Annie

The story is presented well thanks to superb acting, especially from the convincing Alan Cumming as 'Rooster' Hannigan. (You'd never think it seeing him in the film, but he's actually got a strong Scottish accent).

The songs are well-choreographed and the orchestration is marvellous. The ultimate song is one left from the 1982 version: 'N.Y.C.' where all the atmosphere is captured in one shot.

The only real fault is that Kathy Bates isn't very gin-soaked or ahteable even as Miss Hannigan.

This film was made for TV, and yet you wouldn't think it. Granted some of the sets have a studio feel to them, in particular the mansion, you forget about this as the dancing and story sweep away your imagination.

The best advice I can give you on watching this film is to not, as I have done here, continuously compare and contrast this to the 1982 version, as this will deter you from enjoying the full effect of a movie that captures the Broadway atmosphere.

All who value a good musical with fantastic orchestration are gonna like this movie!

first i must say that i grew up with the 1982 annie. i never knew anything else. yet, i just realized that the version i always saw was edited for TV, which totally cut out easy street. i didn't know what to expect, and besides...tim curry scarred me for life as rooster when he chased annie up that bridge..to a little girl, that's scary! so, i watched the 1999 annie on abc, wondering if i was going to be scarred again. just the opposite. i 'm not a big fan of cuteness, but this movie was endearingly sweet. kathy bates was awesome with her interpretation of miss hannigan, and kristin chenoweth is just wonderful as the ditsy lily. the only thing i wasn't into was how warbucks did a complete 180 in his affections for annie. but when alan cumming came on the screen as rooster...this was the first time i'd really paid attention to a role of his (besides circle of friends). i'd watched him on talk shows all week- i just had a strange feeling. when he broke out into the first line of easy street...oh man. i was smitten right then and there. their interpretation of that song is to die for!! i had a loop of him singing one line in my head for 36 hrs...no joke. i had to go get the cd...he wouldn't leave my mind!! and he's so much less scary than tim curry. don't get me wrong, tim is a fabulous actor, but i rented the full version of the 1982 annie and... uh uh. no way. it had a nicer political feel and not such a tied up ending, but the 1999 version has heart and FABULOUS performances. i will forever be grateful for rob marshall (director) begging alan to do it...

This movie is a pathetic attempt at revisiting a far superior film released in 1982. For fans of the better version, you will find yourself snoring through this one. The acting ability, musical numbers, set designs, and overall feel of this telefilm is nothing compared to the theatrical presentation on which this one attempts to immitate.

This adaption of "Annie" is an excellent piece of film making. The casting,

direction, writing, choreography all come together in perfect balance to entertain people of all ages.

My only wish is that budget and time constraints would have allowed for the

entire original story and score to remain in tact. The Hooverville / "We'd Like to Thank You Mr. Hoover" sequence in the original stage musical was perfect in

showing the effects of the depression, as well as giving us the introduction to Sandy. I only hope that future TV musicals allow the time for the full production, much like the 1993 version of "Gypsy" starring Bette Midler.

I've noticed that some people have commented about the multi-racial casting

and how secretary Grace would never have been a black woman. Historically,

this is most likely correct, but again let's keep in mind that this is musical theatre and for people to just start singing with invisible musicians isn't very realistic either. I'm glad to see that Audra MacDonald was cast because she has the

perfect acting skills, personality and voice to play Grace. Even though many of these stories are traditionally "white", the ability to cast multi-ethnic roles only enriches the piece and is completely appropriate in our modern society.

First of all I really like both the 1982 version and the 1999 version- the reason why I do prefer the 1982 version is because that in particular is a childhood favourite. I do admit there was a time when I didn't really like this, but now considering that it was a TV remake, and that it is a lot more faithful to the stage play, it is not as bad as I initially thought. True it is too short, and despite her truly beautiful voice I just wasn't sure about Audra MacDonald as Grace. For my tastebuds, it was a tad sugary sweet at times for my liking. However, it does look lovely, and the music is marvellous, and the same with the 1982 version. The performances are great too. I really loved Aileen Quinn,(and I wish people would stop making horrible comments about her) but Alicia Morton is closer than what Annie is like in the stage show, in terms of age, and while both girls were wonderful, Morton has got the better voice. Annie's friends were well done too, but the scene stealer has to be Kathy Bates as Miss Hannigan, just like the wonderful Carol Burnett. There were times when she was absolutely hilarious, and Victor Garber while just lacking the gruffness of Albert Finney was a delight as Daddy Warbucks. Alan Cumming and Kristen Chenoweth were fine as Rooster and Lily, and I also much enjoyed the portrayals of Tim Curry(who is my favourite actor of all time and vastly underrated as an actor) and Bernadette Peters. This version is closer to the stage musical, and has a real Christmas feel to it. The problem I had with the 1982 version were John Huston's direction, and I know they changed the ending, but to be fair, the 1982 version is NOT the first musical adaptation to take liberties with the stage musical, how about My Fair Lady and Oklahoma! Overall, seeing this again recently proved my initial opinion of it wrong. 7/10 Bethany Cox