A portrait of one of the few remaining men only 'flophouses' on New York City's infamous skid row, the Bowery.A portrait of one of the few remaining men only 'flophouses' on New York City's infamous skid row, the Bowery.A portrait of one of the few remaining men only 'flophouses' on New York City's infamous skid row, the Bowery.
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I'm twenty years late to the game I guess. I just watched this eloquent documentary tonight and I felt extremely touched, enough to urge people to watch this. I feel more alive after viewing, it made me ask my myself some big questions and philosophize on the intricacies of life, the mind, relationships, chance, luck, will... so well pieced together and a great honest light point on some under represented human beings. Thank you for an inspirational film.
I just saw this very interesting documentary and it kicked butt! It's full of amazing tidbits and elaborate scenery. What I enjoyed most is how they REALLY REALLY REALLY did an in-depth look at the Sunshine Hotel and it's many aspects. Thumbs Way Up and I gave this a perfect 10.
Such a well made film. Nate is a tremendous human being, he seems really enlightend. Not just that but a fantastic wordsmith. I wish we could get hold of his letters, he has such a mastery of language.
Beautifully filmed. Fascinating people. How did so many articulate, interesting people end up in a flop house? Watch and find out. Oddly, it's an uplifting experience.
What an incredible film, especially for a documentary. This reflection on a seemingly hopeless flophouse and the worn-out, tired men who live in it is stunning in the stark reality it gives the viewer, and the poor residents it reveals are truly fascinating people. They are people who anyone can relate to, who had a dream that didn't quite come to fruition, who had a terrible experience with prejudice or lost love, people who seem like they've had the deck stacked against them from the start. This movie is essential for a viewer who wants to see a movie about the lost dreams of an American city and American lives. It's tracing of the infamous Bowery neighborhood from it's glory days to it's present depressed melancholy environment show a changing America, but an America that has always had nothing but contempt for the losers in life. This film shows how those "losers" deserve sympathy from those less blessed in life--everyone knows someone like them, someone who just didn't get any breaks. There are some truly haunting shots, from a post-September 11th perspective, that show the World Trade Center buildings towering over the bleak city street on which the flophouse resides, but the real lesson in this movie is how our system ruins the lives of good people, like the elderly black Army veteran recounting his terrifying experience in the Jim Crow South during the 1950s, or the charming man who recounts his hopelessness and lack of confidence with women in a frank, honest manner that would have brought a less hardened man to tears. This film is sad and beautiful and unsparing in its truth, and it is an extraordinary movie.
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Ray: Once you take the cherry out of life. Once you take your wife, or your love or however....the cherry, life ain't nothin man. It ain't nothin man. You're a zero, and everything else you're doing is just fucking around.
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