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Dog Days

Original title: Hundstage
  • 2001
  • R
  • 2h 1m
IMDb RATING
7.0/10
6.7K
YOUR RATING
Franziska Weisz in Dog Days (2001)
Drama

In the tomb-like quiet of their ranch-style purgatory, a divorced husband and wife fight a wordless war while mourning an unspeakable mutual loss. A sadistic lover's ritual humiliation spawn... Read allIn the tomb-like quiet of their ranch-style purgatory, a divorced husband and wife fight a wordless war while mourning an unspeakable mutual loss. A sadistic lover's ritual humiliation spawns both tenderness and revenge.In the tomb-like quiet of their ranch-style purgatory, a divorced husband and wife fight a wordless war while mourning an unspeakable mutual loss. A sadistic lover's ritual humiliation spawns both tenderness and revenge.

  • Director
    • Ulrich Seidl
  • Writers
    • Ulrich Seidl
    • Veronika Franz
  • Stars
    • Maria Hofstätter
    • Christine Jirku
    • Viktor Hennemann
  • See production info at IMDbPro
  • IMDb RATING
    7.0/10
    6.7K
    YOUR RATING
    • Director
      • Ulrich Seidl
    • Writers
      • Ulrich Seidl
      • Veronika Franz
    • Stars
      • Maria Hofstätter
      • Christine Jirku
      • Viktor Hennemann
    • 44User reviews
    • 40Critic reviews
    • 66Metascore
  • See production info at IMDbPro
  • See production info at IMDbPro
    • Awards
      • 7 wins & 3 nominations total

    Photos7

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    Top cast29

    Edit
    Maria Hofstätter
    Maria Hofstätter
    • Die Autostopperin
    Christine Jirku
    • Die Lehrerin
    Viktor Hennemann
    • Der Liebhaber
    Georg Friedrich
    Georg Friedrich
    • Der Freund des Liebhabers
    Alfred Mrva
    • Der Mann für die Sicherheit
    Erich Finsches
    • Der alte Mann
    Gerti Lehner
    • Die Haushälterin
    Franziska Weisz
    Franziska Weisz
    • Das junge Mädchen
    • (as Franziska Weiß)
    Rene Wanko
    • Der Freund
    Claudia Martini
    • Die Ex-Ehefrau
    Victor Rathbone
    • Der Ex-Ehemann
    Christian Bakonyi
    • Der Masseur
    Ingeborg Wehofer
    • Autogeschädigte
    Leopold Schlol
    • Autogeschädigte
    Silvia Piglmann
    • Autogeschädigte
    Karl Christoph
    • Autogeschädigte
    Henriette Maslo
    • Autofahrer
    Christina Horvath
    • Autofahrer
    • Director
      • Ulrich Seidl
    • Writers
      • Ulrich Seidl
      • Veronika Franz
    • All cast & crew
    • Production, box office & more at IMDbPro

    User reviews44

    7.06.7K
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    Featured reviews

    KGB-Greece-Patras

    It will reward people that are up to something strange & unique. Not for everybody

    This austrian film is rather slow-paced and deals with everyday life's madness. A collection of 6 parallel "stories" - more like incidents from the most miserable people'e everyday life. It deeply reminded me of Michael Haneke's "71 Fragments of a Chronology of Chance" (1994), only this one is much more solid, more interesting and much more depressing.

    Clearly, I film for the few people that can appreciate non-Hollywood event depiction and shooting and slow-pace at times. Certainly, not a pleasant experience this is a true original as films must be.
    8shaid

    Not for anyone

    This film show peoples in the middle of the hottest 2 days in Austria. It shows people humiliating other peoples and being cruel to other peoples. It show the inability of people to communicate or talk with others.

    In the screening I have attended people were leaving in the middle because they could no longer watch the film. And rightly so. Because the film is not and easy one to watch. It has a very depressing message and there isn't any moment of mercy in the film. It is a very cruel movie, not for everyone's taste. You can not speak of terms of enjoyment from this film. It grips you in your throat and never let go and in the end you simply feels breathless because of its intensity.

    I can not "recommend" or "not recommend" this film. You should make your own mind based on what I have said earlier. Just be aware that this is not a regular film and it is not for everyone's taste.
    ellkew

    A bleak and at time funny reality

    An outstanding film by all accounts. Bleak, yes. Funny, yes. Shocking, yes. To all those reviewers harping on about lack of plot, then surely this is to miss the point. Seidl draws on his documentary background and indeed blends the this with the fictional elements. Do we really need the narrative signposts that we are force-fed in films. Life is not that black and white. I cannot understand the constant desire for fast paced cutting. Go and watch a commercial if you need to but leave the rest of us with well made, insightful films that speak about the bigger issues in life. This is a marvellous film that is disturbing and shocking but not in a gratuitous manner. I think it is in the tiny minutiae of life that these moments are revealed. I found the moment when the couple visit the grave and when the old woman does the striptease to be very moving. You need to look underneath the surface of the characters to see what makes them tick and Seidl has done this. As a result we have complex characters that seem too real for some viewers perhaps to stomach. I should stop defending the film. Just go and see it. Brilliant film-making.
    10ifaz

    The truth is always reasonable, or is it?

    Trailers of this movie may show scenes of violence or non mainstream sexuality, but these scenes are just rare fragments, picked out to attract audience. They are, of course showing the main message of the movie:

    People who are constantly kicked on their heads in their jobs and lives, using power, which they may have somewhere else, to notoriously oppress others. And at the low end of the oppression chain, mostly women.

    A movie showing this as brutally as Hundstage is surely tough to face, but having to endure such lives, is even tougher.

    Technically the film is much like Short Cuts, but consisting of documentary style episodes, featuring people like your neighbour, playing just the way they are. Without any glitter, and most disturbingly, without any hope. Its documentary style makes the movie even more disturbing, because you realize, such people are out there, and there are many of them, although our society focuses on the nice exterior looks. Somewhere the porn industry has to do its business, somewhere unreported domestic violence has to take place, somewhere hopes have to shatter. I sure do know such people.

    If you want to see a movie without any funny scenes (some may think the handicapped woman repeating the top ten supermarkets is funny, but this happens for real) and without any melodramatic, go watch this movie. However it will lose when you are focusing on subtitles I fear, as subtitles can´t transport accentuation.
    7MichaelMargetis

    Hard to Stomach but Well-Made and Poignant

    It's nothing brilliant, groundbreaking or innovative, but 'Dog Days' is for some reason an extremely fascinating character study. It's like CRASH tripping on a bad dose of heroin, but not really. It's an Austrian film following the lives of several depressed, deranged and annoying people and their abusive relationships with each other. It's disturbing, yet very well-acted and it's interesting to watch the crazy little things these characters do. Certainly not for the weak-hearted, this highly pessimistic film offers no conclusion or revelation at the end, we just see the lives of these sordid individuals over the course of two days. Grade: B

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    Related interests

    Mahershala Ali and Alex R. Hibbert in Moonlight (2016)
    Drama

    Storyline

    Edit

    Did you know

    Edit
    • Trivia
      Franziska Weisz's debut.
    • Goofs
      In the purple Opel Manta of the character Mario, in a close-up shot (of him having sex with "Das junge Mädchen"), it can be seen that the Opel badge has been taken out from the middle of the steering wheel. However, in other shots, the badge is in its place, not having been taken out.
    • Connections
      Follows Fun Without Limits (1998)

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    FAQ16

    • How long is Dog Days?Powered by Alexa

    Details

    Edit
    • Release date
      • January 18, 2002 (Austria)
    • Country of origin
      • Austria
    • Language
      • German
    • Also known as
      • Días de perro
    • Filming locations
      • Vienna, Austria
    • Production companies
      • Allegro Film
      • Essential Filmproduktion GmbH
    • See more company credits at IMDbPro

    Box office

    Edit
    • Gross US & Canada
      • $13,031
    • Opening weekend US & Canada
      • $6,267
      • Aug 24, 2003
    • Gross worldwide
      • $545,117
    See detailed box office info on IMDbPro

    Tech specs

    Edit
    • Runtime
      • 2h 1m(121 min)
    • Color
      • Color
    • Aspect ratio
      • 1.85 : 1

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