies, there will in this movie rarely be an idea that you have not seen, a cut that has not been there already or a character that is completely new - but it´s the mix that counts and this mix came out very right.

If you are on the edge of your seat, you know what is going to happen but nothing has been shown in the first half of the movie and the suspense just keeps on building, I for one know that I am going to enjoy it to the last second.

Oh, and another thing - although there is only 1 woman in the movie, she is neither token, nor does she fall in love or is killed in the classic shower scene, but she actually is given a role to play - bravo. The only little thorn I can think of is, that I could have done without the very few gory (or at least bloodyish) scenes - was not really necessary. A silouette and some shocked expressions do suffice. Go and watch - not a cheap thrill, a good one.

Director David Twohy's BELOW is a gem of paranoia, claustrophobia, conspiracy, and deep sea creepiness.

The USS Tiger Shark submarine rescues 3 members of a doomed British ship, only to be hunted by Germans from above and haunted by ghostly visions, strange sounds, and otherworldly occurrences below. Unexplained malfunctions and tragedies keep happening in seemingly supernatural ways.

Has a dead crewmember returned, or is the lowering oxygen level causing everyone to go insane?

As the story unfolds, we find that not everyone is what they appear to be. As in all of the best of these underwater thrillers, the action takes place in corridors and quarters so tight that movement is severely restricted. This adds to the tense feeling of suffocation, and makes us feel trapped along with the crew.

The Director and cast are flawless in creating a thick atmosphere of terror and madness. Bruce Greenwood and Olivia Williams are especially good in their roles.

Highly recommended...