Stranded

If you dislike slow pace, and needs lots of explosions or adventure in your science-fiction films, avoid Stranded. You won't enjoy it.

But if you like slow, realistic, thought provoking sci-fi (films like 2001 or Solaris) with a twist of psychological drama, then give Stranded a go.

On a tiny budget, I believe the makers of Stranded have achieved a deeper, more interesting Mars film than any other to date.

Six Astronauts aboard the first mission to Mars, crash their ship when landing, and the only hope of rescue is a potential 3 year wait for another ship from Earth. With not enough air, water or energy to last for 3 years, the film asks - what would you do? The settings are believable, the acting a little varied (some accents might even be dubbed), and the special effects merely OK. It looks like a mere BBC TV special. But try not to be distracted by these quibbles.

Apart from an initial space travel shot or two, special effects aren't needed. The film's real strength is the tension between the characters as they sit huddled in the wreckage of their ship, and the harsh reality of their situation.

Even a science fiction twist at the end remains believable, thanks to it's understated nature.

I went into this film expecting a terrible b-grade sci-fi film. Instead, I found myself on the edge of my seat from beginning to end, and was frankly blown away by it's mature effort (on such a tiny budget) to portray a sci-fi scenario on Mars.

Highly recommended for lovers of sincere and realistic sci-fi drama.

These days sci-fi tends to be all about action, gleaming spaceships, and aliens with wrinkly tentacles. No fantasy, no mystery, no bizarre unknown. Action flicks or relationship dramas set in space. That's not my idea of sci-fi.

This film takes its time. We spend a good chunk of the film watching the crew crash-landed on Mars without enough supplies, trying to figure out what to do. It takes a long time before we get to the mystery, and for once, we don't get to see the dwarf behind the curtain. If this were a Hollywood film, all of Stranded would be cut down to about 15 minutes, and the rest of the film would be an action film where the surviving crew are being chased by some lame baddie, maybe a crew member gone mad, or some rusty martian janitorial robot with a few screws loose.

I like the film. Make no mistake, it has a lot of BAD things about it. A few awful casting choices, amateurish directing, and absolutely awful voice-over narration. The first five minutes are so awful you wouldn't believe it. But once the film gets underway, there's enough good to it to let you ignore the bad.

If you like Hollywood sci-fi, don't watch this film because you'll absolutely hate it. But if you like films such as 2001, Solaris, and THX-1138, then you might want to give this film a chance. By no means is it up to the standards of such masterpieces, but it's far more memorable and interesting than any other Mars-flick made in recent years.

Once you get past the first 20 minutes, which contains the worst of the acting and the expository dialogue that invariably that starts with "As you know, Mars/the spaceship/our oxygen supply...," this is an enjoyable and intelligent movie. Actually, with the proviso that this is indeed science fiction with regard to the more fantastic elements, they made a better fist of the science and technology than any of the Hollywood blockbusters about Mars. The production values are surprisingly high, although real space nerds will notice that the interior of the mars landing spaceship bears more than a passing resemblance to a shuttle mock up and Blake's 7 fans will notice the wandering-down-the-same-corridor-with-different-lighting trick.

Photos of Mars show canals, rock formations resembling a human face, immense valleys, and weird designs. So, Earthlings (who are all from Spain, which is coincidentally where the film was made) send a group of explorers to see just what it all means, if anything. From the title, it's pretty obvious what happens to these pioneers, when they arrive at the Red Planet.

More of the film seems to occupy itself with character study than a study of Mars. There's a lot of arguing between the marooned crew members, until your ears start to bleed. Luka says three must die, which makes everybody mad, for some reason. As annoying as he is on that issue, his request of a fellow astronaut will prove this clown a total schmuck. One of the funniest lines is Dr. Jenny's rebuke to this gloomy Eeyore goof ball. Just as you've had enough of the mono tonal banter of that "genius" Luka to choke on, the film finally concerns itself with exploring Mars.

The imagery inside the spacecraft isn't bad, and the acting is decent enough. The exteriors seem based on the then recent photography from the Martian surface, and are pretty impressive: an endless desert imbued with a red hue. As the explorers embark on what will probably be a suicide walk, things start to perk up and get interesting. After diverting from a space exploration story to a survival story, the film makes a welcome return to the spirit of wonder that the mysterious Martian world offers. What the astronauts encounter poses more questions than it answers. This is the essential sci-fi approach, and it works fairly well in this film.

This movie may have gotten overlooked in the shuffle of movies about Mars that came out around the same time. It may not have had a budget equal to some of the others, but it stands on its own pretty well. Not a bad way to spend a rainy afternoon.

Yep," Stranded" (2001) is a standard formula crash on mars. They do not attempt to slowly reveal the plot. It is an in-your-face yep someone's gotta go who gets to pick and where do they go story. But you knew this before you bought this movie.

Even though this film is foreign and some of the acting and reading is stilted we're still fascinated with the interaction of the characters and how they are going to get from point A to point Z. The film does not have to be original or professional; all it has to do is hold our attention and show us their version of the well-known story.

The two points that stand out to me are first how Luca Baglioni (Vincent Gallo) wants to spend his dying moments with Jenny Johnson (Maria de Medeiros.) We could've "made book" on that answer. The second which might've been a little drawn out but I enjoyed it anyway was the reference to Barsoom and Barsoom's characters; I half expect John Carter to pop out from behind the rocks.